Last week, Dreyfoos School of the Arts in West Palm Beach, FL welcomed Legally Blonde's Original Producer Hal Luftig to the school for a day of master classes with DSOA theatre students and a performance of DSOA's production of Legally Blonde.
LEGALLY BLONDE at Dreyfoos School of the Arts Opens February 27!
While some musical theatre Grinches may hold fast to the stage rule 'never work with children or animals,' most producers of 'Annie' know why the opposite is true.
Getting into the spirit of Halloween, the Maltz Jupiter Theatre opened its 2013-2014 season with Frederick Knott's tale of intrigue Dial M for Murder.
Slow Burn Theatre Company of West Boca is already known for having a penchant for the dark and slightly off-centered musical and has enjoyed a few mostly successful seasons with hits such as Side Show and Sweeney Todd.
Miami regional theatre Actors' Playhouse wisely chose pint-sized powerhouse Julia Dale to lead their company to victory with their production of Ruthless! The Musical, which opened this weekend at the Miracle Theatre.
The fast-paced anecdotal collection of vignettes takes a musical romp through the struggles and unexpected joys of being a parent in a completely relatable way, whether you are a parent or not.
It seems a wise and refreshing choice for a theatre company known for producing thought-provoking and challenging works to decidedly chill out over the summer.
Aside from having the gumption to produce the more offbeat and challenging musicals, what Slow Burn Theatre Company can accomplish with a minimal amount of outside resources is truly commendable.
It seems an obvious choice for Miami to produce one of the first regional productions of In The Heights, a musical centered around Latin culture in the Washington Heights neighborhood of Manhattan.
Thoroughly Modern Millie, a classic piece of musical theatre in its own right, brings a prohibition-era energy and crispness to the lively set while keeping focus on a simple story of a small-town girl.
Serving as Director/Choreographer for most of Slow Burn's productions, Fitzwater builds this world as a maddening circus filled with somehow completely relevant freaks of nature.
Recreating this iconic movie on the stage is an ever-daunting task but has been a staple of the regional theatre scene since it closed on Broadway in the mid 1980s.
A favorite among contemporary musical theatre lovers, Jason Robert Brown's The Last Five Years has been championed as one of his best.
In this retelling of Meredith Wilson's 'The Music Man,' with early 20th century Midwest slang and an almost too quick gift-wrapped resolution, director Mark Martino and choreographer Shea Sullivan were able to successfully breathe new life into a script and score that, especially for younger audienc
This AVENUE Q delivers exactly what fans of the show expect: a raunchy, shocking humor neatly gift-wrapped and presented under the guise of seemingly cute puppets with dirty minds and no filter.
Without getting political or even all that specifically religious, Actors' Godspell places focus on the ever-growing importance of an accepting and loving community, a message well-received.
Paul Louis and Nick Santa Maria, creators and writers of "Real Men Sing Show Tunes…And Play with Puppets," find a way to appeal to both sexes with clever rhymes, well-timed skits and the occasional shocking curveball.
As eerie candlelight dances across dark walls, two actors create an intensely creepy world that extends past the fourth wall and lures the audience into its chilling tale.
An infectious blend of Miami heat and Studio 54 spice, "The Donkey Show" brings the 70s alive by way of an over-the-top, rollicking disco extravaganza.
