Combined LORT 2019-20 (Capital Repertory Theatre, Portland Stage Company)
Various Producers
AUDITION DATE
Mon, Apr 15, 2019
9:30 am - 5:30 pm (EDT)
Lunch 1 to 2
CONTRACT
LORT Non-Rep Capital Repertory: LORT minimum $696/week (goes up to $717/week on 2/16/20) + P&H. Portland Stage: LORT minimum $696/week
SEEKING
Equity actors and actor/singers for various roles in the 2019-20 Seasons for Capital Repertory Theatre (Albany, NY) and Portland Stage Company (Portland, ME).
See breakdowns.
PREPARATION
Prepare EITHER 1) a comic or dramatic prepared monologue; OR 2) a brief song, traditional Broadway or pop, with sheet music in correct key; OR 3) a one minute monologue and 16 bars of a song.
Bring headshot with resume stapled to the back.
Accompanist provided.
LOCATION
Actors' Equity New York Audition Center
165 W 46th St
16th Fl
New York, NY 10036
PERSONNEL
See breakdowns for personnel in attendance.
NYC Casting Director: Stephanie Klapper Casting
OTHER
EPA Procedures are in effect for audition.
An Equity monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
Capital Repertory Theatre 2019-20 Season
Maggie Mancinelli-Cahill, Producing Artistic Director (in attendance)
Margaret E. Hall, Assistant Artistic Director (in attendance)
Capital Rep is a 300-seat, LORT D theatre, operating since 1981 in Downtown Albany, NY.
The 2019-20 season starts in 6/19 and runs through 8/20.
Salary: LORT minimum $696/week (goes up to $717/week on 2/16/20) + P&H
OTHER: Capital Rep encourages actors of all ethnicities, generations and sexual identities to audition for all parts.
Stage Manager info: PSM And ASM positions are filled. SM/ASMs only may submit resumes to:
bcurry@capitalrep.org for future consideration
THE FULL MONTY
Book by Terrence McNally, Music and Lyrics by David Yazbek
Reh starts 6/11, previews 7/5-7, opens 7/9, closes 8/11
Directed by: Maggie Mancinelli-Cahill,
Chor: Freddy Ramirez,
Musical Dir: Josh D. Smith
Synopsis: While spying on their wives at a “Girls’ Night Out” trip to a male strip club, a group of unemployed Buffalo steelworkers come up with a bold way to make some quick cash by stripping. Based on the cult film of the same name, this ten-time Tony Award nominee is filled with heart.
NOTE: there is very brief full nudity in the show. All actors need to be comfortable with their bodies to be in various states of undress.
NOTE: Roles of Vicki, Jerry and Harold are cast. Role of Nathan will be cast with a local teen actor.
Seeking principals:
(3) Females:
Georgie – 30s-40s, warm, down to earth, Dave’s wife, sassy spitfire, supportive wife, loving, high alto/mezzo belter
Jeanette –40-50+ - piano player, seen it all, been there, done it. Showbiz running through her blood, you can’t shock her but she’ll shock you, as she says what’s really on her mind. Comic. Low alto belter. (actor does not have to actually play piano)
Pam – 30s-40s - Jerry’s estranged wife, a realist, wrestles with her feelings about Jerry. Loves him, but has learned to be disappointed. Alto w/belt.
(4) Males
Note: Moderate dance skills required for all male principals
Dave – 30s-40s unemployed steel work, lovable, good natured soul with body weight and self-esteem issues. Must be comfortable with your belly to proudly wield it with all its pride and glory. Lyric tenor with falsetto
Malcolm- 25-30s – shy, awkward, friends are worried about his mental state, he transforms from desperately lonely to deeply loving. High tenor with smooth falsetto.
Ethan – 25-30s – optimistic, energetic, farm boy handsome, well-built, athletic; he’s not a great dancer, but he’ll try anything…High baritone/tenor
Noah “Horse” T. Simmons – 50s -retired African American steel worker, gentle demeanor, excellent mover with great deadpan comic timing, Baritone/Tenor
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LOBBY HERO
Written by Kenneth Lonergan
Reh starts 9/3, previews 9/27-29, opens 10/1, closes 10/20
Directed by: Megan Sandburg-Zakian
Synopsis: Kenneth Lonergan’s dramedy. Jeff, a luckless, but likable 20-something security guard is drawn into a local murder investigation involving Bill, his tightly wound Black supervisor, who has been called upon to bear false witness to protect his troubled brother. When Jeff decides to reveal a big secret about the crime to his secret crush, all hell breaks loose when she decides to tell her unscrupulous macho-cop partner. The play echoes contemporary issues of “Me too,” and impact of racial prejudice.
Seeking:
(1)Female
Dawn- 20’s, White, Rookie cop. Tough. Vulnerable, guarded. Smart.
