Going Up Photos - Broadway

Luminario Ballet of Los Angeles is a very unique and valuable, strong and powerful Dance Company. They offered up two fantastic evenings of Dance, Song, Music and a Q&A, last weekend at Club Fais Do Do, and this past weekend at the Skirball Center, in conjunction with a Fashion Exhibit of Rudy Gernreich's '60s fashions that tied in perfectly with the 2nd dance piece presented that evening. The costumes used in 'Inscape,' were originally created by Rudi Gernreich at the same time the piece was set, in 1976. 'Choose Your Identity' June 16, 2019 The evening began with singer Tawny Ellis and her band, performing several selections from her new upcoming album release 'Love Life.' Dressed in a beautiful, flowing, lacy white dress, she looked like an angel and sang like one, playing her matching white Lap Steel and omni chord instruments with a passionate, down-to-earth country sound that was soothingly sultry, with lyrics that commanded your attention. She and her talented band played selections from her upcoming release; one of them being 'Pretend Love,' which was accompanied by a beautiful dance, choreographed by the Artistic Director, Judith FLEX Helle, performed by the incredible Kelly Vittetoe, an extraordinary soloist, en pointe, accompanied by David Tai Kim and Cory Goel. The strongest ballerina I have ever seen, (Ms. Vittetoe) that up-close; performing magnificently, with one of the most beautiful bodies, face and feet, ever. She is exquisite, and her two partners were also equally impressive. The exactness of technique performed by all three dancers was just heavenly. Up close and personal. What a treat!

It is a lost era of civilization, the dinner party, which Arena Stage will conjure up starting this week in The City of Conversation.

'If you build it they will come. If you want diversity in the theatre, you have to build that diversity from the ground up. You can't just expect it to happen.' Actor Kingsley Leggs is speaking with quiet intensity about his passion for theatre, music, and dance and his belief that theatre must not only please, but also educate and empower its audiences. These are beliefs he has honed in a long career which has taken him from his native St. Louis to Broadway, regional theatre, and television. As he recounts his story, he is taking a break on what he calls 'a three show day' at Maine State Music Theatre, where he is in the last week of performances of The Full Monty and set to open June 25th in Sister Act. He has just finished the morning rehearsal and will soon head over to the theatre for a matinee and evening show. For all the obvious demands of this schedule, he appears relaxed and animated. He tells the story of how he came to be in Brunswick this summer:

Steppenwolf Theatre Company concludes its 2008-2009 season, an exploration of the imagination, with Up by Bridget Carpenter, directed by ensemble member Anna D. Shapiro and featuring ensemble members Ian Barford and Martha Lavey with Rachel Brosnahan, Jake Cohen, Tony Hernandez and Lauren Katz. Up plays through August 23, 2009 in Steppenwolf's Downstairs Theatre, 1650 N. Halsted.

Steppenwolf Theatre Company concludes its 2008-2009 season, an exploration of the imagination, with Up by Bridget Carpenter, directed by ensemble member Anna D. Shapiro and featuring ensemble members Ian Barford and Martha Lavey with Rachel Brosnahan, Jake Cohen, Tony Hernandez and Lauren Katz. Up plays June 18 - August 23, 2009 in Steppenwolf's Downstairs Theatre, 1650 N. Halsted. The press performance is Saturday, June 27 at 3:00 p.m.

Taproot Theatre Company presents Mitch Albom's Tuesdays with Morrie by Jeffrey Hatcher and Mitch Albom this spring. Based on the best?selling autobiographical book by Mitch Albom, Tuesdays with Morrie invites you to pull up a chair and join Mitch and his beloved, vibrant but terminally?ill professor, Morrie, for some of the greatest lessons life can offe