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Grab some children - or kids at heart - and make your way to Adventure Theatre MTC for their new version of Baum's popular tale, here called THE WONDERFUL WIZARD OF OZ. In a whirlwind of a production, aimed at young audiences, this WIZARD weaves a spell that cannot be broken by the wickedest of witches.

Gregory Maguire was just a kid when The Wizard of Oz film came out, but every year, he and his family would cuddle up in front of their black-and-white television to watch the annual television broadcast of their favorite musical movie. It wasn't until years later that that same enchanted, young boy would grow up to author the untold story of the witches of Oz: Wicked.

Pacific Symphony's critically-acclaimed American Composers Festival (ACF) continues for the 14th year with 'From Screen to Score: New Concert Music by Famous Film Composers'-who happen to be four of today's biggest Hollywood heavy-hitters: John Williams ('Star Wars,' 'Raiders of the Lost Ark,' 'E.T., the Extra Terrestrial'), Howard Shore ('Lord of the Rings,' 'The Hobbit,' 'Hugo'), James Horner ('Titanic,' 'Star Trek,' 'Apollo 13') and Elliot Goldenthal ('Alien 3,' 'Batman Forever' and 'Batman and Robin'). Together, these iconic composers boast 11 Oscars and countless billions of box office dollars. They also hold the ironic position of simultaneously being the most-heard orchestral composers ever (the soundtrack for 'Titanic' sold 30 million copies), yet their music is the least performed.

Pacific Symphony's critically-acclaimed American Composers Festival (ACF) continues for the 14th year with "From Screen to Score: New Concert Music by Famous Film Composers"-who happen to be four of today's biggest Hollywood heavy-hitters: John Williams ("Star Wars," "Raiders of the Lost Ark," "E.T., the Extra Terrestrial"), Howard Shore ("Lord of the Rings," "The Hobbit," "Hugo"), James Horner ("Titanic," "Star Trek," "Apollo 13") and Elliot Goldenthal ("Alien 3," "Batman Forever" and "Batman and Robin"). Together, these iconic composers boast 11 Oscars and countless billions of box office dollars. They also hold the ironic position of simultaneously being the most-heard orchestral composers ever (the soundtrack for "Titanic" sold 30 million copies), yet their music is the least performed.

In no time at all, Houstonians will be able to click their heels and follow the yellow brick road to The Hobby Center to see TUTS' presentation of the National Tour of Andrew Lloyd Webber's THE WIZARD OZ. In anticipation of the musical landing in Houston, I spoke with Jacquelyn Piro Donovan who plays Miss Gulch and The Wicked Witch of the West about the show and her career.

It was an all-consuming rebirth in color as cascades of lush and textured emerald lights sprung to life in an intense surge from the heart of the stage, as a map of Oz, especially rigged as a stage curtain for the Cultural Center of the Philippines' (CCP) Main Theater, raised to unravel a fantastic tale: One told in the Philippine premiere of the blockbuster megamusical WICKED.

As part of a season marking the centenary of the First World War, Christopher Luscombe returns to the Royal Shakespeare Company to direct a single company of actors in a fresh pairing of two of Shakespeare's most sparkling comedies, set in the shadow of war.

The Library of Congress has today announced its annual list of 25 films that will be included in the National Film Registry.

Today we are celebrating the biggest Broadway musical of the new millennium in honor of its tenth anniversary on Broadway - a feat having only been achieved by ten productions to date - with a wonderful emerald-hewed look at WICKED, 2003 to 2013 and beyond!

From May 28 to June 7, 2014, the New York Philharmonic will present the inaugural NY PHIL BIENNIAL, a kaleidoscopic exploration of today's music by a wide range of contemporary and modern composers that will showcase an array of curatorial voices through concerts presented with partners in venues both on and off the Lincoln Center campus.

Hottest Articles on BroadwayWorld.com from this weekend Sunday, February 24, 2013 - Sunday, February 24, 2013.

Religion vs. Science. Psychology vs. Faith. Such is the debate of the ages and specifically of two of the greatest minds of the 20th century, C.S. Lewis and Sigmund Freud with almost polar opposite attitudes. And such is the topic of the west coast premiere of the Off-Broadway hit "Freud's Last Session" currently playing at Taproot Theatre. An interesting discussion of two iconic figures but unfortunately not really enough variety to sustain for an evening.

Religion vs. Science. Psychology vs. Faith. Such is the debate of the ages and specifically of two of the greatest minds of the 20th century, C.S. Lewis and Sigmund Freud with almost polar opposite attitudes. And such is the topic of the west coast premiere of the Off-Broadway hit "Freud's Last Session" currently playing at Taproot Theatre. An interesting discussion of two iconic figures but unfortunately not really enough variety to sustain for an evening.

Arguably the biggest blockbuster stage musical of this fresh century, WICKED has returned to Orange County for an almost month-long engagement at the Segerstrom Center for the Arts through April 3. The stage musical -- a consistent box-office hit since its Broadway debut seven years ago -- has ballooned into a worldwide phenomenon. A visual and aural splendor from start to finish, WICKED is a near-perfect combination of imaginative story, complex characters, memorable music, fantastic sets and costumes, and even universally-applaudable messages of tolerance and individual self-expression.

MUSIC BY ACCLAIMED DUTCH COMPOSER LOUIS ANDRIESSEN HIGHLIGHTED IN MONTH-LONG CARNEGIE HALL RESIDENCY, APRIL 9 TO MAY 10

MUSIC BY ACCLAIMED DUTCH COMPOSER LOUIS ANDRIESSEN HIGHLIGHTED IN MONTH-LONG CARNEGIE HALL RESIDENCY, APRIL 9 TO MAY 10

The NYC400 is the first-ever list of New York City's ultimate movers and shakers since the City's founding?from politics, the arts, business, sports, science, and entertainment.

Everything you've heard about Wicked is true; it's an awe-inspiring stage spectacle filled with special effects, gorgeous sets and lighting, exquisite costumes, an amazingly gifted cast, a glorious musical score and an immensely entertaining, yet slightly irreverent (and maybe even a little subversive) script. It also has plot points so broad that you could drive a freight train through them, but if you're willing to suspend disbelief and allow yourself to become totally immersed in the phenomenon, you can't help but walk away tremendously satisfied, humming those wonderful tunes and having a sort of 'which came first: the chicken or the egg' debate with your companions.