Broadway Grosses: Week Ending 2/4/24 - THE LION KING, WICKED & More Top the List

Click below to access all the Broadway grosses from all the shows for the week ending 2/4/2024 in BroadwayWorld's grosses section.

Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.

Of note this week: HARMONY and PURLIE VICTORIOUS: A NON-CONFEDERATE ROMP THROUGH THE COTTON PATCH closed on 2/4. The American Airlines Theatre was renamed the Todd Haimes Theatre on 1/31. DOUBT: A PARABLE began previews at the Haimes and opens on 2/29. There were two capacities for WICKED at the Gershwin Theatre this week. Four performances had 1,807 seats and four performances had 1,926 seats, for a total capacity of 14,932. As this report cannot accommodate both capacities, the figure 1,867 was used. NYC Broadway Week began on 1/16 and ended on 2/4.    

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Up for the week by attendance (% of capacity) was: CHICAGO (11.6%), HOW TO DANCE IN OHIO (11.4%), A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (8.4%), SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (4.4%), DAYS OF WINE AND ROSES (3.9%), SPAMALOT (3.1%), MJ THE MUSICAL (2.5%), HADESTOWN (2.1%), WICKED (1.7%), MOULIN ROUGE! THE MUSICAL (1.1%), HARRY POTTER AND THE CURSED CHILD (0.8%), HARMONY (0.7%), & JULIET (0.6%), PRAYER FOR THE FRENCH REPUBLIC (0.4%), BACK TO THE FUTURE: THE MUSICAL (0.3%), ALADDIN (0.2%), THE BOOK OF MORMON (0.2%),

Down for the week by attendance (% of capacity) was: KIMBERLY AKIMBO (-6%), PURLIE VICTORIOUS: A NON-CONFEDERATE ROMP THROUGH THE COTTON PATCH (-4%), THE LION KING (-2%), SIX (-1.5%), HAMILTON (-0.3%), APPROPRIATE (-0.2%),

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This week, 25 shows played on Broadway, with 213,281 tickets sold and a total gross of $23,493,675. The average ticket price was $110.15.

This was the same as the number of shows as last week. Compared to last week, attendance was down -2.10%. On the sales front, overall grosses were down -4.56% vs. last week. This week's average ticket price of $110.15 is down $-2.84 compared to last week.

Top 5 by This Week Gross
THE LION KING: $1,666,828
HAMILTON: $1,656,990
WICKED: $1,602,195
MERRILY WE ROLL ALONG: $1,517,469
MJ THE MUSICAL: $1,317,468


Bottom 5 by This Week Gross
PRAYER FOR THE FRENCH REPUBLIC ($494,282), KIMBERLY AKIMBO ($498,929), DAYS OF WINE AND ROSES ($521,518), HOW TO DANCE IN OHIO ($628,710), PURLIE VICTORIOUS: A NON-CONFEDERATE ROMP THROUGH THE COTTON PATCH ($706,882)


Top 5 by This Week Gross vs. Last Week Gross
CHICAGO: $271,030
HARMONY: $145,978
DAYS OF WINE AND ROSES: $139,477
HOW TO DANCE IN OHIO: $124,975
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET: $81,341


Bottom 5 by This Week Gross vs. Last Week Gross
SPAMALOT ($-87,465), BACK TO THE FUTURE: THE MUSICAL ($-82,960), MERRILY WE ROLL ALONG ($-81,413), HAMILTON ($-68,799), ALADDIN ($-51,776)


Top 5 by Average Ticket Price
MERRILY WE ROLL ALONG: $196.36
APPROPRIATE: $166.98
HAMILTON: $157.42
THE LION KING: $131.46
MJ THE MUSICAL: $125.65


Bottom 5 by Average Ticket Price
DAYS OF WINE AND ROSES ($77.84), SPAMALOT ($82.49), ALADDIN ($82.80), HOW TO DANCE IN OHIO ($84.40), SWEENEY TODD: THE DEMON BARBER OF FLEET STREET ($86.34)


Top 5 by % of Total Seats Filled
MERRILY WE ROLL ALONG: 100%
HADESTOWN: 99.8%
HAMILTON: 99.4%
WICKED: 99.1%
HARMONY: 99%


Bottom 5 % of Total Seats Filled
SPAMALOT (75.4%), A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (79.3%), PURLIE VICTORIOUS: A NON-CONFEDERATE ROMP THROUGH THE COTTON PATCH (80.9%), DAYS OF WINE AND ROSES (84.8%), KIMBERLY AKIMBO (87.1%)


Top 5 by Total Attendance This Week vs. Last Week
CHICAGO: 1005
HOW TO DANCE IN OHIO: 905
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL: 774
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET: 463
DAYS OF WINE AND ROSES: 309


Bottom 5 by Total Attendance This Week vs. Last Week
SPAMALOT (-576), KIMBERLY AKIMBO (-368), PURLIE VICTORIOUS: A NON-CONFEDERATE ROMP THROUGH THE COTTON PATCH (-318), THE LION KING (-261), SIX (-130)

That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld makes no guarantee as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..

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