Celebrating their 20th anniversary this year, Black Black return to the Linbury Theatre with a double bill of new work, and in signature style you’ll be hard pressed to leave without your heart feeling a little fuller than before.
There’s a particular anticipation for this new triple bill from Birmingham Royal Ballet.
Sir Peter Wright's Giselle is one of the Royal Ballet's most recognisable productions and offers the most coveted of roles for any ballerina.
Akram Khan’s third work for English National Ballet finally debuted after numerous COVID-related false starts to a vocal Sadler’s Wells audience this week.
Continuing the week that dance returned to the UK, the Royal Ballet favoured a contemporary focus with a mixed bill under the banner title, 21st Century Choreographers.
Before we get to the main business of the dancing, let’s focus on what tonight is really all about: the moment the lights go down and there is an announcement, “Welcome to this performance of Reunion by English National Ballet”, and followed by that unique sound of applause and cheering from a
Strictly Come Dancing’s golden couple, Aljaz Skorjanec and Janette Manrara, return for a socially distanced iteration of their latest big budget production.
With London and the UK’s plans for a nostalgic annual revival of Nutcracker scuppered, fortunately Marquee TV is supplying audiences with access to New York City Ballet’s production, choreographed by George Balanchine, until January 3.
It’s December and Royal Ballet’s Nutcracker is back on stage, it’s almost like 2020 didn’t happen, and for two magical hours, that's how it will feel.
This latest gala from the Royal Ballet had been planned to be performed in front of a live and appreciative audience, drinking in their first in-person, post lockdown performance.
I had been vividly envisioning my return to live theatre for seven months before attending Staatsballett Berlin’s performance of Giselle.
Strictly Come Dancing is going to look very different to any of its previous 15 years, as producer of the annual sequinned extravaganza, Sarah James, explained when she recently addressed the media to reveal how the Coronavirus-friendly edition of the show will work.
The Royal Ballet returned to the stage for the first time in seven months on Friday night.
English National Balleta??s Emerging Dancer marks the companya??s first live performance since lockdown and the opener to their newly curated Digital Season as a response to the current COVID-19 restrictions.
Birmingham Royal Ballet looks a lot different today than it did ten years ago when this performance for David Bintleya??s Cinderella was filmed.
There were few greater joys in dance in 2019 than English National Ballet's Cinderella-in-the-round, which played to full auditoriums for 10 days last summer in London.
Sander Blommaert, a multi-award-winning ballet teacher from Elmhurst Ballet School, and former Royal Ballet First Artist, has completed a run of 100 free online ballet classes throughout lockdown.
The third installment of Live from Covent Garden is the first to feature two ballet performances instead of one, and all the stronger for it.
The latest installment from English National Ballet's series of a?oewatch partiesa?? is Kenneth MacMillan's emotionally demanding Manon.
The Royal Opera House continues to treat us to a fortnightly fix of ballet and what relief this latest edition is.
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