Benoit Teves
Reviews: OUT THERE, SOLOVELA, POEMS FOR GOD and ODYSSEA'S FAMILY TREE at The Orlando Fringe Festival
Audiences packed into full houses for the final weekend of the festival featuring wilderness vlogs, an improvised telenovela, an angel getting their wings, and pole dancing trauma.
Review: THE $#!T, FOOL OF GRACE, and COLONIAL CIRCUS at Orlando Fringe Festival
The festival's second weekend kicks off with intestinal trouble, a footloose priest, and imperialist clowns.
Review: THE REVIEW, THEN EVE AND MORE at The Orlando Fringe Festival
Week two of the festival carries on with lawyers, Biblical transformation, bare honesty, and a firecracker First Lady.
Review: BREAKING BRAINS, TEA TIME, OZMA, and MORE at The Orlando Fringe Festival
The second week of the festival kicks off with polyamory, English breakfast, the Emerald City, and UFOs.
Review: ESCAPE ROOM, LONGER THAN FOREVER, and MORE at The Orlando Fringe Festival
The festival's first weekend closes out with grief, 'inspiration porn', and a cacophony of kazoos.
Review: INTIMI(DATING), SINGLE RIDER SONGBOOK, and more at The Orlando Fringe Festival
What did our critic think of INTIMI(DATING), SINGLE RIDER SONGBOOK, AND MORE at The Orlando Fringe Festival?
Review: HIGHER THAN RAINBOWS, 110% WIZARD, and YOUNGER US at The Orlando Fringe Festival
Day two of the festival brings us a not-so-high-school-musical, a magician's beef with American Airlines, and a ghost of parties past.
Reviews: SORORICIDE and ://SHELF_LIFE at The Orlando Fringe Festival
Fugly dogs and an AI of a queer aunt kick off BroadwayWorld's coverage of the 35th annual fringe festival.
Review: ONLY SOME OF GOD'S CHILDREN OR MISSISSIPPI MAGNOLIAS at The SigPro Studio
Paris Clayton III’s world premiere production is a compelling, historically-grounded drama that unfortunately finds itself hindered by the 'unintended insularity' of its writer-director.
Review: HENRY VI, PART III: THE RISE OF RICHARD at Orlando Shakes
Orlando Shakes’ 'Bare Bard' production of Henry VI Part III is a high-stakes, dangerous, and riveting 'palette cleanser' for the theatre purist.
Interview: Je’Shaun Jackson Talks 'Juicy' Details of FAT HAM at Orlando Shakes
Je’Shaun Jackson is trading the 'perfection' of reality TV for the glorious vulnerability of a backyard barbecue.
Interview: Jos N. Banks is Pulling Double Duty on FAT HAM at Orlando Shakes
From the fitting room to the stage, accomplished performer, designer, director, and educator Jos N.
Review: FAT HAM at Orlando Shakes
Orlando Shakes’ production of FAT HAM is a sensory-rich, unapologetically Black, and proudly queer reimagining of Hamlet that trades Shakespearean tragedy for hard-won joy.
Review: ROMEO & JULIET at Orlando Shakes
In a production that marries 16th-century gravitas with 21st-century urgency, Director Monica Long Tamborello finds a delicate balance between Act I’s playful hope and Act II’s harrowing descent, reminding us that while the feud is ancient, the loss of innocence remains a devastatingly contempor
Interview: Nadia Ra'Shaun And Brendan O'Leary are Orlando Shakes' ROMEO & JULIET
Brendan O'Leary (Romeo) and Nadia Ra'Shaun (Juliet) pull back the curtain on the 'young energy' and intense preparation behind their title roles in Shakespeare's most famous tragedy.
Review: MEAN GIRLS at The Renaissance Theatre Company
Part bar, part group hang, and part chaotic theatrical experience, The Renaissance Theatre Company’s production of MEAN GIRLS blurs the lines between a traditional show and an immersive club experience.
Review: HAIRSPRAY at Titusville Playhouse
Titusville Playhouse’s HAIRSPRAY delivers a high-energy 'Baltimore fairytale' that stays true to the show's tradition of camp and exuberance.
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