(3)Males
Jeff- late 20s, White. Uniformed security guard. Talkative and curious. Somehow both anxious and relaxed, tranquil and uncomfortable.
William-late 20s-30s – Black. Serious. Responsible, intense, ambitious.
Bill- 30s – White. A policeman, Charming, arrogant, pathological. Aggressive and performative, with his warmth as well as his rage.
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IT’S A WONDERFUL LIFE: LIVE FROM WVL RADIO THEATER
Adapted by WVR Repoley from the motion picture by Frank Capra
Reh start 10/29, previews 11/22-24, opens 11/26, closes 12/22
Directed by: Margaret E. Hall
Synopsis: George Bailey and all the residents of Bedford Falls, as you’ve never seen - or heard -- them before. Based on the classic Frank Capra film, the story comes to life as a live, 1940s radio broadcast. Five actors give voice to all the memorable Bedford Falls characters, accompanied by sound effects and music created live on stage.
Seeking
NOTE: Actors who play instruments a plus (esp. guitar, mandolin, ukulele, violin)
(2) males
LEE WRIGHT - late 20’s-30’s; A charismatic go-getter always full of energy. The resident Foley artist for the station, and a true artist of the craft, he is also very good with voices and dreams of being an on-air actor. He is in love with Evelyn. Plays: Joseph, George, Harry and Martini for the broadcast.
MAYS - mid-30’s-40’s; Long-time character actor and well-known to the WVL Listeners. In a secret relationship with Kitty and scared to let anyone know about it. Very good with voices and vocal Foley sounds. Plays: Franklin, Clarence, Gower, Bailey, Potter, Billy, Bert, Sam, Man, Mrs. Hatch, Tom, Pete, Tommy, Nick and Sherriff for the broadcast.
(2) females:
EVELYN REED (female) mid-20’s to 30’s; Appears to be a bit meek and thus fits in well as the station’s secretary and general domestic support crew. Has a bit of theatre in her background and when handed the challenge, steps up to the plate and proves she’s got what it takes to be an on-air actor. Plays: Mary, Carter, Owner and Cop for the broadcast.
KITTY DAYLE (female) 30’s-40’s; Character actor with a lot of talent and strong feminine wiles. In a secret relationship with Mays and completely fed up with the secrecy. Very good with voices. Plays: Violet, Ernie, Mrs. Bailey, Dr. Campbell, Tilly, Ruth, Maria, Mrs. Randall, Mrs. Thompson, Teller, Janie, Zuzu and Driver for the broadcast.
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YOUR BEST ONE (East Coast Premiere)
Written by Meridith Friedman
Reh starts 12/17, off 12/24-26 and 1/1, previews 1/17-19, opens 1/21, closes 2/9/2020
Directed by: Gordon Greenberg
Synopsis: Richard and David had it all: great jobs, a great Manhattan apartment and a great relationship. It seemed a natural thing to adopt a child to share their good fortune, right? Whoops! Rewind! Richard’s fear of commitment reared its head and out he walked. Now, eight years later, a crisis brings him back, to be forgiven, to be useful, to be family.
Note: The role of David is cast. The role of Josh will be cast with a local teen.
Seeking:
(2)Males:
Richard: mid-late 50’s. Not a cold man, but his default is not a smile. Physically fit, handsome and naturally magnetic. He’s never had to make much of an effort…until now. Logical. Problems are to be solved. Dry sarcasm. Age is softening him. He has always loved David, and still does.
Oscar: late 80’s. Richard and Laura’s father. Physical ailments have destroyed his body. Still, he manages to be imposing. Most often found complaining. But, like Richard, age has softened him…a bit. Oscar and David have a connection of the beloved father-in-law/son-in-law – even though David and Richard never married.
(1)Female:
Laura: late 40’s. Richard’s younger sister and Oscar’s daughter. Refreshingly, or maddeningly, unfiltered depending on whom it is she is talking too. The last one to leave the party. Laura is more ‘hip’ than Richard, she has a Facebook page and knows how to use it. She and David also have a loving connection.
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THE IRISH…And How They Got That Way
By Frank McCourt, with the music of Ireland
Reh starts 2/11/20, previews 3/6-8, opens 3/10, closes 4/5/2020
Directed by: Maggie Mancinelli-Cahill, Chor: Freddy Ramirez, Musical Dir: Josh D. Smith
A rollicking, roller coaster of a ride, compiled by Frank McCourt (Angela’s Ashes), who brings his wit, trademark bitter and boundless love of his people to this revue about all things Irish. This show delivers what it promises: stirring blarney, a bit of hokum, genuine heartache and much joy. Set in McCourt’s Pub, complete with a working bar, the narration weaves a buoyant blend of traditional songs, show tunes and pop – from “Danny Boy” to George M. Cohan to U2.
