It’s the opening night of The Golden Egg on Broadway, and the wealthy producer Julia Budder is throwing a lavish party in her lavish Manhattan townhouse. Downstairs the celebrities are pouring in, but the real action is upstairs in the bedroom, where a group of insiders have staked themselves out to await the reviews. The group includes the excitable playwright; the possibly unstable wunderkind director; the pill-popping leading lady, treading the boards after becoming infamous in Hollywood; and the playwright’s best friend, for whom the play was written but who passed up this production for a television series. Add to this a drama critic who’s panned the playwright in the past and a new-in-town aspiring singer, and you have a prime recipe for the narcissism, ambition, childishness, and just plain irrationality that infuse the theatre—and for comedy. But don’t worry: This play is sure to be the hit they have all been hoping for.
National New Play Network, the country's alliance of nonprofit theaters that champions the development, production, and continued life of new plays, announces four Rolling World Premieres: Halftime with Don by Ken Weitzman, Doublewide by Stephen Spotswood, The Arsonists by Jacqueline Goldfinger, and Building the Wall by Robert Schenkkan. The four plays will receive a total of 15 NNPN RWP productions, with each play seeing at least three distinct productions in a discrete 12-month period.
Wallis Annenberg Center for the Performing Arts and Deaf West Theatre (DWT), the performing arts organizations behind the Tony Award-nominated and Ovation Award-winning revival of Spring Awakening, reunite to bring multiple Pulitzer Prize-winning playwright Edward Albee's At Home at the Zoo to life in an innovative and new production. Edward Albee's At Home at the Zoo begins previews on March 7 and will open in the Lovelace Studio Theater at The Wallis on Friday, March 10. It will run through March 26. This production is made possible by the generous support of Meeghan and Michael Nemeroff.
The Public Theater announced the line-up today for the 2017 Free Shakespeare in the Park season, continuing a 55-year tradition of free theater in Central Park.
Beginning February 18, the Orchestre National de Lyon, “probably the most refined ensemble of the world” (The Guardian), tours the United States for the first time since 2003, playing concerts with music director Leonard Slatkin on a six-city tour. The Orchestra performs in renowned venues such as Carnegie Hall, New Jersey Performing Arts Center, and at the University of Georgia, Wake Forest University, and others. Special guest artists at Carnegie Hall include two of classical music's most treasured American voices, soprano Renée Fleming and baritone Thomas Hampson. The New York program will feature debut performances of Guillaume Connesson's Celephaïs and a new Ravel arrangement of Rimsky-Korsakov's Antar with text by Amin Maalouf.
The Human Race Theatre Company gives voice to an entire town of people who first witnessed unimaginable heartbreak, then suffered through emotional pain and unanswered questions before learning how to move forward with Eric Ulloa's new play, 26 Pebbles.
Full casting for Edward Albee's The Goat, or Who Is Sylvia? is announced today. Joining Damian Lewis and Sophie Okonedo, who play husband and wife Martin and Stevie in Ian Rickson's production, will be Jason Hughes as Martin's oldest friend Ross and Archie Madekwe as their son Billy.
The Human Race Theatre Company gives voice to an entire town of people who first witnessed unimaginable heartbreak, then suffered through emotional pain and unanswered questions before learning how to move forward with Eric Ulloa's new play, 26 Pebbles.
A contemporary version of the classic Jewish play by H. Leivick, which translates the Jewish legend about the golem from Prague to a stage laboratory that examines the tension between today's Israeli theatre and the classic Hebrew theatre, such as the Habima Theatre at its starting days.
Cameron Mackintosh's spectacular new production of Andrew Lloyd Webber's The Phantom of the Opera is currently appearing through January 22nd at the Detroit Opera House. Yesterday, BroadwayWorld Detroit was given an inside look at show and able to speak with some the cast members including the Phantom, Derrick Davis.
Sex, power, institutional failure, human frailty, betrayal, dreams and madness are at the core of celebrated Cuban-American writer Maria Irene Fornes's Pulitzer-Prize nominated play What of the Night?
Each night at the Longacre Theatre, enthusiastic audiences are teleported to the mean streets of New York City in the 1960's. Telling the story of Calogero, an Italian kid coming of age in the Bronx during a turbulent time in American history. The moving story takes us through one young man's struggles to find a place somewhere between his hardworking father, Lorenzo, the son of immigrants and the glamorous pull of the mafia life and local gangster, Sonny.
