Jeffrey Ellis - Page 104

Unseasonably warm weather in Middle Tennessee has ushered in the threat of severe storms and tornadic activity in the Nashville area today, March 2, forcing many of theater companies to cancel performances originally scheduled for tonight.

Now owned by the second-generation Chaffins-John and Janie, who were recognized among Nashville's Top Entrepreneurs of 2012 by Business Leader Magazine-The Barn has touched the lives of many, both onstage and off-, and today we continue our special series of Onstage at The Barn: Memories from The First 45 Years, with actor/director/playwright Dietz Osborne, who made his debut at The Barn in a 1998 production of Guys and Dolls-and up until recently, his was the voice you heard on the company's voice mail system directing you which number to push when you call in to make reservations, inquire about group events or to buy a gift certificate.

Today's spotlight falls upon Kay Ayers, one of Nashville's favorite and most versatile actresses, who this weekend completes her run as Melpomene in Boiler Room Theatre's production of Xanadu, in which she delivers a "deliciously wicked" performance (paired with Julie Brown-of "The Homecoming Queen's Got a Gun" fame-doppelganger Jordan Tudor), which allows her to show off her gorgeous voice and her dead-on comic timing.

Will Butler is pretty jazzed up about playing Eugene Morris Jerome in Circle Players' upcoming production of Neil Simon's Brighton Beach Memoirs which might be due, in part, to the fact that he's pretty certain he's got all the lines down pat. But the real reason he's excited is that Brighton Beach marks his return-it's kind of a comeback for the young actor-to the Nashville stage since his "senior capstone project" at Belmont University in 2010.

Now owned by the second-generation Chaffins-John and Janie, who were recognized among Nashville's Top Entrepreneurs of 2012 by Business Leader Magazine-The Barn has touched the lives of many, both onstage and off-, and today we launch our special series of Onstage at The Barn: Memories from The First 45 Years, with actress Nancy Allen, who first set foot on that magical levitating stage in a production of The Robber Bridegroom, directed by Rene Dunshee Copeland.

You won't find any dancing candelabra or see any anthropomorphic bombe chests bursting out in song in Nashville Children's Theatre's beautifully crafted adaptation of The Beauty and The Beast-written by producing artistic director Scot Copeland under the title Le Belle et la Bete-but what you will find is a heartfelt iteration of the timeless tale, one filled with romantic wonder and exquisite storytelling, based upon the "fairy tale" by Jeanne-Marie Le Prince de Beaumont.

Granted, Babes in Hollywood isn't for all theater audiences-although, frankly, it should be…what's with you people?-and you'll certainly love it more if you're at least somewhat informed about the Garland/Rooney film oeuvre or the legendarily close relationship the two young stars forged as children and continued throughout their lives. Although that friendship was abruptly ended in 1969 when Garland died in London (I remember reading the news in the Memphis Press-Scimitar as a sixth grader), I've no doubt Mickey Rooney still has conversations with his old pal, somewhere within the recesses of his memory and his heart.

Debuting February 28 at Nashville Children's Theatre-where it will continue through March 18-is producing artistic director Scot Copeland's original adaptation of The Beauty and the Beast (La Belle et la Bete), described as "an exquisitely theatrical adaptation of the French fairy tale by Jeanne-Marie Le Prince de Beaumont.

Directed by John McDonald and starring Colin Ryan as Leontes, Evy Gildrie-Voyles as Queen Hermione and Brandon Meeks as Polixenes, The Winter's Tale also features Josh Bernaski as Antigonus, Ryan Bowie as Camillo, Hannah Church as Emilia, Jay Doolittle as the Shepherd, Ted Jones as Autolycus, Travis Kendrick as the Clown, Ashley Laverty as Paulina, Gregory Pember (by permission of Actor's Equity) as Florizel and Kendall Anne Thompson as Perdita.

The Arts Center of Cannon County in Woodbury invites theater-goers to "rediscover the grandeur of one of history's greatest love stories" via Lerner and Loewe's timeless musical Camelot-starring John Blankenship, Katherine Sandoval Taylor and Kinsey Brewer-opening March 9.

