After thirty years of marriage, a man tells his wife that he is going to leave her. When she fails to respond to his outburst, he leaves the room. When he returns, he again declares that he is leaving her. When this attempt also proves unsuccessful he leaves the room, only to return and try for a third time to leave his wife. Thus begins Marriage Play, a look at the troubled marriage of Jack and Gillian. Through verbal and physical battles, the pair explore their life together and the institution of marriage.
Imelda Staunton and Conleth Hill will star in a new production of multi Tony and Pulitzer prize-winning playwright Edward Albee's Who's Afraid of Virginia Woolf? directed by James Macdonald.
Last week, legendary playwright Edward Albee passed away in his sleep at his home in Montauk, LI at the age of 88. See photos of the Albee throughout his distinguished career as BroadwayWorld remembers the life and works of the theatre's most revered figures.
Imelda Staunton and Conleth Hill will star in a new production of multi Tony and Pulitzer prize-winning playwright Edward Albee's WHO'S AFRAID OF VIRGINIA WOOLF? directed by James Macdonald.
As reported over the weekend, Pulitzer Prize-winning playwright, Edward Albee, passed away at the age of 88. The revered playwright died in his sleep at his home in Montauk, Long Island. The Dramatists Guild has just released a thoughtful, heartfelt a statement on Albee; read it in full below!
It was reported this afternoon, that Pulitzer Prize- winning playwright, Edward Albee, has passed away at the age of 88. The revered playwright died in his sleep at his home in Montauk, LI.
Museum of the Moving Image will present the most comprehensive U.S. retrospective of all of the Polish director's features, short films, early documentary work, and a marathon viewing of the Dekalog, from October 7 through November 6, 2016. The series will also include four posthumous works based on Kieslowski's unproduced screenplays.
The Washington Stage Guild announces the 2016-2017 season of our distinctive repertory, an array of eloquent plays of idea and argument, passion and wit-smart theatre for a smart town!
Prince George's Little Theatre will produce Neil Simon's dramatic comedy "Lost in Yonkers" at the Bowie Playhouse from August 12-27. All Friday performances and Saturday performances August 13 and 20 are at 8 p.m. The Sunday performances August 14 and 21 and the closing performance Saturday August 27 are 2 pm. matinees. The play is directed by Ken Kienas and produced by Malia Murray.
Bay Street Theater & Sag Harbor Center for the Arts is pleased to announce the August, and September lineup for the 2016 Comedy Club.
Juilliard Drama announces its 2016-17 season of fully staged productions featuring Juilliard's Group 46 acting students in their fourth and final year in the drama program at Juilliard.
Paradise has a name!
Arguably one of the most complex and intriguing female characters ever written, HEDDA GABLER weaves a mesmerizing tale of a woman trapped in a loveless marriage who is driven by a need for power and freedom.
Bay Street Theater & Sag Harbor Center for the Arts has announced the July, August, and September lineup for the 2016 Comedy Club. Monday nights at 8 pm. All dates are available online at www.baystreet.org or calling the Box Office at 631-725-9500. All comedy performances are suggested for ages 17 and up. Comedy Club is sponsored by Saunders & Associates and The Friars Foundation. Media sponsor is Beach Magazine.
Arguably one of the most complex and intriguing female characters ever written, HEDDA GABLER weaves a mesmerizing tale of a woman trapped in a loveless marriage who is driven by a need for power and freedom. Working from a freshly translated script by Anne-Charlotte Harvey that removes stilted language while staying true to Ibsen's voice, the actors have put their personal touches on their characters to create a piece that speaks to contemporary audiences. Lovers of classic theatre will not want to miss this gripping world premiere translation.
Tommy Nohilly's BLOOD FROM A STONE opens tonight, May 7, at The Electric Lodge in its West Coast premiere engagement.
Arguably one of the most complex and intriguing female characters ever written, HEDDA GABLER weaves a mesmerizing tale of a woman trapped in a loveless marriage who is driven by a need for power and freedom.
Can you get blood from a stone? Sure. Just throw the stone directly at someone's face.
Primary Stages announced their upcoming 32nd Season on March 14 at a champagne reception celebrating the Centennial of the birth of late Pulitzer Prize-winning playwright and Primary Stages collaborator, Horton Foote.
Those who have made significant contributions to the arts in a variety of categories will be recognized for their achievements in enriching the communities and citizens of Utah at the 11th Annual Star Awards held Friday, March 11, 2016 at the SCERA Center for the Arts in Orem.
?Norwich based Baroque Theatre Company announce their 2016 tour of John Chapman's farce Kindly Leave the Stage. Back by popular demand, and marking Baroque's biggest tour to date, Kindly Leave the Stage will play in an impressive 33 venues across the UK- from Penzance in Cornwall to Carlisle in Cumbria, and many towns and cities in between.
It was circa 1993 when I was introduced to the brilliance of August Wilson by my high school theatre teacher Rodney Sheffield. I remember reading the play in one day, and from then on I was infatuated with Wilson's writing style and dynamic characters. Being a black kid in the theatre, there wasn't much for me to identify with, so Wilson quickly became a theatre icon in my eyes. Fast forward to 2000 and I got to play Cory in my last year of undergrad. My thesis was on the parallels of Wilson's FENCES and Miller's DEATH OF A SALESMAN. Here we are 16 years later and this play has crept up on my radar yet again! I had the pleasure of seeing The Ensemble Theatre's production of FENCES during the month of February and it was a great way to start my celebration of Black History Month.
Women's Project Theater, under the leadership of Producing Artistic Director Lisa McNulty and Managing Director Maureen Moynihan, has announced the rotating casts for the New York premiere of DEAR ELIZABETH, the inaugural production at the WP's new theatrical home the McGinn/Cazale Theatre, 2162 Broadway (at 76th Street).
Following a critically acclaimed run this summer, Soledad Barrio and Noche Flamenca's Antigona will return to New York for a six week engagement, December 11-January 23. This visually arresting adaptation of Sophocles' Antigone, which originally opened on July 21, was declared a New York Times Critics' Pick by Laura Collins-Hughes, who wrote that "a haunting, distant classicism coexists with sweaty, unmediated corporeality in this dance drama." In The Village Voice, Miriam Felton-Dansky called it "raucously eloquent," while Apollinaire Scherr in the Financial Times wrote that Noche Flamenca "has created a powerful marriage of Greek tragedy and flamenco." The New Yorker's Joan Acocella declared: "Never, until I saw Santangelo's ensemble, their heels stamping, their arms cutting through the air, had I seen a chorus whose physical force could support the fate-heavy songs that Sophocles wrote for his plays."
Casting for Barbra Streisand's new GYPSY film is starting to move beyond rumors and clandestine meetings.
Harold Pinter was born in Hackney, in London's East End, in October of 1930. An only child, he was born to Jewish parents of very moderate means; his father, a tailor, and his mother, a homemaker, were first-generation descendants of Eastern European immigrants. Like many of his contemporaries, Pinter's childhood was shaped by the onslaught of World War II; at the age of nine, he was evacuated from London through Operation Pied Piper and resettled in a town in Cornwall. The sense of isolation he felt in Cornwall would come to influence his work, as would the changed London to which he returned during the Blitz, where he was witness to, as his 2008 Guardianobituary put it, 'the dramatic nature of wartime life - the palpable fear, the sexual desperation, the genuine sense that everything could end tomorrow.'
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