BWW Review: MAYERLING, Royal Opera House
Kenneth MacMillan's Mayerling is the vivid dramatisation of the life of Crown Prince Rudolph and his death alongside his young mistress Mary Vetsera in 1889.
Vikki Jane Vile - Page 4
BWW Review: ENGLISH NATIONAL BALLET - SWAN LAKE, Liverpool Empire
The next lockdown treat courtesy of English National Ballet comes in the form of Derek Deane's Swan Lake.
BWW Review: ANASTASIA, Royal Opera House
The latest ballet to feature as part of the #OurHouseToYourHouse series is Kenneth Macmillan's Anastasia, the true story of Anna Anderson who claimed to be the youngest daughter of Tsar Nicholas II and the only survivor of the Russian Royal family's assassination in 1918.
BWW Review: THE ROYAL BALLET - THE WINTER'S TALE, Royal Opera House
The second opportunity for online audiences to enjoy some Royal Ballet repertoire over lockdown is Christopher Wheeldon's adaptation of The Winter's Tale.
BWW Review: ENGLISH NATIONAL BALLET'S DUST, Milton Keynes Theatre
I've written about Dust, Akram Khan's work for English National Ballet World War One programme, Lest We Forget, several times.
BWW Review: MATTHEW BOURNE'S SWAN LAKE, Sadler's Wells
It's no understatement to say Sir Matthew Bourne's Swan Lake changed the dance landscape back in 1995 when it first premiered.
BWW Review: ENGLISH NATIONAL BALLET - BROKEN WINGS, Sadler's Wells
Admirably enhancing their “at home” offering, in addition to regular live streams of company class and chair-based dance classes for those with limited mobility, English National Ballet now bring us Wednesday Watchalongs, a weekly opportunity to experience key work from their back-catalogue for
BWW Review: THE SWAN, Birmingham Royal Ballet Home From Home
Since taking the lead as Birmingham Royal Ballet's Director just three months ago, Carlos Acosta certainly hasn't had the easiest time of it.
At The Home Barre: The Best Online Ballet and Contemporary Dance Classes
The dance studios and weekly classes are all long gone, so what are budding dancers doing to stay in shape now? Luckily, the dance community are a highly disciplined, generous bunch.
BWW Review: RICHARD ALSTON DANCE COMPANY - FINAL EDITION at Sadler's Wells
Richard Alston is a man who doesn't need reviews any more.
BWW Review: SWAN LAKE, Royal Opera House
Enough words have been given to the controversy surrounding this run of Liam Scarlett's Swan Lake, its first revival since a largely triumphant premiere in 2018.
BWW Review: ALINA COJOCARU, Sadler's Wells
A busy week of dance in London is brought to a radiant conclusion by the perfect delicacy of English National Ballet Lead Principal Alina Cojocaru, with support from some esteemed friends.
BWW Review: MESSAGE IN A BOTTLE, Peacock Theatre
Kate Prince is known for her unique blend of joyous, feel-good street and contemporary dance.
BWW Review: THE CELLIST / DANCES AT A GATHERING, Royal Opera House
The first mixed programme of 2020 from the Royal Ballet sees Cathy Marston's much anticipated and arguably long overdue first work for the main stage at Covent Garden.
BWW Review: SADLER'S SAMPLED, Sadler's Wells
Sadler's Sampled is Sadler's Wells' annual parade of varied dance offerings - although this year proved somewhat of a disappointment from previous iterations.
BWW Review: RUSSIAN BALLET ICONS GALA, London Coliseum
It's always a tough choice, at this annual Ballet Icons Gala, to know whether to review the performances on stage or the extravagant antics of it's animated Russian audience.
BWW Review: ONEGIN, Royal Opera House
John Cranko's Onegin was last performed by the Royal Ballet in 2015.
BWW Review: ENGLISH NATIONAL BALLET'S 70TH ANNIVERSARY GALA, London Coliseum
Galas are peculiar beasts.
BWW Review: THE NUTCRACKER, Royal Albert Hall
In true balletomane style, my first thought when I knew I would be in London over the Christmas and New Year period was that I would finally be able to catch Birmingham Royal Ballet's (BRB) Nutcracker which runs for just seven performances.
BWW Review: THE RED SHOES, Sadler's Wells
It's fitting that Matthew Bourne's The Red Shoes returns to London to finish up another year of reviewing dance.
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