Seeking:
Ensemble of 5 actor/storyteller/musicians. Seeking versatile actor/musicians who sing, dance a bit and move well, all with verbal dexterity. All have Irish accents. Instruments (advanced level playing skill): Fiddle, Flute/piccolo player/whistle player, Guitar/Banjo/Mandolin, Percussionist/bodhran, cajon, bells, tambourine, hand drum
(3) Men:
2 tenors, 1 baritone – ages 20s-50s
(2) Women:
1 soprano/1 mezzo/alto – ages 20’s-50s
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SISTER ACT
Music by Alan Menken, Lyrics by Glenn Slater, Book by Cheri and Bill Steinkellner
Based on the Touchstone Pictures Motion Picture, Sister Act, written by Joseph Howard
Reh starts 6/16/2020, previews 7/10-12, opens 7/14, closes 8/16/2020
Directed by Maggie Mancinelli-Cahill, Chor. Freddy Ramirez, Musical Dir: Josh D. Smith
Synopsis: When lounge singer, Deloris Van Cartier, witnesses a murder, she is put in protective custody in the one place the cops are sure she won’t be found: a convent. Disguised as a nun, the Vegas diva finds herself at odds with a starched Mother Superior, but using her dance moves and singing talent to inspire the choir, Deloris breathes new life into the community – and herself as well. Filled with rock, pop and powerful gospel music.
Seeking principals:
(5) Females
Delores Van Cartier - late 20s-30s, Black, sassy, brassy, fun, disco diva with a big heart, capable of transforming, as she discovers all that she can be. Big soprano belt.
Mother Superior – 50-60s – White. On the surface, stiff, disciplined, prudish, but is transformed through music and Delores’ tenacity. Mezzo soprano, legit and belt.
Mary Roberts – 20s – White. shy, wallflower, soft-spoken, finds her voice through the music and spirit that Delores brings to the convent. Big voice, high soprano belt
Mary Patrick – 30s-50s, a large women in every way, happy, joyful, very excitable, one might say, pathologically perky. Soprano
Mary Lazarus – 60s – deadpan, hilarious, wise-cracking, former choir leader. Alto.
(6) Males
Curtis Jackson – 40s – Black. Intimidating. Tough guy, gangster. He means business. He’ll stop at nothing to find Delores. Tenor/high Ab, sings “When I Get My Baby.”
Joey - 20s-30s – White. Not so smart, body guard, a ‘bouncer’ type: strong build, sings ala Bee-Gees/4 Seasons with Pablo and TJ. Tenor/falsetto.
Pablo – 20s - only speaks in Spanish – completely Vegas, Sings like the BeeGees/4 Seasons with Joey and TJ, Must speak Spanish. Tenor/very high falsetto.
TJ – 20s-30s – Black. Flashy, beefy, guy you want on your side. Sings like the Bee Gees/4 Seasons with Pablo and Joey. Tenor/falsetto
Eddie Souther – 30s – Black. Desk Chief cop, shy, nicknamed “sweaty Eddy,” nervous under pressure, not confident with women. We care about him and want him to get together with his longtime crush, Delores. Tenor/high B.
Monsignor O’Hara – 60s – Appears to be traditional, disapproving of all-things outside the rules and regulations of the church, but transforms with the music and Delores’ persuasive energy. High baritone.
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Portland Stage Company 2019-20 Season
P.O. Box 1458, Portland, ME 04104, portlandstage.org
LORT D; $696.00/week
Anita Stewart - Executive and Artistic Director - Portland Stage - present at all auditions
*** No SM or ASM positions are available at this time***
***none of the roles have understudies***
AIN'T MISBEHAVIN'
by Murray Horwitz and Richard Maltby Jr.
Director: E. Faye Butler
1st rehearsal: 7/22/19 Opening: 8/9/19 Closing: 9/1/19
seeking
André – African American, male identifying, age 25-45. Vocal range G2-E6. An unrepentant party hound and flirt.
Armelia – African American, female-identifying, age 25-45. Vocal rage G3-C6. Strong-willed, unafraid to share her thoughts.
Charlaine – African American, female-identifying, age 18-30. Vocal range G3-G5. A sweet, young woman.
Ken – African American, male-identifying, age 25-45. Vocal range D3-C6. Jovial, cheerful, loud, larger than life.
Nell – African American, female-identifying, age 30-45. Vocal range F3-F5. Confident and charming, a knowledgeable woman of the world.
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THE CLEAN HOUSE
by Sarah Ruhl
Director: TBD
1st Rehearsal: 9/3/19 Opening: 9/27/19 Closing: 10/13/19
Lane - a doctor, with a cleaning lady. Early 50s, male-identifying.
