Zora Neale Hurston 1990

Award winning theater company Vincent Victoria Presents will be mounting for the first time in Houston, during Mother's Day Weekend, two rarely produced plays by Harlem Renaissance playwright, author, and anthropologist, Zora Neale Hurston. The two one act plays, 'Color Struck', and 'Meet the Mamma', were written in the mid 1920's but have seldom been seen onstage and were thought to have been lost until the 1990's.

Hopefully this list gives you some new reads, and if not, reminded you of some old favorites.

George C. Wolfe's SPUNK was first staged at New York's Public Theater in 1990. It is based on Zora Neale Hurston's 1937 novel 'Their Eyes Were Watching God'.

Today's subject KenYatta Rogers is currently living his theatre life onstage at Signature Theatre playing Folk Man 3 in Spunk. The production directed by the esteemed Timothy Douglas runs through June 23rd in Signature's ARK space. The show is KenYatta's Signature Theatre debut.

Today, producers Ken Davenport and Hunter Arnold announced that Tony Award nominee Phillip Boykin, Alysha Deslorieux, Kenita R. Miller, and Isaac Powell are joining the new Broadway production of Once On This Island, which will play the Circle in the Square Theatre (235 W. 50th street, NYC) this fall.

The Huntington Theatre Company presents the explosive Pulitzer Prize winner Topdog/Underdog by Suzan-Lori Parks and directed by Tony, Grammy, and Drama Desk Award winner Billy Porter (The Colored Museum at the Huntington and Lola in Kinky Boots on Broadway). Performances run March 10 - April 9, 2017 at the Avenue of the Arts / BU Theatre.

The Huntington Theatre Company presents the explosive Pulitzer Prize winner Topdog/Underdog by Suzan-Lori Parks and directed by Tony, Grammy, and Drama Desk Award winner Billy Porter (The Colored Museum at the Huntington and Lola in Kinky Boots on Broadway). Performances run March 10 - April 9, 2017 at the Avenue of the Arts / BU Theatre.

Prefacing his 1990 playscript for SPUNK, a musical amalgam of three saucy Zora Neale Hurston short stories, George C. Wolfe warned that there was a thin line between Zora and the minstrelsy of Amos and Andy. On Q Performing Arts director Jermaine Nakia Lee fearlessly tramples on that line, giving us the opportunity to appreciate and critically examine Hurston's understated feminism in a richly ambivalent production.

Powerful plays and playwrights dominate the Center Theatre Group's 49th season at the Mark Taper Forum. Michael Ritchie, CTG's Artistic Director, announced five important and involving plays, from celebrated new works to definitive productions of classics, for the theatre's 2016 season at the Los Angeles Music Center.

Guy Davis at Bridge Street Live is set for Friday, April 18th, 2014 at 8:00 PM. Tickets are $17 GA, $27 VIP, and available at http://41bridgestreet.inticketing.com/evinfo.php?eventid=363531.

The National Jazz Museum in Harlem has announced its January 2014 schedule. Details below!

Following the record-breaking attendance of Festival 2013, Jacob's Pillow Dance Festival announces the 2014 Festival schedule. Jacob's Pillow is a National Historic Landmark, home to America's longest-running dance festival, and a recipient of the National Medal of Arts. Noted dance writer Jennifer Dunning has called the Pillow "the dance center of the nation, possibly the world."

The National Jazz Museum in Harlem has announced its January 2014 schedule. Details below!

Woodie King Jr's New Federal Theatre kicks off its 44th season with 'The Ed Bullins Project' - two revivals from his 'Twentieth Century Cycle of Plays' - In The Wine Time and The Fabulous Miss Marie. Bullins, winner of the prestigious NY Drama Critics' Circle Award and OBIE Award for The Taking of Miss Janie, has greatly influenced American theatre, especially Black theatre. His work, characterized by disdain for ineffective political rhetoric as a substitute for action, most often examines the lives of Black people in the inner city. In 1968, Clive Barnes, writing in the New York Times called Bullins 'a welcome addition to the ranks of New York playwrights.' Four years later, Barnes added 'Bullins writes the way Charlie Parker played: It is all so easy and effortless. It sounds improvised, and yet it doesn't sound improvised, simply because it is the improvisation of formality.' Today, Bullins is regarded as a seminal force in the American theater.

