NAMT Awards $65,000 In Grants For New Musical Development & Organizational Innovation
The National Alliance for Musical Theatre (NAMT) announces 18 awards granted from their National Fund for New Musicals, and five awards granted from their Innovation & Exploration Grant program. The National Fund for New Musicals (NFNM) is a major funding program to support NAMT member not-for-profit theatres in their collaborations with writers to create, develop and produce new musicals. Now in its tenth year, this year the Fund is providing grants totaling $58,000 to organizations across the country. The Innovation & Exploration (I&E) Grant program, a new funding initiative now in its second cycle, supports NAMT member not-for-profit theatres in piloting new ideas in various administrative and production areas to advance their missions and share knowledge with other members. This year the I&E Grant program is providing grants totaling $7,000 to organizations nationwide.
NAMT Executive Director Betsy King Militello stated: "We are honored and excited to support our member theatres both as they work to develop innovative and provocative new musicals, and as they explore ideas to create new best practices in the field. With these grants, we have now awarded 135 grants totaling $481,000 to NAMT members across the country. These projects will join a growing list of important new musicals and initiatives supported by NAMT's granting programs."
National Fund grants of $5,000 to $10,000 to support full productions have been awarded to:
Atlantic Theater Company (New York, NY) for The Secret Life of Bees by Lynn Nottage, Susan Birkenhead and Duncan Sheik with funding from The Hollywood Pantages, a Nederlander Organization. Sheik is a NAMT Festival Alumnus for Noir (Fest '15).
Red Mountain Theatre Company (Birmingham, AL) for Sam's Room by Dale Sampson, Trey Coates-Mitchell, Marc Campbell and Caitlin Marie Bell with funding from The Alhadeff Charitable Foundation. Sam's Room was featured in NAMT's 2017 Festival of New Musicals.
Transport Theatre Group (New York, NY) for Renascence by Dick Scanlan and Carmel Dean with funding from The Hollywood Pantages, a Nederlander Organization. Renascence previously received a Project Development Grant from the National Fund. Scanlan is a NAMT Festival Alumnus for Thoroughly Modern Millie (Fest '96).
National Fund grants of $2,000 to $5,000 to support a workshop or reading have been awarded to:
The Musical Stage Company (Toronto, ON) for Dr. Silver: A Celebration of Life by Anika Johnson and Britta Johnson, with funding provided to The Musical Stage Company Foundation with offices in Ann Arbor, Michigan.
Playwrights Horizons (New York, NY) for Row by Dawn Landes and Daniel Goldstein.
Prospect Theater Company, Inc. (New York, NY) for Soldier's Heart by Peter Mills and Cara Reichel. Mills is a NAMT Festival Alumnus for Onanov Broadway (fka Iron Curtain. Fest '09); Mills and Reichel are both NAMT Festival Alumni for Golden Boy of the Blue Ridge (Fest '11).
The recipients were selected by a distinguished panel, moderated by Gigi Bolt, the former Director of Theater and Musical Theater at the National Endowment for the Arts. The panelists were Benny Sato Ambush, director, institutional leader and educator; Michael Baron, Producing Artistic Director at Lyric Theatre of Oklahoma and NAMT Board Member; Michael Cassara, CSA, casting director and owner of Michael Cassara Casting; Ryan Cunningham, Associate Artistic Director at American Musical Theatre Project at Northwestern University, and NAMT Festival Alumnus (I Love You Because, Fest '05); Rachel J. Tischler, General Manager at Goodspeed Musicals; Barbara Whitman, Producer at Barbara Whitman Productions; and Tamilla Woodard, Associate Artistic Director of WP Theater.
Additionally, the National Fund for New Musicals has awarded each of the following member organizations $500 to $1,000 for Writers Residency Grants over the past year:
Barrington Stage Company (Pittsfield, MA) for Butterflies by Kate Chadwick and Josh Freilich.
Goodspeed Musicals (East Haddam, CT) for Alice Bliss by Jenny Giering, Adam Gwon and Karen Hartman. Giering is a Festival Alumna for Princess Caraboo (Fest '05) and Gwon is an Alumnus for Ordinary Days (Fest '08), Bernice Bobs Her Hair (Fest '11) and String (Fest '14). Alice Bliss previously received a Writers Residency Grant in 2013-2014 for development at Playwrights Horizons.
