Woodie King Jr's New Federal Theatre kicks off its 44th season with 'The Ed Bullins Project' - two revivals from his 'Twentieth Century Cycle of Plays' - In The Wine Time and The Fabulous Miss Marie. Bullins, winner of the prestigious NY Drama Critics' Circle Award and OBIE Award for The Taking of Miss Janie, has greatly influenced American theatre, especially Black theatre. His work, characterized by disdain for ineffective political rhetoric as a substitute for action, most often examines the lives of Black people in the inner city. In 1968, Clive Barnes, writing in the New York Times called Bullins 'a welcome addition to the ranks of New York playwrights.' Four years later, Barnes added 'Bullins writes the way Charlie Parker played: It is all so easy and effortless. It sounds improvised, and yet it doesn't sound improvised, simply because it is the improvisation of formality.' Today, Bullins is regarded as a seminal force in the American theater.
Before stage and screen comedy legend Lily Tomlin takes the stage for 'An Evening of Classic Lily Tomlin' at the Segerstrom Center for the Arts on Saturday, June 22, the two-time Tony Award winner spoke candidly with BroadwayWorld's Michael Lawrence Quintos about her influences, her work in the theater, and why she would probably never do a Broadway musical anytime soon.
Today we are kicking off Broadway World's multi-part series of interviews with the stars of the 2011 Kennedy Center produced and Eric Schaeffer directed production of Stephen Sondheim & James Goldman's seminal showbiz musical, FOLLIES, currently in previews on Broadway at the Marquis Theater. Suave leading man Ron Raines sheds light on the central, pivotal role of Benjamin Stone and how he sees the character - in his youth, in his marriage, in the present and, also, in the future, post-Loveland and, even post-FOLLIES - as well as illuminates his interactions with the colorful array of stars he shares the stage with eight nights a week - chief among them: Bernadette Peters, Elaine Paige and Jan Maxwell! Additionally, we discuss what has changed in the transfer from Washington, D.C. to NYC, as well as examine the underlying message and story told in Ben's stunning musical triptych of 'The Road You Didn't Take', 'Too Many Mornings' and 'Live, Laugh, Love'. As if all that were not enough, Raines and I cast a glance back at his previous stage and screen work and discuss his solo albums, upcoming concert appearances and much, much more! Plus, first news of his essaying of the title role in SWEENEY TODD with Karen Ziemba in St. Louis next summer, directed by the helmer of the original Christopher Bond play that inspired Sondheim to compose the musical adaptation in the first place back in 1969.
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Just in - NEXT TO NORMAL has one the 2010 Pulitzer Prize for Drama!
As per the official Pulitzer's web site: For a distinguished play by an American author, preferably original in its source and dealing with American life, Ten thousand dollars ($10,000).
The 2010 Pulitzer Prizewinners and Nominated Finalists in all categories will be announced on April 12, 2010 at 3 p.m. Eastern daylight time. Finalists are not announced in advance. The 2010 Prizes are awarded for work published, produced or premiered in 2009.
It's hard to pinpoint the exact moment when Florence Henderson became a household name. It was certainly through the media of television, but was it her numerous appearances on the then-popular variety shows? Perhaps it was because of the proliferation of commercials she did for Polident and Wesson Oil; the latter in which she helped coin the phrase 'Wessonality'. Obviously her long stint as Mrs. Carol Brady in 'The Brady Bunch' played a major role in her becoming not only a name people easily recognized, but a talent that has genuinely been appreciated by different generations down through the years.
America's most prolific major playwright reminisces on the birth of Off-Off-Broadway, the creation of gay theatre, the first completely nude play and how a certain Catwoman welcomed him to Broadway.
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