BWW Review: Actor's Gym Unearths a Gem in FALLEN ANGELS
Two wives grapple with the prospect of meeting their common old flame in Noel Coward's FALLEN ANGELS, a situation that played out very differently in 1925 than it does today.
Perry Tannenbaum - Page 5
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BWW Review: THE DAFFODIL GIRLS Vie Viciously for Survival – and a Pony
THE DAFFODIL GIRLS, Jeff Swearingen's makeover of 'Glengarry Glen Ross,' transformed David Mamet's real estate shark tank into a Girl Scout Cookie drive.
BWW Review: Mendelssohn's ITALIAN SYMPHONY Upstaged by Epic Paganini Concerto
Charlotte Symphony's celebration of Italy with music by Berio, Berlioz, Paganini, and Mendelssohn's ITALIAN SYMPHONY actually peaked with Paganini's Violin Concerto No.
BWW Review: Like Panoramic Pease, MUSIC OF THE NIGHT Was Fun While It Lasted
After we're rid of the obligatory 'Memory,'CP's fond farewall to Pease Auditorium, THE MUSIC OF THE NIGHT, is a lot of fun - but not a lot of music,
BWW Review: THE PHILADELPHIA STORY Bides Its Time Before Detonating
A less-than-imperial Tracy Lord picks up strength, energy, and enlightenment as THE PHILADELPHIA STORY chugs along at Theatre Charlotte, cresting in time for an affecting epiphany.
BWW Review: Charlotte Symphony's ROYAL CELEBRATION Delivers Brassy, Breathtaking Music
While nobody onstage reminded us exactly what we were celebrating, Charlotte Symphony's MUSIC FOR A ROYAL CELEBRATION, commemorating the Queen City's 250th anniversary, was a concert fit for a king.
BWW Review: HAMILTON Sparks a Feeding Frenzy – and Justifies It
With a company that mostly outclassed the replacement cast I saw on Broadway, the HAMILTON tour not only set off a ticketbuying frenzy across Charlotte, it fulfilled theatergoers' wildest expectations.
BWW Review: FALL WORKS Fetes Bernstein and Robbins in Witty Style
With three sailors on shore leave, a carnival of fantastics seeking to console a disconsolate janitor, and the oddest choreography for Bellini's 'Casta Diva' you'll ever see, FALL WORKS launched Charlotte Ballet's 2018-19 season with wit and style.
BWW Review: BEETHOVEN'S FIFTH Recaptures Its Elemental Fire
Charlotte Symphony has kicked off its 2018-19 season with an all-Beethoven program highlighted by the FIFTH SYMPHONY and a guest turn by pianist Garrick Ohlsson, adding an extra performance to meet anticipated.
BWW Review: CP's BECKET Struggles With Loyalty, Faith, and Caring
At times BECKET looms before us like a vast Shakespearean tapestry and at others like a bloated two-hander, but this CPCC Theatre production plays well at Halton Theater, which is really good news as Pease Auditorium bites the dust.
BWW Review: MATILDA Is Less Sweet and More Abrasive at ImaginOn
MATILDA may be losing some of its appeal as a children's story, especially when Children's Theatre of Charlotte makes it more realistic than the national tour that came to town just two years ago.
BWW Review: Symphony's OPENING NIGHT GALA Celebrates With Primal Beauty and Fire
Symphony's OPENING NIGHT GALA, spotlighting violinist Joshua Bell, boded well for the 2018-19 season to come and the orchestra's celebration of Charlotte's 250th anniversary.
BWW Review: New Horror and Grotesquerie as Phantom Moves to Coney for LOVE NEVER DIES
Your knees won't buckle when you enter Belk Theater to see LOVE NEVER DIES, Anthony Lloyd Webber's long-awaited sequel to The Phantom of the Opera.
BWW Review: Fleet Buffoonery Conquers Enchantment in PETER AND THE STARCATCHER
Theatre Charlotte's PETER AND THE STARCATCHER was more enjoyable to me than either the Broadway or the touring versions - partly because I've finally discarded the expectation that the Peter Pan prequel would deliver on Neverland's enchantment.
BWW Review: Panther Star Shows Us a Grittier Africa in ECLIPSE
Brand New Sheriff's production of ECLIPSED reaffirms that Danai Gurira is a force to be reckoned with as a playwright as well as a Marvel Universe action hero.
BWW Review: Pride Rock Remains Strong in 'Rafiki Tour' of THE LION KING
As Disney's megahit reaches its 21st Broadway birthday, we're not asking each other anymore if you've seen THE LION KING.
BWW Review: SEX WITH STRANGERS Is a Steamy, Brainy Brew
Laura Eason isn't misleading or overpromising with her title, SEX WITH STRANGERS, but it's a pleasant surprise to encounter as much brains as body heat
BWW Review: CORTEO Wows, Charms, and Sweetly Dazzles in Arena Remount
Cirque du Soleil has been on a bumpy road in recent years with such dubious spectacles as Delirium and Paramour, but they've regained their zany, surreal, and mesmerizing swagger - and how! - with CORTEO, a smashing epic triumph.
BWW Review: BOOK OF MORMON Remains Spectacularly Hilarious
Some of the jests of THE BOOK OF MORMON are starting to show some wear, but the buffoonery, vulgarity, and bold tastelessness still satisfy, and the dance ensemble on this third Charlotte go-round - along with Casey Nicholaw's choreography seem more brilliant than ever.
BWW Review: Earthbound NEWSIES Charms With Punk Hero and Youthful Fervor
Choreography isn't as eye-popping in CPCC Summer Theatre's NEWSIES as the Broadway version was, but the hero's role and all the colorful elders are performed on the same lofty level as the impressive set design.
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