Anna Karenina Photos - Off-Broadway

Segerstrom Center for the Arts is excitingly welcoming the return of the Eifman Ballet of St. Petersburg with the West Coast Premiere of The Pygmalion Effect May 24-26, 2019 A new ballet from the company's award-winning artistic director and choreographer, Boris Eifman, The Pygmalion Effect is inspired by the Greek mythological tale of Pygmalion - a sculptor who became infatuated with his own life-like carving of a beautiful girl. Renowned for works that are 'bold, psychological and highly theatrical' (The New York Times), Boris Eifman infuses his signature choreographic style into this dynamic new production, set to a score by 'The Waltz King' Johann Strauss II. The Pygmalion Effect received its world premiere in St. Petersburg's Alexandrinsky Theatre on February 6, 2019. This new production marks choreographer Boris Eifman's return to the genre of comedy or, more accurately, tragicomedy; a form which the choreographer has perfected. Eifman offers the audience a balletic interpretation of the archetypical story of Pygmalion. In the ballet the protagonist is a successful ballroom dancer who transforms a clumsy girl into a virtuoso performer. In this production, Eifman presents a comprehensive artistic and philosophical portrayal of a human personality's remarkable flexibility and ability to adjust in response to set aims and aspirations. The title is a reference to a well-known physiological phenomenon whereby a person's performance is positively influenced by the expectations of others.

Yale Repertory Theatre (James Bundy, Artistic Director; Victoria Nolan, Managing Director) presents the east coast premiere of Lydia by Octavio Solis, directed by Juliette Carrillo at Yale Repertory Theatre (1120 Chapel Street, at York Street) beginning February 6 through February 28. Opening Night is Thursday, February 12. Lydia features music composed by Chris Webb; sets by Andrew Boyce; costumes by Amanda Seymour; lighting by Jesse Belsky; sound design, additional music, and arrangements by David Molina; voice and dialect by Beth McGuire; fight direction by Rick Sordelet; dramaturgy by Matt Cornish; and stage management by Donald E. Claxon.