Red Bull Theater will present the American Premiere of a new adaptation of August Strindberg's The Dance of Death by Mike Poulton (Tony Award Nominee for Best Play for Fortune's Fool), directed by Joseph Hardy (Tony Award winner for Best Director for Child's Play), for a strictly limited engagement beginning April 10th and continuing through May 4th only, at the Lucille Lortel Theater (121 Christopher Street, between Bleecker and Hudson Streets). Opening Night is set for Thursday April 18th.
Director Crystal Ganong presents a smart, fast-paced version of Ira Levin's infamous mystery-comedy at YLT.
To coincide with the ongoing presidential campaign, the Huntington Theatre Company will stage the American premiere of Now or Later, Christopher Shinn's timely political drama about our freedoms. Drama Desk and Outer Critic's Circle Award winner Michael Wilson, who recently helmed the acclaimed Broadway production of Gore Vidal's presidential drama The Best Man, directs the new production. The production opens tomorrow, Wednesday, October 17 and runs through November 10. Get a first look at the cast onstage below!
To coincide with the ongoing presidential campaign, the Huntington Theatre Company will stage the American premiere of Now or Later, Christopher Shinn's timely political drama about our freedoms. Drama Desk and Outer Critic's Circle Award winner Michael Wilson, who recently helmed the acclaimed Broadway production of Gore Vidal's presidential drama The Best Man, directs the new production.
Meet the woman behind some of the hottest shows in Denver and find out what makes her tick along with her interesting past and exciting future.
Yesterday's MEET THE PRESS WITH DAVID GREGORY featured a network exclusive interview with Israeli Prime Minister Benjamin Netanyahu; an interview with the U.S. Ambassador to the United Nations Susan Rice. Read excerpts of the program below.
To coincide with the ongoing presidential campaign, the Huntington Theatre Company will stage the American premiere of Now or Later, Christopher Shinn's timely political drama about our freedoms. Drama Desk and Outer Critic's Circle Award winner Michael Wilson, who recently helmed the acclaimed Broadway production of Gore Vidal's presidential drama The Best Man, directs the new production.
Today we are focusing a super-special spotlight on one of the Fall's most intriguing musical entries trying out in New York, the York Theatre Company's lab mounting of the new Paul Jabara jukebox musical LAST DANCE, by talking to the show's lead, recognizable TV and film star Rob Morrow, and the show's lead producer, noted comedic shepherd and filmmaker Robert D. Wachs, whom filled me in on all aspects of the show in a comprehensive chat late last week just prior to this week's start of rehearsals. In this all-encompassing conversation, Morrow, Wachs and I discuss the genesis of the new disco-themed musical celebrating the life and career of Jabara, the accomplished Emmy, Grammy and Academy Award-winning composer of Broadway shows (RACHAEL LILY ROSENBLOOM… AND DON'T YOU EVER FORGET IT), movie songs ("Last Dance" from THANK GOD IT'S FRIDAY; the titular "The Main Event") and numerous pop/rock/disco hits, such as "It's Raining Men" by The Weather Girls, Barbra Streisand and Donna Summer's epic disco duet "Enough Is Enough (No More Tears)" and his many solo hits, as well as the finer points of the story, concept, casting and the ultimate goals of the new Philip William McKinley-directed production, which features a book by Shaun McKenna. Additionally, Morrow and Wachs each generously share showbiz tales from their storied careers involving such big names as Eddie Murphy, Michael Bennett, Jonathan Larson, Tony Scott and many more and both copiously convey their infectious enthusiasm for the forthcoming fully-produced lab presentation of the new musical that will play for five performances beginning September 20 as they prepare for its first viewing before a paying audience. All of that and much, much more awaits!
According to The West Australian, Bert Newton joins the cast of Annie in Perth today, July 24, replacing Alan Jones as President Roosevelt. Jones leaves the production to broadcast the 2012 Olympics from London.
According to The West Australian, Bert Newton will join the cast of Annie in Perth on July 24, replacing Alan Jones as President Roosevelt. Jones leaves the production to broadcast the 2012 Olympics from London.
Casa 0101 Theater in association with CoActive Content will present a new co-production of "The King of the Desert," written by Stacey Martino, performed by Rene Rivera, and helmed by Sal Romeo, all Lifetime Members of The Actors Studio.
Casa 0101 Theater in association with CoActive Content will present a new co-production of "The King of the Desert," written by Stacey Martino, performed by Rene Rivera, and helmed by Sal Romeo, all Lifetime Members of The Actors Studio.
On Friday, December 2, TheatreWorks New Milford will debut legendary playwright Noël Coward's classic comedy of manners, PRESENT LAUGHTER. The show opens at 8:00 p.m. for a five-week run.
On Friday, December 2, TheatreWorks New Milford will debut legendary playwright Noël Coward's classic comedy of manners, PRESENT LAUGHTER. The show opens at 8:00 p.m. for a five-week run.
On Friday, December 2, TheatreWorks New Milford will debut legendary playwright Noël Coward's classic comedy of manners, PRESENT LAUGHTER. The show opens at 8:00 p.m. for a five-week run.
CoActive Content, Stacey Martino, Founder/Artistic Director, and American Latino Theatre Company, David Llauger-Meiselman, Artistic Director, will present a new co-production of the critically acclaimed play, 'The King of the Desert,' written by Stacey Martino, performed by René Rivera, and helmed by award-winning director, Sal Romeo, all Studio Lifetime Members of The Actors Studio.
