No Gilbert and Sullivan comic opera boasts as many walk-away tunes as The Pirates of Penzance, the only collaboration of the pair to premiere on Broadway, and not in England. Building on the success of the previous year’s H.M.S. Pinafore, but trading—as their principal “serious” focus—the rigors of naval discipline for the obligations of duty, G&S manage to burlesque their normal share of popular institutions, including the army, the police, and operatic sopranos. Pirate apprentice Frederic, at age 21, has faithfully served out his indentures and, replete with a sense of duty, joins the police force, determined to exterminate his old mates. He falls in love with Mabel, the first girl he sees, but the daughter of Major-General Stanley, who himself is the target of a pirate revenge plot. Plans go awry when it is revealed that, thanks to a leap-day birth, Frederic is really only five and one-quarter years old. The engaging musical score includes some of the catchiest music in the G&S canon: Mabel’s pyrotechnic “Poor, wandering one;” the tongue-twisting patter song “I am the very model of a modern major-general;” “A policeman’s lot;” “Climbing over rocky mountain”—a survivor from Thespis, G&S’s lost first stage work; and “With catlike tread,” which, more than a quarter-century later, was given new words as “Hail, hail, the gang’s all here.” At The Egyptian Theatre.
Joe Dowling, the Guthrie Theater's recently retired artistic director, was honored at the 2015 Ivey Lifetime Achievement Award, the celebration of Twin Cities theater, on September 21 at the Historic State Theatre in downtown Minneapolis. Critically-acclaimed actor Mikell Sapp received the Emerging Artist Award.
Setting the tone for another season of great entertainment under the stars, Shakespeare Orange County (SOC) launches Summerfest 2015 at the Garden Grove Amphitheatre tonight, June 13 with its 2nd Annual 'Fun-raising' event.
Setting the tone for another season of great entertainment under the stars, Shakespeare Orange County (SOC) launches Summerfest 2015 at the Garden Grove Amphitheatre on June 13 with its 2nd Annual 'Fun-raising' event.
The 69th Annual Tony Awards are this Sunday June 7th at 8/9c hosted by Kristin Chenoweth and Alan Cumming. It's the biggest award show of the Broadway season and it closes out a long award season for Broadway and Off-Broadway musicals and plays. We can't help but wonder what chances this year's Best Musical and Best Play nominees have of taking home the ultimate prize.
Celebrations continue at Queensland Performing Arts Centre (QPAC) as the QPAC Choir presents a special 30th anniversary concert, paying tribute to some of the major musicals that have been performed at QPAC in the past three decades, on Tuesday 23 June 2015.
The Public Theater announced a special 40th anniversary tribute to A CHORUS LINE tonight, April 16 in honor of the first performance of this legendary musical that premiered in The Public's Newman Theater 40 years ago and went on to make musical theater history.
The Public Theater announced a special 40th anniversary tribute to A CHORUS LINE on Thursday, April 16 in honor of the first performance of this legendary musical that premiered in The Public's Newman Theater 40 years ago and went on to make musical theater history.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske and Ethan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske andEthan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
The first play of ACT's 50th Anniversary Season will be packed with talent. Broadway alums and Seattle favorites Laura Griffith and Brandon O'Neill will play Maggie the Cat and Brick, one of the most iconic couples in the theatrical canon. John Aylward, a Seattle treasure who went on to make a name for himself in Hollywood with recurring roles on ER, The West Wing, and Mad Men, will play the family patriarch Big Daddy. Rounding out the cast of leading roles will be elite Seattle acting veteran Marianne Owen as Big Mama. Kurt Beattie, in his final year as Artistic Director will direct this powerhouse cast.
Leading Australian theatre producer John Frost today announced that the role of the Wizard for the Brisbane and Perth seasons of the Broadway musical will be played by much loved musical theatre star Simon Gallaher.
The Old Globe today announced it will present the Second Annual New Voices Festival, a weekend of readings of new American plays by professional playwrights, this weekend, December 12 - 14, 2014.
The Old Globe today announced it will present the Second Annual New Voices Festival, a weekend of readings of new American plays by professional playwrights, December 12 - 14, 2014.