The 2013-2014 Center Theatre Group/Ahmanson Theatre season was announced today by CTG Artistic Director Michael Ritchie.

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced the line-up today for two Public Forum Duets this February, kicking off the spring Public Forum season with an intense focus on music and the way it shapes our lives.

The August Wilson Estate today announced that for the first time ever, it is granting an organization the rights to record Wilson's American Century Cycle.

Marin Theatre Company continues its 2012/13 Season with Suzan-Lori Parks's Pulitzer Prize-winning play Topdog/Underdog, which runs from tonight, September 27 to October 21.

Marin Theatre Company continues its 2012/13 Season with Suzan-Lori Parks's Pulitzer Prize-winning play Topdog/Underdog, which runs from September 27 to October 21.

A.R.T. American Repertory Theater (A.R.T.) opens its 2011-12 season with The Gershwins' Porgy and Bess, by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin. The adaptation by Pulitzer Prize-winning playwright Suzan-Lori Parks and Obie Award-winning composer Diedre L. Murray, directed by A.R.T. Artistic Director Diane Paulus, with choreography by Ronald K. Brown, begins previews on August 17 and opens for the reviewing press on August 31 at 7pm. Performances are at the Loeb Drama Center, 64 Brattle Street, Cambridge. Tickets for preview performances are currently on sale, remaining tickets for the run go on sale on July 12. Check out a sneak peek of the production below!

A.R.T. American Repertory Theater (A.R.T.) will present The Gershwins' Porgy and Bess, opening the A.R.T.'s 2011-2 season tonight, August 17 at the Loeb Drama Center. The Gershwin's Porgy and Bess, by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin, is adapted by Suzan-Lori Parks and Diedre Murray, and directed by A.R.T. Artistic Director Diane Paulus. Check out the first production shots below!

A.R.T. American Repertory Theater (A.R.T.) will present The Gershwins' Porgy and Bess, opening the A.R.T.'s 2011-2 season on August 117 at the Loeb Drama Center. The Gershwin's Porgy and Bess, by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin, is adapted by Suzan-Lori Parks and Diedre Murray, and directed by A.R.T. Artistic Director Diane Paulus.

A.R.T. American Repertory Theater (A.R.T.) opens its 2011-12 season with The Gershwins' Porgy and Bess, by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin. The adaptation by Pulitzer Prize-winning playwright Suzan-Lori Parks and Obie Award-winning composer Diedre L. Murray, directed by A.R.T. Artistic Director Diane Paulus, with choreography by Ronald K. Brown, begins previews on August 17 and opens for the reviewing press on August 31 at 7pm. Performances are at the Loeb Drama Center, 64 Brattle Street, Cambridge. Tickets for preview performances are currently on sale, remaining tickets for the run go on sale on July 12.

As Arena Stage begins a new life in its renovated home at the Mead Center for American Theater in Southwest D.C., it opens its inaugural season with a classic American musical that similarly embraces life on a new frontier. Rodgers and Hammerstein's Oklahoma! is the first production at the Mead Center and features an all-star cast under the direction of Artistic Director Molly Smith. Rodgers and Hammerstein's Oklahoma! runs October 22-December 26, 2010 in the Fichandler Stage.

The American Repertory Theater (A.R.T.) announced today that Artistic Director Diane Paulus, Pulitzer prize-winning writer Suzan-Lori Parks, and two-time Obie winner Diedre Murray have been chosen by the Gershwin Trusts and the Heyward Trust to re-imagine the Gershwins' seminal American opera Porgy and Bess.