CoActive Content, Stacey Martino, Founder/Artistic Director, and American Latino Theatre Company, David Llauger-Meiselman, Artistic Director, will present a new co-production of the critically acclaimed play, 'The King of the Desert,' written by Stacey Martino, performed by René Rivera, and helmed by award-winning director, Sal Romeo, all Studio Lifetime Members of The Actors Studio.
Signature Theatre Company (Founding Artistic Director James Houghton; Executive Director Erika Mallin), announced today seven productions for its inaugural 2012 season at Signature Center (480 West 42nd Street near 10th Avenue), the company's new Frank Gehry-designed permanent home opening in February 2012. Signature Center will allow the Company to expand its programming, introduce new initiatives, and build audiences. Featuring three intimate theatres, a studio theatre, rehearsal studio and a shared lobby with café and bookstore, Signature Center will be both a theatre community hub and a neighborhood destination.
Never more apparent than at this very moment in history, the operatic emotions, over-the-top theatrics and outrageous outspokenness of the 1983 SCARFACE, new on Blu-ray this week, burst forth from screens both large and small, depending on your preferred venue. And, with the fiery, ferocious fearlessness that Brian DePalma so astutely and assuredly weaves his web of debauchery and demons of the soul, heart and mind with - its apotheosis residing in Al Pacino's legendary essaying of the title role - the world finally seems ready to see SCARFACE for what it really is: a classic American film. No, there are not many modern day classics and there certainly have not been over the last thirty years since its release, but SCARFACE is unquestionably now part of the great pantheon of American films - just as much as CITIZEN KANE, CABSABLANCA and THE GODFATHER before it - and with Fathom's re-release of the film in movie theaters for one night only last week, the impact of the film as felt in its true artistic home was something akin to transcendental. Indeed, I was lucky enough to check out the HD print in a showing in Ithaca, NY, last week, which was also accompanied by an ultra-informative and revealing behind-the-scenes look at the production and subsequent legacy of the near-thirty-year-old film which is also available in an even more expanded form on the new Blu-ray - including new interviews with Brian DePalma, Al Pacino, Steven Bauer, Robert Loggia, Martin Bregman, as well as comments from fellow filmmakers and fans like Eli Roth (who shares a particularly hilarious anecdote about reciting Lopez's monologue for classmates in sixth grade). The new Blu-ray is packed to the brim with Special Features - including this brand new hour-long making-of documentary to go along with the hours of bonuses ported over from many of the prior DVD releases. Yet, above all of these other virtues, the reason you must own SCARFACE on Blu-ray is not just because the HD remastering of the image is pristine, the 7.1 sound is perfect and the Special Features are overwhelmingly enjoyable, but - most of all - it is because SCARFACE is American movie-making at its finest - and most emotionally, visually and outwardly operatic. It sings. And stings. And zings. And, bring it - all.
Today we are talking to a singular literary talent who has written for Broadway, Hollywood, television and film, but, besides her Pulitzer Prize-winning Broadway debut, ‘NIGHT MOTHER, which opened on Broadway in 1982, she is perhaps best known as the Tony-winning book-writer for two particularly beloved musicals of the last few decades: THE SECRET GARDEN and THE COLOR PURPLE. Generously covering her varied career writing for stage and screen, Ms. Norman and I discuss her process, her passions, her many projects old and new, and, most importantly, the two premieres she has looming large on the horizon in the next year, both coming after her highly successful collaboration with Jason Robert Brown on THE TRUMPET OF THE SWAN symphonic suite (available now on PS Classics) and the recent world premiere of her new play, THE MASTER BUTCHERS SINGING CLUB, at the Guthrie Theater: in addition to writing the book for Jason Robert Brown's musical adaptation of THE BRIDGES OF MADISON COUNTY, we also discuss her newest project for Theater For Humans which is focused on international women's and children's issues and the manner in which she will tackle the hot button topics of human trafficking and enslavement in it. Additionally, we touch on the bumpy Broadway road of THE RED SHOES and working with Jule Styne, NY versus LA, musicals versus plays, GLEE, WEST SIDE STORY at the Hollywood Bowl, playwrighting pal Teresa Rebeck, as well as much, much more!
Five dates. Five restaurants. One chance at love, Five Course Love is a hilarious musical roller coaster ride that is equal parts comedy and music sprinkled with generous portions of that elusive search for love.
CLANCY O'CONNOR (TV - John Adams; Stage - The Listener, Edward II) will participate in the upcoming reading of the first evening-length act of RYAN TRACY's marriage epic, ALL ABOUT MARRIAGE during the HOT! Festival, Dixon Place's annual summer queer performance series.
Five dates. Five restaurants. One chance at love, Five Course Love is a hilarious musical roller coaster ride that is equal parts comedy and music sprinkled with generous portions of that elusive search for love.
Five dates. Five restaurants. One chance at love, Five Course Love is a hilarious musical roller coaster ride that is equal parts comedy and music sprinkled with generous portions of that elusive search for love.
The HOT! Festival, Dixon Place's annual summer queer performance series, will present a semi-staged reading of the evening-length first act of ALL ABOUT MARRIAGE, the epic marriage play by RYAN TRACY, on July 26, 2011 at 9:30pm.
| 1982 | Off-Broadway |
Off-Broadway |
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