Brian Stanczak-Tuscany - Page 2

Brian Stanczak-Tuscany

Brian has always been very passionate about the arts, and has been involved in theatre from a young age. He loves supporting local theatre in any way he can, whether it be performing onstage or seeing a show. Follow him on his socials at @brian_tuscany.






BWW Review: FRIENDS! THE MUSICAL PARODY at City Theatre Will Leave You Laughing Out Loud!
BWW Review: FRIENDS! THE MUSICAL PARODY at City Theatre Will Leave You Laughing Out Loud!
February 9, 2019

FRIENDS! The Musical Parody at the City Theatre, running now through February 10th, is a fast-paced parody comedy that will leave you laughing throughout the entire performance. Based on the popular 90's sitcom, the parody show is as much nostalgic as it is wacky.

BWW Interview: Aaron C. Rutherford of FRIENDS! THE MUSICAL PARODY Says It Is Wacky And Zany Fun!
BWW Interview: Aaron C. Rutherford of FRIENDS! THE MUSICAL PARODY Says It Is Wacky And Zany Fun!
February 4, 2019

Many of you are familiar with the popular 90's sitcom Friends, involving six friends that live in the same building in New York City. Though the show has been incredibly popular since its original air date in 1994, its popularity has only increased among a new generation of viewers who fall in love with the sitcom more and more each day. Fans of Friends and fans of parody comedies can see FRIENDS! The Musical Parody at the City Theatre in Detroit from February 6th through the 10th. BroadwayWorld Detroit had the opportunity to interview Aaron C. Rutherford, who plays Chandler Bing in the national tour of FRIENDS! The Musical Parody. He calls this production a wacky and zany show that audiences will love!

BWW Review: LEND ME A TENOR at Player's Guild Of Dearborn Delivers Plenty of Laughs!
BWW Review: LEND ME A TENOR at Player's Guild Of Dearborn Delivers Plenty of Laughs!
January 15, 2019

Lend Me A Tenor at Player's Guild of Dearborn, running now until January 27th, is a rip-roaring show that will leave you laughing throughout the entire performance. This Ken Ludwig farce is set in September 1934. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome the world-famous Tito Merelli, II Stupendo, the greatest tenor of his generation, to appear for one night only as 'Otello.' The star arrives late, and through a hilarious series of mishaps, is given a double dose of tranquilizers and passes out. His pulse is so low that Saunders and his assistant, Max, believe he's dead. In a frantic attempt to salvage the evening, Saunders persuades Max to get into Merelli's 'Otello' costume and fool the audience into thinking he's II Stupendo. Max succeeds admirably, but Merelli comes to, and gets into his other costume ready to perform. Now two Otello's are running around in costume and two women are running around in lingerie, each thinking she is with II Stupendo.



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