Having written, performed, directed and produced plays, cabarets and musicals along the West Coast for many years, Mr. DeWitt began reviewing theatre for Seattle Actor.com in 2003. He now freelances, filling in as needed for associates Jay Irwin on Broadway World and David-Edward Hughes on Talking Broadway.com
The final installment of STAGEright's "Find Your Light" season is the uproarious white-trash lampoon, THE GREAT AMERICAN TRAILER PARK MUSICAL, by Betsy Kelso and David Nehls.
Playwright Dane Whitlock is quite fond of popular culture to the point of obsession (nay, mania!), having created shows like LITTLE HOUSE ON THE PRAIRIE-OKE and I TOTALLY KNOW WHAT YOU DID LAST DONNA SUMMER.
The old adage “Life is what happens to you while you're busy making other plans,” would be an ideal tagline for local playwright Kiki Penoyer's TAPHOUSE, an adaptation of Anton Chekhov's THREE SISTERS.
The true story of murderous teens Nathan Leopold and Richard Loeb has seen many iterations over the years, from thinly veiled derivatives like ROPE, COMPULSION or MURDER BY NUMBERS to direct accounts of their actions such as the musical THRILL ME, or the subject of this review, John Logan's NEVER TH
Tom Griffin's 'THE BOYS NEXT DOOR' is a tricky script…its subject matter is a group home in the Boston area housing four mentally-challenged adult men; Arnold, Norman, Lucien and Barry.
Issaquah's Village Theatre has chosen the tuneful favorite "Annie Get Your Gun" for its holiday season show, with original book by Herbert and Dorothy Fields and music by the venerable Irving Berlin.
Being a fan of film-noir, I was delighted to have the opportunity to review "Double Indemnity," the final show of A Contemporary Theatre's 2011 season.