Happy Birthday Brent Carver! Carver is best known for his performances on Broadway in Kiss of the Spider Woman as Molina, for which he won the Tony Award for Best Leading Actor in a Musical in 1993, Fiddler on the Roof, and Parade as Leo Frank. Carver originated the role of Gandalf in the Toronto stage production of The Lord of the Rings and has appeared in several Soulpepper Theatre Company productions such as The Wild Duck, Don Carlos and the Pirate King in the 1985 production of The Pirates of Penzance.
The Guthrie Theater presents My Fair Lady, the hummable, quotable, utterly enjoyable musical for the whole family. Playing for the first time at the Guthrie, under the direction of Joe Dowling, My Fair Lady will feature Helen Anker as Eliza Doolittle, Tony Sheldon as Colonel Pickering, Donald Corren as Alfred P. Doolittle - all in their Guthrie debuts - and Jeff McCarthy as Professor Henry Higgins. Performances began on the Wurtele Thrust Stage on Saturday, June 28, with an opening slated for tonight, July 4, 2014.
Following a highly acclaimed run at the Bristol Shakespeare Festival, Stance Theatre presents a powerful Richard III ahead of other summer blockbuster productions. Drag King Richard III explores the complexity of switching gender as lead character Laurie embarks on the challenging journey of transitioning from female to male.
Musical theatre performers MARY LOU BARBER, EDWARD PLEASANT and BEN RAUCH will be performing dramatic readings of excerpts from The Very Reverend James Parks Morton's forthcoming memoir at the 12th Annual James Parks Morton Interfaith Awards gala tonight, June 5 at the New York Hilton Midtown. This is the first time in the history of the Interfaith Center of New York (ICNY) awards dinner that a theatrical event has been presented.
Musical theatre performers MARY LOU BARBER, EDWARD PLEASANT and BEN RAUCH will be performing dramatic readings of excerpts from The Very Reverend James Parks Morton's forthcoming memoir at the 12th Annual James Parks Morton Interfaith Awards gala on Thursday, June 5 at the New York Hilton Midtown. This is the first time in the history of the Interfaith Center of New York (ICNY) awards dinner that a theatrical event has been presented.
The Guthrie Theater today announced casting for the production of My Fair Lady, the hummable, quotable, utterly enjoyable musical for the whole family. Playing for the first time at the Guthrie, under the direction of Joe Dowling, My Fair Lady will feature Helen Anker as Eliza Doolittle, Tony Sheldon as Colonel Pickering, Donald Corren as Alfred P. Doolittle - all in their Guthrie debuts - and Jeff McCarthy as Professor Henry Higgins. Performances begin on the Wurtele Thrust Stage on Saturday, June 28. Single tickets start at $28 and are now on sale through the Guthrie Box Office at 612.377.2224, toll-free 877.44.STAGE, 612.225.6244 (Group Sales) and online at www.guthrietheater.org.
Vancouver Opera unveils its bold, new look and feel - the first major rebranding of the company since 1985. The fresh contemporary look is part of the company's new long-term strategy aimed at broadening and deepening its connection with the communities it serves, while building a new generation of operagoers.
Vancouver, BC ~ Effervescent, intoxicating, and just a little daft, Vancouver Opera's colourful production of Albert Herring bursts onto the Queen Elizabeth Theatre Stage in less than two weeks. Benjamin Britten's fast-paced, clever and hummable opera, directed by Glynis Leyshon, transports audiences to the 1950s in a riot of scrumptious costumes, devastating satire, and charming slapstick.
The busybodies of proper English village life are brilliantly skewered in Benjamin Britten's devastatingly satirical Albert Herring, onstage at Vancouver Opera for four performances only. Fast-paced, effervescent and musically clever, this sparkling 1950s-style company premiere is a scrumptious treat for Vancouver audiences.
Vancouver, BC ~ Effervescent, intoxicating, and just a little daft, Vancouver Opera's colourful production of Albert Herring bursts onto the Queen Elizabeth Theatre Stage in less than two weeks. Benjamin Britten's fast-paced, clever and hummable opera, directed by Glynis Leyshon, transports audiences to the 1950s in a riot of scrumptious costumes, devastating satire, and charming slapstick.
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