Matilde - a Brazilian maid who hates cleaning. She has a refined sense of deadpan. Late 20s, female-identifying.
Virginia - Lane’s sister who loves cleaning. Late 50s, female-identifying.
Charles - Lane’s husband, a surgeon, who is childlike under his white coat. 50s, male-identifying.
Ana – an Argentinian woman who is older than Lane and impossibly charismatic. 50s-60s, female-identifying.
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READ TO ME
*New Work, World Premiere*
by: Brendan Pelsue
Director: TBD
1st Rehearsal: 10/1/19 Opening: 10/25/19 Closing: 11/10/19
A poignant story about a child with a terminal illness who connects delicate moments in unusual ways. After discovering the mysterious “Postal Service,” he sends messages to the world, and awaits a response. This poetic play, created through magical realism, reveals the quiet ways in which we connect.
*all characters any ethnicity*
Tony Hotchkiss – Canny, except about what he does not know—which is lots. 8 years old. Actors of any gender, ethnicity and age that present under 20.
Sam Hotchkiss – Tony’s father. Not the best man, but a good-enough man, which is the best man anyone can ask for. A coward. Male-identifying, 40s.
Lawrence – A lost young man with a bicycle who reads to Tony. Male-identifying, 20s.
Elmo the Shaman – We all know better shamans. We may not know better dreamers. Male-idntifying, 40+.
Nurse – She knows the drill. Female-identifying, Over 35.
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IT'S A WONDERFUL LIFE: A Live Radio Play
Adapted by: Joe Landry
Director: Anita Stewart
1st Rehearsal: 11/5/19 Opening: 12/6/19 Closing: 12/24/19
*all characters any ethnicity*
Freddie Filmore – The host of WBFR’s Playhouse of the air, our narrator, and others in tonight’s broadcast. 50s.
Jake Laurents – A TV actor making his way into radio who plays George Bailey in tonight’s broadcast. 30s-40s.
Sally Applewhite – Former Miss Ohio, current radio play actress who plays Mary Hatch, Mr. Potter, and others in tonight’s broadcast. 30s-40s.
Lana Sherwood – A radio play veteran playing Violet Bick, Mrs. Bailey, and others in tonight’s broadcast. 30s.
Harry ‘Jazbo’ Heywood – A comedic actor playing the angel Clarence, Sam Wainwright, and others in tonight’s broadcast. 30s-40s.
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ALMOST MAINE
by John Cariani
Director: Sally Wood
1st Rehearsal: 12/30/20 Opening: 1/24/20 Closing: 2/23/20
*all characters any ethnicity*
Man 1
Man 2
Woman 1
Woman 2
The cast is composed of various citizens and travelers in the not-quite town of Almost, Maine ranging from mill workers to snowmobilers, and those returning after a long absence and those that have never left. Each scene features a different grouping of characters from the town that all know each other.
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NATIVE GARDENS
by: Karen Zacarías
Director: TBD
1st Rehearsal: 2/11/20 Opening: 3/6/20 Closing: 3/29/20
Tania Del Valle – a Latinx PhD candidate and gardener, who is both positive and passionate. Late 20s.
Pablo Del Valle - a savvy Chilean-American attorney with ambition. Early 30s.
Virginia Butley- a direct, no-nonsense Polish-American engineer. 50s-60s.
Frank Butley – A Federal employee that’s passionate about his garden. 50s-60s.
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THE CHILDREN
by: Lucy Kirkwood
Director: TBD
1st Rehearsal: 3/17/20 Opening: 4/10/20 Closing: 4/26/20
*all characters any ethnicity*
Rose – a determined nuclear engineer that feels a sense of duty. Female-identifying, 60s.
Hazel – a retired nuclear engineer and yoga enthusiast determined to keep order and routine. Female-identifying, 60s.
Robin – a retired nuclear engineer and a hobby farmer who tests the boundaries of relationships and life. Male-identifying, 60s.
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SABINA
Book by: Willy Holtzman, Music by: Louise Beach, Lyrics by: Darrah Cloud
Director: TBD
1st Rehearsal: 4/14/20 Opening: 5/8/20 Closing: 5/24/20
Carl Jung – Swiss, male identifying. An adventurous psychologist who is unafraid to test boundaries and convictions. 30s and 70s.
Sabina Spielrein – Russian, female identifying. Jung’s patient and protégé, who suffers from schizophrenia and a vulnerable heart. Early 20s and 40s.
Ludwig Binswanger – German, male-identifying. Jung’s skeptical colleague, who prefers traditional boundaries. 30s and 70s.
Emma Jung – Swiss, female-identifying. Jung’s enduring wife who puts family and her sense of duty before everything. Late 20s and 60s.
Sigmund Freud – Austrian, male-identifying. Jung’s waning predecessor, who fears no one will carry his legacy. 50s.
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Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
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