Benjamin Lazar Davis Shares Stream of Debut Solo Album NOTHING MATTERS, Out This Friday

By: May. 01, 2018
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Benjamin Lazar Davis Shares Stream of Debut Solo Album NOTHING MATTERS, Out This Friday

Benjamin Lazar Davis (Okkervil River, Cuddle Magic) is sharing an advance stream of his debut solo album Nothing Matters, which is out this Friday and features collaborations with Kimbra, Alex Toth of Rubblebucket, and Bridget Kearney of Lake Street Dive. The record's charming pop sounds have been winning over early fans at NPR, KCRW's Morning Becomes Eclectic, and Consequence of Sound, among others, and Gold Flake Paint, who premiered the album stream, call it "something both textured and terrific; a varied pop record that takes on various faces but feels bound by something unseen; a lightness of touch like gossamer unseen."

Nothing Matters is out May 4 on 11A Records and is available for pre-order now.
Benjamin Lazar Davis will be on tour this spring in the UK in support of Anna & Elizabeth and the U.S. pulling double duty playing bass with and opening for Okkervil River.

4/19: C'mon Everybody (album release show) - Brooklyn, NY

5/03: Forest Arts Center - New Milton, UK ^

5/04: Quay Arts - Newport, UK ^

5/05: Marisa Jack & Davy - Bedfordshire, UK ^

5/09: The Sugar Club - Dublin, Ireland ^

5/10: Howard Assembly Room - Leeds, UK ^

5/12: Sage Gateshead - Gateshead, UK ^

5/13: Traverse Theatre - Edinburgh, UK ^

5/14: Old Mill Gallery - Castle Douglas, UK ^

5/17: Cecil Sharp House - London, UK ^

5/20: Black Cat - Washington, DC *

5/21: Cat's Cradle - Carrboro, NC *

5/22: Aisle 5 - Atlanta, GA *

5/24: The Kessler - Dallas, TX *
5/25: The Heights - Houston, TX *

5/26: Mohawk - Austin, TX *

5/29: Crescent Ballroom - Phoenix, AZ *

5/31: Teragram Ballroom - Los Angeles, CA *

6/01: Observatory - Santa Ana, CA *

6/02: Bimbo's - San Francisco, CA *

6/04: Neumos - Seattle, WA *

^ supporting Anna & Elizabeth

* supporting Okkervil River

MORE ON BENJAMIN LAZAR DAVIS:

Benjamin Lazar Davis is a gifted multi-instrumentalist, singer-songwriter, arranger, composer, and producer based in Brooklyn. His forthcoming full length album Nothing Matters - his very first as a solo artist - came out of an extensive period of touring followed by a difficult break up. To make the record, Davis spent all all of his money on instruments and recording gear, including drums and drum machines, both nylon and steel string acoustic guitars, an electric and an upright bass, a pump organ, a mellotron, a Moog, and an upright piano. He worked on the record every day, for 30 straight days, in his childhood bedroom at his parents' house in Saratoga Springs, and once finished, he mixed it back in Brooklyn with his high school friend Luke Moellman (GGFO).

Although there are no other performers on the record, many collaborations went into the writing of the album, including cowrites with Kimbra ("Right Direction"), Alex Toth of Rubblebucket and Alexander F ("Love Song Seven Ways," "Life Is Dangerous," and "Choosing Sides"), Bridget Kearney of Lake Street Dive ("Somebody's Speaking For Me"), singer-songwriter Taylor Ashton ("Brass Tacks"), award-winning poet Michael Gizzi ("Acquitted"), and his brother, a brilliant lyricist, Tim Davis.

Benjamin Lazar Davis writes, records, and performs with Cuddle Magic, Joan as Police Woman, and Okkervil River, and he has worked with Anais Mitchell, Kimbra, Luke Temple, Jesse Harris, Henry Jamison, Wild Belle, Delicate Steve, Star Rover, Sam Amidon, Markus Acher (the Notwist), and Margaret Glaspy as a co-writer, side-musician, arranger, producer, studio musician, touring member, and band member in the past. While Nothing Matters grew out of Davis's desire to make music on his own in a life where he has been a chronic collaborator, the album evokes inspiration from all of these artists, and he considers it a culmination of his life's work

As he began work on the album, Davis found a photo of his father lounging beneath a hand-written sign that read "Nothing Matters," which eventually became the album's artwork; "It was taken in 1969 in Malawi Africa where he lived at the time. He taught me music growing up, and I think seeing that picture right before recording the record gave me a sense of letting go of all of the baggage that comes with making music and being in a relationship. When in the midst of the meditation of making the album, nothing matters. Just let the tape roll and the ideas flow..."



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