BWW Review: Shaking the Family Tree of POOR HERMAN Melville
In his lifetime, Herman Melville was considered a failure.
Frank Benge - Page 10
BWW Interview: Tech Talk with Dresser Paula Gilbert
Anytime you see a tour of a Broadway show, the talent happening right before your eyes is just the tip of the Broadway iceberg.
BWW Interview: Tech Talk with Makeup Artist Kaye Brown
A make-up artist is an artist whose medium is the human body, applying makeup and prosthetics for theatrical, television and film.
BWW Interview: Tech Talk with Stage Manager Rachel Dendy
Stage Manager… it is one of those credits in your theatre program that you take for granted without ever really thinking about just what that title entails.
BWW Review: MOTOWN: THE MUSICAL Is a Treat For The Eyes and Ears
MOTOWN: THE MUSICAL is a jukebox musical that premiered on Broadway in April 2013, receiving four Tony Award nominations.
BWW Review: FIELD GUIDE is an Excitingly Experimental Evening
FIELD GUIDE, a work-in-progress by Rude Mechs, is currently in a second draft performance at the Off Center.
BWW Review: ANN Reminds Us How Much We Need Someone Like Her Today
ANN, written and performed by Emmy® Award winning actress Holland Taylor, is a one woman portrait of Ann Richards, the legendary governor of Texas.
BWW Review: SHE LOVES ME is a Heart Warming, Tuneful Delight
SHE LOVES ME is a musical with a book by Joe Masteroff, lyrics by Sheldon Harnick, and music by Jerry Bock.
BWW Review: BULL is a Riveting, Entertaining Look at Corporate Hell
I first discovered Mike Bartlett when I saw Cock last season.
BWW Interview: Tech Talk with Set Designer Lisa Laratta
One of the more clearly visible technical aspects of a show for average theatre-goers is the set.
BWW Interview: Tech Talk with Costumer Veronica Prior
We continue our series on technical theatre artists in Austin with a look at the Art of Costuming.
BWW Review: CABARET A Dark Glistening Gem
Based on Christopher Isherwood's novella Goodbye to Berlin (1939) and the subsequent 1951 play by John Van Druten entitled I Am a Camera, CABARET is a musical by John Kander and Fred Ebb with a book by Joe Masteroff that opened on Broadway in 1966.
BWW Review: BUS STOP an American Classic Done Right
Coming from Kansas and receiving my education there, I have more than a passing familiarity with playwright William Inge.
BWW Interview: Tech Talk with Lighting Designer Amy Lewis
Very few audience members know what goes into the technical aspects of a stage production.
BWW Interview: Andy Berkovsky and the City Theatre Company
We continue our look at Austin theatre companies and producers with Andy Berkovsky and The City Theatre Company.
BWW Review: 4000 MILES is Warm, Wise and Wonderful
4000 MILES is a dramedy by Amy Herzog.
BWW Review: MARIE ANTOINETTE is a Fresh and Imaginative Look at History
Everyone knows what happened to Marie Antoinette… Spoiler Alert: It's not pretty.
BWW Review: Fine Performances Propel THE REALISTIC JONESES
THE REALISTIC JONESES is a play by Will Eno.
BWW Review: TITANIC Thrills in Mac Theatre Production
TITANIC is a musical with music and lyrics by Maury Yeston and a book by Peter Stone that opened on Broadway in 1997.
BWW Interview: David Blackburn and Austin Theatre Project
We continue our series on Austin theatres and producers with David Blackburn and the award winning Austin Theatre Project.
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