Crash Test Dummies Play The Fox Theatre 6/13

Sunday June 13, 9:00pm
97.3 KBCO Presents
CRASH TEST DUMMIES

With their clever, smug lyrics and cloying folk-tinged melodies, the Crash Test Dummies were a perfect rock band for affluent '90s college students and yuppies. Their first album was a multi-platinum hit in their native Canada, but only gained a small cult following in other parts of the world. Thanks to former Talking Head Jerry Harrison's clean, radio-friendly production, the follow-up album, "God Shuffled His Feet" (1993), broke big in the States and, in turn, Europe. The first single from the record, "MMM MMM MMM MMM," became a worldwide Top Ten hit, making the group a minor sensation with their self-consciously bizarre lyrics and singer/songwriter Brad Roberts' deep baritone. "A Worm's Life" followed in 1996, and three years later the Crash Test Dummies returned with "Give Yourself a Hand", which found Roberts sharing vocal duties with bandmate Ellen Reid.

Roberts resurfaced in fall 2000 with a solo album, "Crash Test Dude", a collection of acoustic hits from CTD and eclectic covers. It was also during this time that Roberts suffered a serious car crash, almost losing his arm. Seven months later, however, he returned to the CTD circuit to issue "I Don't Care That You Don't Mind", a brand-new batch of songs written with lobster fishermen/musicians whom Roberts met during his rehabilitation. Late 2001 and early 2002 saw more solo albums from the band's members (Ellen Reid's Cinderellen and Mitch Dorge's As Trees Walking), and the Dummies gradually became more Roberts' project than a traditional band. A new three-piece unit consisting of Reid, Roberts and original bassist Dan Roberts released the Christmas album Jingle All the Way in late 2002, but limited distribution made the album hard to find. The album was reissued in late 2003 along with a new album, "Puss 'n' Boots", with Reid and Dan Roberts adding to what was originally planned as a Brad Roberts solo album. The trio embraced a more stripped-down acoustic sound on their next album, 2004's "Songs of the Unforgiven", while 2010's "Ooh La La" proved to be more symphonic.

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