Review: STAY: AN ORIGINAL DANCE PLAY BY ISAIAH SILVIA-CHANDLEY at Arts On Site
What did our critic think of STAY: AN ORIGINAL DANCE PLAY BY ISAIAH SILVIA-CHANDLEY at Arts On Site?
Gabby Ziccarelli
Review: THE IMAGINING BY AMARI MARSHALL at Powerhouse Arts
What did our critic think of THE IMAGINING BY AMARI MARSHALL at Powerhouse Arts? Marshall delivers something that truly feels brand new: an immersive, in-the-round dance celebration that positions movement not as an accoutrament, but the main attraction.
Review: PRINCESS LOCKEROOO’S THE NUTWAACKER at The Guggenheim Museum
Presented by Works & Process at the Guggenheim, Princess Lockerooo’s The NutWAACKer a seasonal reimagining that also serves as a declaration: dance is art, street styles belong on the world’s most revered stages, and in movement born of resistance, we find freedom.
Review: MOZART’S THE MAGIC FLUTE at The Metropolitan Opera
As the houselights dim at the Metropolitan Opera, the Julie Taymor–directed The Magic Flute transports viewers into a buoyant and kaleidoscopic fairy-tale dreamworld.
Review: COMPAGNIE DYPTIK: LE GRAND BAL at The Joyce Theatre
What if dance could transform our feelings of loneliness to those of belonging? Help us forget our own pain, albeit temporarily, and instead allow us to find a sliver of joy? Enable us to feel free and, perhaps, even feel like the most authentic version of ourselves?
Review: NEVER TOO LATE at Laurie Beechman Theatre
Never Too Late marks a milestone moment in the career of viral dance icon Kim Hale, who has inspired millions with her story of reconnecting with her love of dance later in life.
Review: RADIUM GIRLS-Inspiring Empathy & Action Through Dance
Wolfe’s first immersive dance production draws inspiration from Kate Moore’s book 'The Radium Girls: The Dark Story of America’s Shining Women,' which chronicles the young women employed in New Jersey and Illinois factories painting watch dials with luminous radium paint.
Review: 3G Art Collective-A Devotional Evening of Dance, Memory, & Legacy
What does it mean to inherit a legacy of survival? Shany Dagan, John Reed, and Jana Krumholtz, all grandchildren of Holocaust survivors, unveiled three vulnerable and interdisciplinary dance works that explore the answer to that question.
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