BEEF & BOARDS DINNER THEATRE 2023 SEASON Equity Principal Actors - Beef and Boards Dinner Theatre Auditions

Posted December 15, 2022
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BEEF & BOARDS DINNER THEATRE 2023 SEASON - Beef and Boards Dinner Theatre

BEEF & BOARDS DINNER THEATRE 2023 SEASON - EQUITY VIDEO SUBMISSIONS (PRINCIPALS)

BEEF AND BOARDS DINNER THEATRE


NEW

CONTRACT

  • Dinner Theatre
  • $678 weekly minimum

SEEKING

Equity actors who are racially, ethnically, and physically diverse as well as inclusive of all gender identities, sexual orientations, and abilities for principal roles in Beef & Boards Dinner Theatre's 2023 Season (see breakdown).

All stage managerial positions have been filled.

INSTRUCTIONS

SEE PREPARATION INSTRUCTIONS IN

BREAKDOWN

. Submit at
https://beefandboards.net/auditions/2023/opencall/index.html OR by emailing your headshot/resume and video audition.

Deadline: Tue, Dec 27, 2022

SUBMIT TO


auditions@beefandboards.commailto:auditions@beefandboards.com">auditions@beefandboards.com

PERSONNEL

Eddie Curry, Artistic/Casting Director (viewing auditions)
Heather Patterson King - Director
Doug King - Choreographer
Ron Morgan - Resident choreographer
Kristie Templet - Musical Director

OTHER

DATES

See production dates in breakdown.

OTHER

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

PREPARATION INSTRUCTIONS:

Provide a current full body slate with at least your name, height, and union status. Work to submit a clear video with good lighting and sound.

Option 1 - Submit any current and/or relevant vocal audition video/reel that you already have.

Option 2 - Submit a vocal audition using (1) one or more of the songs at
https://beefandboards.net/auditions/2023/opencall/index.html

FOOTLOOSE

Heather Patterson King, Director

Doug King, Choreographer

Kristy Templet, Music Director

Douglas T. Lamb, Stage Manager

Dates:

1st Rehearsal, January 26, 2023

Open, February 9, 2023

Close, March 26, 2023

Footloose is a 1984 American musical drama film directed by Herbert Ross. It tells the story of Ren McCormack, a teenager from Chicago who moves to a small town, where he attempts to overturn the ban on dancing instituted by the efforts of a local minister. The film received mixed reviews from the critics but became a box office hit, grossing $80 million in North America, becoming the seventh highest-grossing film of 1984. The film is known for its music, with the song Footloose by Kenny Loggins.

Seeking:

REN MCCORMACK – Lead character, teenager from Chicago, fun, quick-witted and loves to dance, out-going personality. ETHEL’s son. Vocal Range: Middle D to high C, has solos, has duet with ARIEL & harmony. Dances well, athletic skills a plus.

ETHEL MCCORMACK – REN’s mother, has a duet with VI – mature vocal sound.

REVEREND SHAW MOORE – Lead adult character, strong singer. Beaumont’s religious leader father to Ariel. Solos and has a duet with VI.

VI MOORE – SHAW’s wife & ARIEL’s mother. has duet with ETHEL – – mature vocal sound desired.

ARIEL MOORE – Lead character. SHAW & VI’s daughter. Sings and dances well. Vocal range requires a D with some soulish singing, ability for vocal improvisation a plus. Rebellious for a reverend’s daughter, like Rizzo in Grease, but more mischievous than negative. Dances very well.

LULU WARNICKER – Ren’s Aunt, married to WES. Character sings but does not have to dance well.

WES WARNICKER – Ren’s uncle, married to LULU. Character sings but does not have to dance well.

COACH ROGER DUNBAR – Character sings but does not have to dance well.

RUSTY – ARIEL’s friend. Several lines, some dancing. Sings Solo & 3-part harmony with several solo lines – has F and Low A. Think girls from Little Shop, but with a few more lines.

WENDY JO - ARIEL’s friend. Some lines, some dancing. Sings in 3-part harmony with several solo lines. Think girls from Little Shop, but with a few more lines.

URLEEN – ARIEL’s friend. Some lines, some dancing. Sings in 3-part harmony with several solo lines. Think girls from Little Shop, but with a few more lines.

CHUCK CRANSTON – ARIEL’s boyfriend. local “bad boy”. Doesn’t like Ren. Sings fairly well– has B with lots of A’s & G’s, sings with ARIEL with male back up.

