Based on real-life events and using music, dance and video, Lucy Prebble’s Enron explores one of the most infamous scandals in financial history, reviewing the tumultuous 1990s and casting a new light on the financial turmoil in which the world currently finds itself. Director Rupert Goold (Macbeth with Patrick Stewart), along with a crack team of designers, will bring the most exciting and innovative theatrical event Broadway has seen this decade.
Despite the serious research and the playful imagination, the splendid new American cast and the irresistible craven puppets, the play tells us what it is in the first half-hour and then tells us again for another two hours. Board members are blind mice in suits. A video of Bill Clinton reminds us that he 'didn't have sex with that woman.' Voting in Florida was too close to call. Bush deregulated electricity and California is still paying for it.
The brainchild of British playwright Lucy Prebble, who's just 29, it's a slice of American history and a cautionary tale that's audaciously theatrical but watery soup when it comes to content. Prebble follows a long tradition of English dramatists who've had an instinctive desire to revisit history - dissecting victims, concocting motives, even going so far as to make up revisionist excuses for them. Think: 'Frost/Nixon,' 'Stuff Happens' and 'Democracy.' Further back - Shakespeare did it, with a fictional twist. There's a lot of sizzle, but not a whole lot of steak.
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