Review: GA Ensemble Stages a Spellbinding Twist on a Classic Ghost Story
The horror of this story is in all of the things that you don’t see, and all of the unspeakable scenarios that may emerge from the unchecked imagination.
Luke Evans
Review: ORDINARY DAYS at Stage Door Theatre Isn't Perfect, But Neither Is Life
Stage Door Theatre's production of Ordinary Days may hit some early stumbles, but the final product rings with enough emotional truth to leave the audience smiling and contemplating the simple beauties in their own lives.
Review: Basketball is Not the Only Team Sport in FLEX at Theatrical Outfit
Candrice Jones has penned a deeply personal play, one in which the social pressure to succeed and to rise above one’s circumstances runs counter to the more primal desire to be a part of something larger than oneself.
BWW Review: NOIR Crackles with Style at the Alley Theatre
It was a cool and quiet night on the streets of Los Angeles, the City of Angels abuzz with secret lives, and an anxious shut-in was waiting to tell us a story.
BWW Review: THE LIFESPAN OF A FACT at Jarrott Productions Asks Big Questions About the Nature of Truth
At times, the show is almost painfully blunt, and I don’t mean that to be an insult.
BWW Review: DIRTY ROTTEN SCOUNDRELS at Stageworks Theatre
Anyone looking for a light-hearted romp with verve to start off their summer would do well to make their way to Stageworks Theatre to see their delightfully fun production of Dirty Rotten Scoundrels.
BWW Feature: TOMMY TUNE AWARDS Make a Joyous Return to Theatre Under The Stars
At our particularly fraught point in history, this mission of nurturing and developing the artistic passions of our youth seems more important than ever, and the fine staff at Theatre Under the Stars is proving that they are prepared and invested in making this goal a reality.
BWW Review: JERSEY BOYS at the Hobby Center is an Infectious Escape
For a messily scripted white-comfort piece, Jersey Boys sure can make for an effective toe-tapping diversion from the ever-encroaching dread that is life in the 2020s.
BWW Review: ROMEO AND JULIET at Houston Grand Opera Is a Gratifying Delight
As the curtain rises in Houston Grand Opera's production of Romeo and Juliet, Charles Gonoud's 1867 adaptation of the seminal Shakespeare play, the audience is transported into a realm of romance and passion, brought to life by the soaring score and gifted performers.
BWW Feature: The Gays of History Get Their Due in BORN WITH TEETH at The Alley Theatre
For those ready to see how a stifled, heterosexual history can blossom forth into the present with new queer wonder, get yourself to the Alley Theatre to see Born with Teeth.
BWW Review: Art Factory's SWEENEY TODD is Well Sung But Rough Around the Edges
This sentimental value proved to be a benefit for Art Factory’s intimate production, which hits some satisfying notes amid some noticeable stumbles.
BWW Review: THE WAR OF THE WORLDS at Classical Theatre Company is a Science Fiction Odyssey
Fans of old school science fiction (particularly the thoughtful, novelistic kind that prefigured The Twilight Zone and Star Trek) should find much to enjoy the Classical Theatre Company’s adaptation of H.
BWW Review: GLORIA at 4th Wall Theatre Company Presents a Smart and Seething Take on Violence in the Digital Age
What a gut punch of a play is Branden Jacob-Jenkins’s Gloria, and what a tight and well-paced rendition 4th Wall Theatre Company has offered.
BWW Review: THE CAKE at Stageworks Theatre is a Sweet and Occasionally Filling Look at Gay Marriage in the South
This production of The Cake may not be perfect, but what it lacks in thematic depth, it makes up for in confectionary charm and good intentions.
BWW Review: ISHIDA Dance's YOU COULD RELEASE ME Puts Human Relationships on Display
The prevailing theme of ISHIDA Dance’s new work You Could Release Me is love, and the many forms that love takes.
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