Audiences throughout the country have fallen into the habit of standing up because they think it's expected, as if it's part of their unwritten contract with the people creating art in darkened theaters night after night.
Who's who in Tennessee theater? Sometimes, without a program in your hand, it's difficult to know who's playing whom-hence, our newest feature: Hey, Jef, Here's My Headshot.
Who's who in Tennessee theater? Sometimes, without a program in your hand, it's difficult to know who's playing whom-hence, our newest feature: Hey, Jef, Here's My Headshot.
For Jessica Grove, playing Maria Rainer in Studio Tenn's production of the classic Rodgers and Hammerstein musical The Sound of Music is, quite simply, a part of the natural evolution of theater.
The Boston native, whose circuitous career and meteoric rise to fame took her from New York City to Berlin and back to Los Angeles and various points in between, moved to Nashville in 1995, seeking a more laidback existence for herself and her family, a bucolic setting to raise her two daughters, a
Real-life acting spouses Lindy and Greg Pendzick play a fictional romantic couple in Arlene Hutton's See Rock City, described as "a tender, moving play" that opens at Crossville's Cumberland County Playhouse on Thursday, May31.
Timing just seems right for the four men who make up Under the Streetlamp-the quartet that's taking American stages by storm this summer-to share their mantra that "retro never sounded so now!" with the legions of fans of "The American Radio Songbook of the '50's, '60's and '70's" while bringing a w
Who's who in Tennessee theater? Sometimes, without a program in your hand, it's difficult to know who's playing whom-hence, our newest feature: Hey, Jef, Here's My Headshot.
According to the weather forecasters, it's going to be a long, hot summer in Tennessee and if you're looking to cool off at the theatre, you could probably use some help in making the right selections, right? Here are our top five picks for the theater offerings that are sure to satisfy your hankeri
Among them (according to The National Center for Education Statistics, some 1,781,000 students at the bachelor's degree level will graduate as part of the Class of 2012), of course, are a fresh crop of would-be actors, directors, stage managers, playwrights, designers, critics and others who hope to
Founded by Jacob Weiss-who also heads up Playing By Air, the critically acclaimed performance troupe based in Music City-Creativity Moves Nashville will feature a half-day professional development conference for creative leaders, entrepreneurs and non-profit organizations, as well as public creative
Who's who in Tennessee theater? Sometimes, without a program in your hand, it's difficult to know who's playing whom-hence, our newest feature: Hey, Jef, Here's My Headshot.
Bye Bye Birdie-conjuring up memories of Elvis Presley and the fan fervor that greeted a lot of musical acts in the 1950s and '60s-takes center stage at Dickson's Renaissance Center in June as the Renaissance Players present the musical theater classic June 1-17.
Jekyll and Hyde-the musical that established Frank Wildhorn as a major force in contemporary musical theater-will be given a concert mounting as the first offering from Murfreesboro's Stones River Theatre Company, the city's first and only professional theatre company.
Directed by Lauren Shouse, Street Theatre Company's production is unique in its casting: Cori and Tyson Laemmel play Cathy and Jamie for the final two weekends of the run, while Kacie Phillips and Ryan Greenawalt opened, to essentially unanimous and deserved acclaim, in the roles for the first two w
Who's who in Tennessee theater? Sometimes, without a program in your hand, it's difficult to know who's playing whom-hence, our newest feature: Hey, Jef, Here's My Headshot.
Tennessee Repertory Theatre's 2011-2012 professional interns will present The Woman in Black, a ghost play adapted by Stephen Mallatratt from the book by Susan Hill.
Let's face it: You have to give Paul Vasterling, the grand poobah (as both artistic director and CEO of Nashville Ballet, what other title suits him best?) of all things musical/dancical/theatrical in Music City, a whole bunch of credit for the imaginative-heretofore unexperienced-heights he has hel
Who's who in Tennessee theater? Sometimes, without a program in your hand, it's difficult to know who's playing whom-hence, our newest feature: Hey, Jef, Here's My Headshot.
Kim Bretton, easily one of the best actors to be found anywhere, makes an auspicious Nashville debut as a director-that places her firmly among the upper echelons of that particular field of endeavor-with her thoughtful and intriguing mounting of Donald Margulies' Time Stands Still for Actors Bridge