Latin Heat and other ballets-a celebration of dance, music and love-promises to be the hottest post-Valentine's Day ticket in Nashville, according to Christopher Mohnani, producing artistic director of Tennessee Dance Theatre.

I'm happy to report that director Clarke and her capable actors have delivered a well-paced, thoughtful iteration of Fawcett's work, one that is certain to promote conversation and introspection, and which TWTP audiences have taken to their collective heart. In fact, The Disappearance of Janey Jones fits perfectly into TWTP's mission of giving women their full voice via the theater arts while provoking thought and discussion through the company's continued examination of the very things in life that affect-and confound-us all.

Vali Forrister retuns to the stage for the first time since her 2006 triumph in How I Learned to Drive to lead the cast of Actors Bridge Ensemble and the Belmont University Department of Theatre and Dance's production of Frederico Garcia Lorca's The House of Bernarda Alba. Jessika Malone, artistic associate at ABE, directs the cast of Emily Mann's adaptation of Lorca's work which has been described as 'a cross between Downton Abbey and The Bachelor with an added splash of Mommie Dearest.'

When Patty Duke played the role of Helen Keller in the Broadway premiere of William Gibson's The Miracle Worker, she was ten years old, and when Madeleine Hall took the stage of the Franklin Theatre on Thursday night in the opening of Studio Tenn's exquisitely crafted revival of the modern American theater classic, she too was ten years old. And it should be noted that as portentous as Duke's debut came to be known, theater lovers still to come may very well consider Madeleine Hall's beautifully crafted performance just as revelatory and just as noteworthy.

Led by an ensemble that includes the always superb Michael Holder in the titular role of Tommy, the "deaf, dumb and blind kid" who becomes a "pinball wizard," setting off widespread public acclaim and becoming a cause celebre in the process, Tommy in Concert also features the inspired pairing of Holly Shepherd and Ben Van Diepen as Mrs. Walker and Captain Walker. Despite the age difference of the two actors-not to mention their youthfulness in relation to Holder's casting as their onstage son-Shepherd and Van Diepen are believably cast as young lovers who marry in the early days of World War II only to find that first blush of romantic dreaminess devolve into the nightmarish consequences that set the show's plot in motion.

With the Tony Award-winning musical Spring Awakening making its Tennessee premiere tonight in Tullahoma in a sparkling new production directed by Robert Allen, we present dueling "Friday Fives," featuring the show's two leads. The focus of this interview? None other than Michael Adcock, winner in January of a BroadwayWorld.com Tennessee Theatre Award for his performance in Anything Goes at Murfreesboro's Center for the Arts.

Today's spotlight falls upon Blair Allison, who in January was recognized as one of First Night's Top 11 of 2011 Actors We'd Invest In For the Biggest Payoff (If We Had The Money). Tonight she opens in the Tennessee premiere of Spring Awakening, playing Wendla Bergman at Alpine Chateau, February 24 and 25, directed by Robert Allen (and playing opposite Michael Adcock, who stars in today's second installment of The Friday Five). After rolling in the hay as Wendla, Allison will focus on her next onstage assignment: The Ugly Duckling, running March 16-18 in the Belmont Little Theatre.

Tullahoma's Alpine Chateau Restaurant will present Tennessee's community theatre premiere of 2007's Tony Award-winning best musical Spring Awakening on February 25 at 9:30 p.m. and February 25 at 8:30 p.m. and 10:30 p.m. at The Historic Coker Building, 401 Wilson Avenue.

Will Butler is pretty jazzed up about playing Eugene Morris Jerome in Circle Players' upcoming production of Neil Simon's Brighton Beach Memoirs which might be due, in part, to the fact that he's pretty certain he's got all the lines down pat. But the real reason he's excited is that Brighton Beach marks his return-it's kind of a comeback for the young actor-to the Nashville stage since his "senior capstone project" at Belmont University in 2010.

The Who's Tommy in Concert is the next offering from Street Theatre Company, continuing the sold-out success of its In Concert series, playing for six performances February 22-26. STC's 2011 In Concert offerings-Chess in Concert and Ragtime in Concert-were both included in First Night's Top 11 of 2011 Outstanding Theatrical Events.