Single tickets for Dallas Theater Center's one-of-a-kind outdoor production of Electra are on sale Jan. 5, and available for purchase at www.DallasTheaterCenter.org or 214-880-0202. Electra begins April 4 and runs through May 21 in the unique venue of AT&T Performing Arts Center's Annette Strauss Artist Square.
Novato Theater Company opens 2017 with Sir Peter Shaffer's award-winning comedy, Lettice and Lovage. The author of Equus and Amadeus plunges into droll comedy about two women who could not be more opposite. The play is directed by Renee Mandel-Sher and produced by Mark Clark. It runs February 3-19 at the NTC Playhouse, 5420 Nave Drive in Novato.
B Street Theatre has announced the first three productions in their 26th Mainstage Season. This season will feature James Goldman's contemporary classic The Lion in Winter; Steven Dietz's unique romance Bloomsday; and the Tony-nominated play Hand to God by Robert Askins.
Dallas Theater Center (DTC) is pleased to announce involvement in the Theatre Forward Staging Success Initiative supported by AT&T. DTC's nationally recognized educational program, Project Discovery, will be one of four programs across the country to be measured and evaluated as part of this initiative to study the impact of theatre education on school engagement and participation. The Staging Success study, benefiting almost entirely Title 1 students, spans a two-year time period, tracking participation, school engagement and students' beliefs and attitudes over time with exposure to 21st century skills.
Dallas Theater Center's hit production of the holiday classic A Christmas Carol returns to the Dee and Charles Wyly Theatre.
Given the uproar in our society today, it's the perfect time to get to the Ruskin Group Theatre for the World Premiere of IT'S TIME written and performed by Paul Linke and directed with great insight into personal acceptance and growth by Edward Edwards. I walked out of the theater in tears, convinced the way to celebrate and live my life in celebration is to look to the future with love and hope, and not live convinced the way to more forward is by focusing on the disappointments seen in rear-view mirror of my life.
When it comes to the theatrical art of farce, Ken Ludwig's hilarious 1986 stage play LEND ME A TENOR certainly qualifies as a perfect example of the genre. Amusingly cheeky throughout, the 9-time Tony Award nominated comedy has been revived locally with a posh new production under the direction of Art Manke that is now playing at the La Mirada Theatre for the Performing Arts through November 13. Utilizing a laundry list of classic madcap set-ups, LEND ME A TENOR feels very much like a well-paced, meticulously crafted, old fashioned sitcom episode that has been super-sized into two gloriously funny acts.
Dallas Theater Center's hit production of the holiday classic A Christmas Carol returns to the Dee and Charles Wyly Theatre.
This autumn, as the second work in Douglas Rintoul's inaugural season, The Queen's Theatre Hornchurch presents the first major revival of Bob Larbey's award-winning and heart-warming comedy, A Month of Sundays.
Performers John Gaden and Arkos Armont and director Helen Dallimore bring their formidable talent and wealth of 'life in the theatre' experience to bear in David Mamet's modern classic play and comedy.
B Street Theatre is thrilled to kick-off our 2016 - 2017 Family Series Season with Y York's adaptation of The Garden of Rikki Tikki Tavi. Based off of the popular short-story by Ruyard Kipling, Rikki Tikki Tavi leaps onto the B Street stage this fall.
Maury Yeston, the composer and lyricist best-known for Nine and Titanic, visited the West End a few months before the West End opening of his new musical, Death Takes a Holiday. Based on a film (which was based on a play) this story tells of how Death changed his perspective. He used to not quite understand why everyone he came to collect was quite so aggrieved to die, until he met a particular woman who allowed him to realise quite what makes life worth clinging to. The side effect of Death's occupation being, though, that he can't collect anyone else while he's so distracted - Death the person and death the concept take a break! Maury was kind enough to discuss his musical background, some of his better-known works and his latest venture for the stage.
Director Alan Paul takes risks with Shakespeare's classic tale of romance and tragedy.
he Human Race kicks off its 2016-2017 Eichelberger Loft Season with the smash hit Sweeney Todd: The Demon Barber of Fleet Street - A Musical Thriller. Created by the Tony Award winning team by Stephen Sondheim (music and lyrics) and Hugh Wheeler (book) and based on an adaptation by Christopher Bond, this masterpiece of suspense invites audiences to attend the tale of Sweeney Todd.
| 1986 | Off-Broadway |
Off-Broadway |
| 2014 | Broadway |
Broadway Revival Broadway |
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