WILLARD HEWITT – Big guy, short temper, loves his mama. Befriended by Ren. Many lines, sings Solo & 3-part harmony with several solo lines. “Learns” to dance.

PRINCIPAL HARRY CLARK – Principal of Boumont High School, enforcer of rules. Scene with REN & WILLARD. Not required to sing.

AN AMERICAN IN PARIS

Ron Morgan, Director/Choreographer

Terry Woods, Music Director

Douglas T. Lamb, Stage Manager

Dates:

1st Rehearsal, March 13, 2023

Open, March 30, 2023

Close, May 14, 2023

An American in Paris is a story of finding love, happiness, and a new lease on life. The musical is set in the City of Lights, Paris, as it emerges from the shadows of World War II. As the weight of the Nazi Occupation begins to lift, the city’s inhabitants come alive and rediscover life’s grandest possibilities. An American veteran and aspiring painter, Jerry, is still reeling from the war when he discovers the girl of his dreams: Lise, a captivating young dancer at the ballet. Jerry falls in love with the mystery girl as soon as he spots her in a crowd on the street. By chance or fate, Jerry and Lise are brought together at a ballet rehearsal, where Jerry has come to visit his friend Adam, the company’s composer. While there, Jerry catches the eye of Milo, an American heiress and Adam’s patron. To add more confusion to this love triangle, Lise is already engaged to marry Henri, a rich young businessman, who dreams of being a performer, himself. But does Lise truly love Henri? Or is Jerry, the American stranger, the man she is meant to love? And even if she loves Jerry, can Lise find a way to move on from the fact that Henri’s family saved her life during the war? Set to some of the George and Ira Gershwin’s most timeless music, An American in Paris brings both complexity and joy to the journey of Lise, Jerry, and their friends, as they fall in love, follow their dreams, and celebrate the most wonderful joys of being alive.

Note: The stage musical’s plot differs greatly from the 1951 film of the same name starring Gene Kelly and Leslie Caron.

Seeking:

Adam Hochberg: Lead Male, 20-29, Tenor New York born and bred, classically trained composer, walks with a cane; lives on the Left Bank in relative squalor. Excellent singer. Piano experience a plus, but not required. Comfortable with some dancing, especially some tap.

Jerry Mulligan: Lead Male, 20-29, Tenor, an excellent ballet dancer. Some tap and jazz a plus. Jerry is a Midwestern painter, studying in Paris on the GI bill. He is charming, ambitious, callow. Note: Acting and singing experience also a plus, but please submit regardless of level of acting and singing training.

Henri Baurel: Lead Male, 20-39, Tenor the handsome child of privileged Parisians, and heir to a manufacturing fortune; he secretly wants to be a song and dance man; uncertain about his sexuality. Excellent singer. Has dance ability and is able to tap.

Lise Dassin: Female, 18-25, Soprano, Mezzo-Soprano, an excellent ballet dancer. Originally from Alsace, Lise is very private with a profound inner dignity. Note: Acting and singing experience also a plus, but please submit regardless of level of acting and singing training.

Milo Davenport: Lead Female, 30-39, Mezzo-Soprano an American art patron who is attractive, wealthy, bold, and tends to leap before she looks. Excellent singer. Has some dance ability.

Madame Baurel/Olga: Supporting Female, 50-59, Mezzo-Soprano Henri’s upper middle class, comically self-righteous mother. Olga is the grand, self-important ballet mistress, who is an innocent child behind the aggressive façade. Excellent comic timing and some singing ability.

BEAUTY AND THE BEAST

Elizabeth Stark, Director

Ron Morgan, Choreographer

Kristy Templet, Music Director

Douglas T. Lamb, Stage Manager

Dates:

1st Rehearsal, May 4, 2023

Open, May 18, 2023

Close, July 9, 2023

Beauty and the Beast tells the story of an unkind prince who has been magically transformed into an unsightly creature as punishment for his selfish ways. To revert into his true human form, the Beast must learn to love a bright, beautiful young lady who he has imprisoned in his enchanted castle before it is too late.

Seeking:

Belle: A vibrant, intelligent girl with beauty, who wants more out of the life than an ordinary existence. She is optimistic, fun-loving, caring, and eager to experience life. Warm and caring and independent. Gender: Female Strong vocalist - Soprano with a strong belt and princess mix.

