Harrison Kaplan has been active in theater in the Midwest Region for the past 40 years, performing in numerous lead and character roles since he was knee high to a footlight. Harry, as his friends call him, lives for the smell of the greasepaint and the roar of the crowd!
Audiences will probably be more familiar with the 1963 film version of BYE BYE BIRDIE from its innumerable screenings on television, with Dick Van Dyke, Ann Margaret, Janet Leigh, Maureen Stapleton and Paul Lynde all making vivid impressions under George Sidney's direction.
The story of Nathan Leopold and Richard Loeb has been written about and filmed on a few separate occasions, most notably with Alfred Hitchcock's version of Patrick Hamilton's play, Rope (shot in single film reel length takes as an added novelty), and with Meyer Levin's more fictionalized account Com
Debbie Does Dallas was a ground-breaking bit of sordid celluloid that ushered in an era of amateur pornography, where a pimply ass was not something to be ashamed of, but something to be celebrated, sort of.
When the 1954 musical Seven Brides for Seven Brothers was initially adapted for the stage it didn't meet with much success on Broadway back in the early 1980's (film director Joshua Logan had actually optioned the story for a stage musical).
Jacopo Ferretti (libretto) and Gioachino Rossini's (composer) re-imagining of the fairy tale LA CENERENTOLA (CINDERELLA) is a clever and charming take on the original work that's suitable entertainment for the entire family.
The NonProphet Theater Company presents the second show of their fifth theater season DEBBIE DOES DALLAS - THE MUSICAL by Erica Schmidt, Andrew Sherman & Susan L.
I'm a big fan of lowbrow horror and science fiction films, especially those made between the 1930's and late 1970's, and I've always enjoyed the work of cult director/producer Roger Corman.
When initially transforming Hans Christian Andersen's fairytale THE LITTLE MERMAID into an animated film, Disney provided an instant classic that was a smash hit with children and adults (and was a key player in their animation revival).
The Union Avenue Opera begins season seventeen with Giacomo Puccini's classic, and final work, TURANDOT (with libretto by Giuseppe Adami and Renato Simoni), and it's an excellent production buoyed by several fine performances.
Citilites Theatre presents a late night show, making a sort of double bill for theatre patrons after they take in THE CRUMPLE ZONE, with the short musical, SONGS FROM AN UNMADE BED.
Buddy Thomas takes the typical trappings of a romantic triangle and places them in a rundown New York apartment somewhere in Staten Island, with the twist here being that all the participants (in the triangle) are gay.
DANNY AND THE DEEP BLUE SEA is an early piece by playwright John Patrick Shanley, but you wouldn't know it, since it's filled with the same kind of crackling dialogue and troubled characters that populate most of his work.
The stage version of 101 DALMATIANS differs greatly from the original 1961 Disney film classic, but the changes are smart ones that focus our attention more on the evil villain of the piece, Cruella De Vil, rather than on a lengthy, suspense filled chase through snowy woods and icy ponds, which real
Muddy Water Theatre continues their season devoted to playwright Paula Vogel with her work THE MINEOLA TWINS, and it's an interesting piece that covers a period of around 40 years in the lives of two very different twins, Myra and Myrna.
For those who haven't seen the film or the musical verion of LEGALLY BLOND, the plot revolves around a rich Malibu Barbie, who comes complete with an ever-present pink ensemble, named Elle Woods, who's blindly and blissfully in love with the man of her dreams.