“When are we old? How can experience and embodied knowledge be brought into creative play? And what is the role of dance in questioning the idealisation of youth in our culture?”
Life With Oscar is an autobiographical monologue written, and performed by Nicholas Cohen that takes the audience on a trip to the darker side of La La Land.
Inger's Carmen is successful in two key ways: firstly it tells the existing narrative of Carmen incredibly clearly, secondly it actually does so with “new resonance' - who'd have thunk it.
No Sugarplum Fairy at Sadler’s Wells this Christmas…they've got Edward Scissorhands instead! Specifically Matthew Bourne’s New Adventures production running until 20 January.
I’ve never seen a lunar halo – a sparkling ring around the moon – so the fact that Cheng Tsung-lung’s work of the same name uses it as a premise is indeed intriguing.
Rhiannon Faith Company premieres Lay Down Your Burdens at the Barbican Centre, another “socially conscious” work to add to their ever-growing portfolio
LOVETRAIN2020 by Emanuel Gat started promisingly: atmospheric lighting, shafts of layered space and glimpses of new romantic courtiers bedecked in asymmetrical, louche garbs.