Beast: A Prince transformed into a terrifying beast for his lack of compassion. He is hot-tempered and commanding, but has a warm, loving heart buried far beneath his gruff exterior. Gender: Male. Baritone.

Gaston: The egotistical, ultra-masculine villain determined to marry Belle. He is manipulative yet charming and earnest. Great comedic timing, bravado, and physical comedy.

Lefou: Gender: Male Baritone with a deep character voice that sets Gaston apart. Gaston's bumbling sidekick. He is loyal, energetic, and optimistic, but not quite the brightest guy. Great comedic timing and physical comedy. Gender: Male. Baritone/tenor

Maurice: Belle's loving, eccentric father. A child at heart and inventor in his own world. Gender: Male. Baritone.

Cogsworth: A tightly-wound, enchanted mantle clock and the head of the Beast's household. He is uptight, strict, and punctual but also hard-working, faithful, and thorough. Great comedic timing. British accent Gender: Male. Baritone.

Mrs. Potts: A warm-hearted, maternal enchanted teapot. She is loyal, caring, and playful. British accent. Gender: Female. Warm Mezzo-Soprano voice.

Lumiere: A suave, debonair enchanted candelabra. He is a loyal and steadfast servant. French Accent. Great comedic timing. Gender: Male. Baritone.

Chip: An enchanted teacup and Mrs. Potts' darling little boy. He is innocent, playful, and bright-eyed. A child.

Babette: A saucy, enchanted feather-duster, and the object of Lumiere's affections. She is the playful, gorgeous, seductive French maid. French accent. Great comedic timing. Gender: Female. Mezzo-Soprano.

Madame De La Grande Bouche: A former opera diva-turned-enchanted wardrobe. She has a caring, refined, larger than life personality. Gender: Female. Soprano – ability to be operatic a plus!

Monsieur D'arque: The scheming proprietor of the local insane asylum. He is a dark, sinister villain who aides Gaston in his plot to marry. Gender: Male. Baritone – sings Maison De Lune.

SOPHISTICATED LADIES

Kenney M. Green, Director

Kenney M. Green, Choreographer

Teneh Karimu, Music Director

TBA, Stage Manager

Dates:

1st Rehearsal, June 26, 2023

Open, July 13, 2023

Close, August 20, 2023

A musical revue based on the music of Duke Ellington.

Seeking:

Man 1 - (Gregory) - African American Singer/Dancer, age 35-50. A great tapper and jazz dancer.

Woman 1 & 2 - African American Female Singers that are exciting and extremely versatile singers. Strong movement skills would be a plus.

Man 2 - Any Ethnicity, 28-40. An outstanding dancer/singer well versed in all types of dances of this era.

Woman 3 - Any ethnicity, 28-40, an excellent singer with a beautiful vulnerability. A strong soprano with a wonderful belt/mix.

Man 3 - African American. Mid 20's -35. Singer and Dancer. Wonderful dancer in all styles. Jazz, tap, and swing.

GRUMPY OLD MEN

Curt Wollen, Director

TBA, Choreographer

Terry Woods, Music Director

Douglas T. Lamb, Stage Manager

Dates:

1st Rehearsal, August 10, 2023

Open, August 24, 2023

Close, October 1, 2023

GRUMPY OLD MEN is the story of two aging men, Max and John, neighbors who have been feuding for most of their lives. Invigorated by their shared affection for their new neighbor across the street, the beautiful, eccentric, and charming Ariel, they face-off as romantic rivals until their hilarious shenanigans finally bring about a resolution to their long-standing differences. Based on the 1993 film, which starred Jack Lemmon, Walter Matthau, and Ann-Margret, this stage adaptation captures the lovably crotchety characters through twinkling humor, great songs, and the affectionate depiction of a small town that feels like home to everyone.

Seeking:

Opportunities for featured casting in the ensemble

JOHN GUSTAFSON (retired history teacher) – Male, Age 70

MAX GOLDMAN (his neighbor; retired TV repairman) – Male, Age 71

ARIEL TRUAX (college professor; new in town) – Female, Age 52

JACOB GOLDMAN (Max’s son; a lawyer) – Male, Age 39

MELANIE NORTON (John’s daughter; a R.E. agent) – Female, Age 38

SANDRA SNYDER (nefarious tax collector) – Female, Age 40

“GRANDPA” GUSTAFSON (John’s oversexed father) – Male, Age 94

CHUCK BARRELS (owns the town’s general store) – Male, Age 69

PUNKY BARRELS (Chuck’s niece; also new to town) – Female, Age 55

JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT

Doug King, Director/Choreographer

Kristy Templet, Music Director

Douglas T. Lamb, Stage Manager

Dates:

1st Rehearsal, September 21, 2023

Open, October 5, 2023

Close, November 19, 2023

Joseph and the Amazing Technicolor Dreamcoat (often colloquially known as Joseph) is a sung-through musical comedy with lyrics by Tim Rice and music by Andrew Lloyd Webber, based on the character of Joseph from the Bible's Book of Genesis. This was the first Lloyd Webber and Rice musical to be performed publicly; their first collaboration, The Likes of Us, written in 1965, was not performed until 2005. Its family-friendly retelling of Joseph, familiar themes and catchy music have resulted in numerous staging’s.

Seeking:

Narrator: A character not of the time or place of the action. The Narrator tells the story through word and song, guiding the audience gently through the story of Joseph and his brothers, usually gives meaning to the story with his/her words. In early productions this character was usually played by a man; later productions have featured a woman in the role.

Jacob: The father of twelve sons, his favorite being Joseph. At times he may appear unfair and shallow, but he is, more importantly, the prophet who recognizes the future and the calling of Joseph, thus saving the House of Israel. Sometimes doubles as Potiphar.

Joseph: Eleventh son of Jacob. Obviously his father's favorite, Joseph early on shows a talent for interpreting dreams and telling the future. This gets him into trouble with his brothers when he predicts his future will include ruling over the other eleven. However, it saves his life when in Egypt he correctly interprets Pharaoh's dreams. In the end he has risen to a great position of power, but he still forgives his brothers and brings his family to Egypt to partake of the bounty he has accumulated there.

Potiphar: A powerful and rich Egyptian, Potiphar purchases Joseph and puts him to work in his household, where he soon realizes that Joseph is honest, hard-working, and a great addition to his pool of help. When he grows suspicious of Mrs. Potiphar and Joseph, however, he grows angry and has Joseph thrown into prison. Often played by the actor playing Jacob.

Pharaoh: The most powerful man in Egypt, Pharaoh is considered a god on earth. When Joseph interprets his dreams, he promotes him to one of the highest positions in his government. In most productions, Pharaoh is portrayed as an Elvis Presley-style figure. Sometimes played by one of the brothers.

‘WHITE CHRISTMAS’

Eddie Curry, Director

Ron Morgan, Choreographer

Terry Woods, Music Director

Douglas T. Lamb, Stage Manager

Dates:

1st Rehearsal, November 9, 2023

Open, November 24, 2023

Close, December 31, 2023

Soldiers Bob Wallace and Phil Davis served under General Henry Waverley in World War Two and, ten years later, they are still working together in a popular song and dance duo, Wallace and Davis. When they meet the singing sisters, Betty and Judy Haynes, Phil becomes enamored with the beautiful Judy, while Bob is more reserved about his feelings for Betty. The two men follow the sisters up to their seasonal engagement at The Columbia Inn in Vermont. They discover the inn is owned by General Waverley but, unbeknownst to him, the inn is struggling to survive. With the help of Martha, the concierge, and the General’s granddaughter, Susan, Bob, Phil, Betty and Judy decide to put on a big show to draw in business.

Bob arranges for his old friend Ralph Sheldrake to bring the General’s former troops up to Vermont to support the show. Betty overhears Bob’s plans and misinterprets his intentions, believing that he wants to buy the inn instead. Confusion ensues as Betty leaves to go back to New York alone. Bob follows her to attempt to reconcile but, believing he has lost her, he goes on the Ed Sullivan Show to reach out to his former comrades. Back in Vermont, the rehearsals are coming to an end and the General is convinced to wear his uniform to watch the show. He is moved to see his former men return to support him and decides to put his efforts into making the inn a success. Betty returns to apologize to Bob and the couple finally declare their love for each other. With the show a huge success, Bob leads the whole theater in a rendition of “White Christmas”.

Seeking:

Bob Wallace: Male, Lead, Tenor

Phil Davis: Male, Lead, Baritone

Betty Haynes: Female, Lead, Mezzo-Soprano

Judy Haynes: Female, Lead, Alto

General Henry Waverly: Male, Supporting, Spoken

Martha Watson: Female, Supporting, Alto

Susan Waverly: Female, Supporting

Ralph Sheldrake: Male, Supporting, Tenor, Baritone, Bass

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