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Rachel Weinberg

Rachel Weinberg is the Co-Lead Editor and Theater Critic for BroadwayWorld Chicago. She joined the team in 2014. Rachel is a B2B tech marketing professional specialized in content strategy, writing, and editing. She holds her Master’s degree in Integrated Marketing Communications from the Medill School of Journalism at Northwestern University and earned her undergraduate degree in Communication from the University of Pennsylvania. Rachel has worked previously in digital marketing for Goodman Theatre and as a marketing apprentice for Roundabout Theatre Company in New York City. When she’s not at the theater, you can catch her riding up a storm on her Peloton bike, getting lost in a good novel, or sampling desserts at bakeries across the city. You can find her online at RachelWeinbergReviews.com.

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BWW Review: GOOD NIGHT, OSCAR at Goodman Theatre

BWW Review: GOOD NIGHT, OSCAR at Goodman Theatre

March 22, 2022

Doug Wright’s GOOD NIGHT, OSCAR, now in its world premiere production at Goodman Theatre, is an engaging play that brings the story of one infamous night in the life of Oscar Levant to the stage.

BWW Review: WHITE at Definition Theatre Company

BWW Review: WHITE at Definition Theatre Company

March 20, 2022

WHITE is a sharp and genuinely funny critique of the modern art world, the subjectivity of contemporary art, and the question of who should be represented and who has access to the upper echelons of said art world.

BWW Review: THE MOORS at A Red Orchid Theatre

BWW Review: THE MOORS at A Red Orchid Theatre

January 16, 2022

A Red Orchid Theatre returns with Jen Silverman’s THE MOORS, which overturns the conventions of a Victorian era-style drama by infusing commentary on gender roles and elements of absurdism.




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