Theatre Aspen (Aspen, CO) for The Mad Show by Rich Talarico.
The National Fund for New Musicals has supported the development of many musicals over the last ten years, including The Band's Visit by David Yazbek and Itamar Moses at Atlantic Theater Company; When We're Gone (fka Mortality Play, NAMT Fest '16) by Alana Jacoby and Scotty Arnold at Lyric Theatre of Oklahoma; Bella: An American Tall Tale by Kirsten Childs at Playwrights Horizons and Dallas Theater Center; Ordinary Days (NAMT Fest '08) by Adam Gwon at Adirondack Theatre Festival, which is now licensed through Rodgers & Hammerstein; Far From Heaven by Michael Korie, Scott Frankel and Richard Greenberg at Playwrights Horizons; The Memory Show (NAMT Fest '09) by Sara Cooper and Zach Redler at Transport Group; The Circus in Winter (NAMT Fest '12) by Ben Clark, Hunter Foster and Beth Turcotte at Goodspeed Musicals; and Southern Comfort (NAMT Fest '12) at all three grant levels, at Playwrights Horizons, CAP21 and Barrington Stage Company; among many others.
Innovation & Exploration grants of $1,000 to $2,200 have been awarded to:
Colorado Springs Fine Arts Center Theatre Company (Colorado Springs, CO) to support the research and development of a musical theatre production apprenticeship program.
Lyric Theatre @ Illinois (Urbana, IL) to support "Crazy for the Shim-Sham-Shimmy," an audience engagement program.
Pittsburgh Musical Theater (Pittsburgh, PA) to support the outfitting of an expansion of inclusive devices and equitable access to their artistic programming.
The Musical Stage Company (Toronto, ON) to support expanded audience accessibility at the Heliconian Club, with funding provided to The Musical Stage Company Foundation with offices in Ann Arbor, Michigan.
Theater Latté Da (Minneapolis, MN) to support "Artists Intersecting with Audiences," an investigation of post-show discussions.
This is the second round of grants awarded from the Innovation & Exploration Grant in a program funded by the Alhadeff Charitable Foundation. The recipients were selected by a distinguished panel, moderated by NAMT Executive Director, Betsy King Militello. The panelists were Maria Goyanes, Director of Producing and Artistic Planning at The Public Theater and NAMT Board Member; Chris Ignacio, Associate Producer at Ma-Yi Theater; Ann Marie Lonsdale, Deputy Director of A.R.T./New York; Carolyn D. Miller, Co-Founder/Owner of Creative Endeavor Office; Courtney Simms, Director of Advancement at The Muny; and Abbie Van Nostrand, Director of Corporate Communications at Samuel French.
The National Alliance for Musical Theatre, founded in 1985, is a national service organization dedicated exclusively to musical theatre. Our mission is to advance musical theatre by nurturing the creation, development, production and presentation of new musicals, and to provide a forum for musical theatre professionals to share resources and exchange information. Our 210 members, located throughout 31 states and abroad, are some of the leading producers of musical theatre in the world and include theatres, presenting organizations, higher education programs and individual producers. Among the over 200 musicals launched by NAMT's annual Festival of New Musicals are Come From Away, Thoroughly Modern Millie, Children of Eden, Honk!, The Drowsy Chaperone, Songs for a New World, I Love You Because, Striking 12, Vanities, Ordinary Days and many others, representing over 400 writers.
NAMT thanks the following foundations, government agencies and organizations for their ongoing support of our programs: The Alhadeff Charitable Foundation, The Alliance of Resident Theatres/New York Creative Spaces Grant, ASCAP Foundation Irving Caesar Fund, BMI Foundation, The Dubose and Dorothy Heyward Memorial Fund, The Hollywood Pantages, National Endowment for the Arts, The New York State Council on the Arts, The Rodgers and Hammerstein Foundation, The Shubert Foundation, The Ted Snowden Foundation, and Anonymous donors.
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