An Oscar-winning American actor, an English director and a Northern Irish playwright are about to begin rehearsals for a new play — one that could transform each of their careers. But when it turns out that they’re not on the same page, the night threatens to spiral out of control.
Power dynamics, cultural identity and the perils of being a woman in the entertainment industry; nothing is off limits in this pitch-black comedy from the award-winning playwright David Ireland.
Don’t miss this exclusive 8 week run starring Woody Harrelson, Andy Serkis and Louisa Harland, directed by Jeremy Herrin (Best of Enemies, People, Places and Things).
Absurdity is piled on absurdity. Some of the jokes at Jay’s expense reminded me of The Strike, that marvellous little Comic Strip film in which a fictional version of Al Pacino sets about rewriting the miners’ strike when he plays Arthur Scargill on the big screen. Ireland’s writing isn’t as ingenious as that, but Harrelson gives such a winningly preposterous display, flouncing around Max Jones’s sleek set in a pair of outrageous pantaloons, that you’re willing to overlook the implausibilities. The moment when Jay, who delivers a few slaps at theatre critics, reveals that he is just as desperate for acclaim as any of his fellow thespians provoked a storm of laughter.
Harrelson hasn’t been on stage for nearly 20 years, apparently put off by his experience doing Night of the Iguana in the West End in 2005. But it’s such a joy to see him back, in a role that plays to his clear comedy instincts (it’s easy to forget his big break was Cheers), and seems a perfect fit for an actor with his genuine star wattage. Serkis too has largely foregone theatre in favour of blockbusters, but reminds us what he’s capable of in a performance that captures the increasing desperation of a man who will literally say anything to ensure the show – and his career – goes on.
Videos