St. Nicholas 1998 - Articles Page 14

Burning Coal Theatre Company of Raleigh, NC will present Conor McPherson's The Seafarer February 4 - 21, 2010 at Meymandi Theatre at the Murphey School, 224 Polk Street, Raleigh.

Burning Coal Theatre Company of Raleigh, NC will present Conor McPherson's The Seafarer February 4 - 21, 2010 at Meymandi Theatre at the Murphey School, 224 Polk Street, Raleigh.

Producers Tom Hulce and Ira Pittelman announced the complete Broadway cast of AMERICAN IDIOT today. The production will begin previews on Wednesday, March 24, 2010 and open on Broadway Tuesday, April 20, 2010 at the St. James Theatre (246 West 44 Street).

Asolo Rep Proudly Presents HEARTS January 22 -April 11, 2009 Willy Holtzman's Pultizer Prize nominated play; Winner of the Arthur Miller Award for Dramatic Writing and Barrymore Award for Outstanding New Play

Asolo Rep Proudly Presents HEARTS January 22 -April 11, 2009 Willy Holtzman's Pultizer Prize nominated play; Winner of the Arthur Miller Award for Dramatic Writing and Barrymore Award for Outstanding New Play

Burning Coal Theatre Company of Raleigh, NC will present Conor McPherson's The Seafarer February 4 - 21, 2010 at Meymandi Theatre at the Murphey School, 224 Polk Street, Raleigh.

Piven Theatre Workshop continues its 2009-10 season with the world premiere of Number of People, written and directed by Emilie Beck.

With the strains of 'Auld Lang Syne' mere moments away, minds are apt to be caught up in reflection, remembering the year now ending as a new one awaits just over the horizon. Certainly that's what I've been doing lately, looking back over the past year in Nashville theatre as I pencil in dates in my new 2010 (Here's a question to ponder: Is it 'two thousand ten' or 'twenty ten'...think about it and get back to me) calendar for the shows set to open in the months ahead.

New York City Opera today released full casting details for the 2009-2010 season, its first under the new leadership of General Manager and Artistic Director George Steel. The company will present five operas in 2009-2010, in fall and spring seasons, in the newly renovated David H. Koch Theater (formerly the New York State Theater).

Roundabout Theatre Company (Todd Haimes, Artistic Director) presents the first new Broadway production of Bye Bye Birdie, after a 48 year absence, as the inaugural production of the new Henry Miller's Theatre (124 West 43rd Street) beginning Thursday, September 10th, 2009 with an official opening on Thursday, October 15th, 2009. This will be a limited engagement through January 10th, 2010.

After a 48 year absence, Roundabout Theatre Company (Todd Haimes, Artistic Director) presents the first new Broadway production of Bye Bye Birdie as the inaugural production of the new Henry Miller's Theatre (124 West 43rd Street) beginning Thursday, September 10th, 2009 with an official opening on Thursday, October 15th, 2009. This will be a limited engagement through January 10th, 2010.

California Shakespeare Theater Artistic Director Jonathan Moscone today announced his plans for his 10th anniversary season, which includes the company's first world premiere in more than 25 years, a return to the provocative comedy of George Bernard Shaw, and brand-new productions featuring two of Shakespeare's most intriguing couples.

After a 48 year absence, Roundabout Theatre Company (Todd Haimes, Artistic Director) presents the first new Broadway production of Bye Bye Birdie as the inaugural production of the new Henry Miller's Theatre (124 West 43rd Street) beginning Thursday, September 10th, 2009 with an official opening on Thursday, October 15th, 2009. This will be a limited engagement through January 10th, 2010.

Two classic American plays by iconic, Pulitzer Prize-winning playwrights, two audacious plays by contemporary mavericks, a world premiere musical by one of America's greatest living singer/songwriters and the bonus option of a delicious spoof of a 1935 movie are set for Center Theatre Group/Mark Taper Forum's 2010 season at the Los Angeles Music Center, it was announced today by Michael Ritchie, CTG's Artistic Director.

New York City Opera today released full casting details for the 2009-2010 season, its first under the new leadership of General Manager and Artistic Director George Steel. The company will present five operas in 2009-2010, in fall and spring seasons, in the newly renovated David H. Koch Theater (formerly the New York State Theater).

Roundabout Theatre Company (Todd Haimes, Artistic Director) presents the first new Broadway production of Bye Bye Birdie, after a 48 year absence, as the inaugural production of the new Henry Miller's Theatre (124 West 43rd Street) beginning Thursday, September 10th, 2009 with an official opening on Thursday, October 15th, 2009. This will be a limited engagement through January 10th, 2010.

The Tampa Bay Performing Arts Center today announces several additions to the creative team for Wonderland: Alice's New Musical Adventure. According to producer Judith Lisi, president and CEO of TBPAC, Marguerite Derricks will choreograph the production and Ron Melrose will serve as music supervisor and provide vocal and dance arrangements as well as incidental music. Susan Hilferty, Neil Patel and Paul Gallo will design the costumes, sets and lights respectively, while Jon Weston will design the sound and Sven Ortel will design video and projections.

After a 48 year absence, Roundabout Theatre Company (Todd Haimes, Artistic Director) presents the first new Broadway production of Bye Bye Birdie as the inaugural production of the new Henry Miller's Theatre (124 West 43rd Street) beginning Thursday, September 10th, 2009 with an official opening on Thursday, October 15th, 2009. This will be a limited engagement through January 10th, 2010.

Thomas W. Morris, artistic director of the Ojai Music Festival and Ojai's 2009 music director eighth blackbird have announced the final programming for the 2009 Ojai Music Festival, which takes place from Thursday, June 11 to Sunday, June 14, 2009. This season, the four-day Festival, which for six decades has become well known for its fearlessness in championing pioneering musical ideas and personalities, pushes the envelope again with programming that reflects the qualities that have made eighth blackbird a growing musical phenomenon-genre-defying variety in wildly collaborative and visually dramatic presentations.

AVENUE Q puppets set to pass ANNIE orphans and revival of CABARET to become 21st longest-running show in Broadway history at performance 2,379 performances (and counting!)

Houston Grand Opera (HGO) continues its 54 th season with Verdi's haunting and tragic tale Rigoletto. Rigoletto, which was last performed at HGO in 2001, returns to the Wortham Theater Centerwith a powerful new staging of Michael Yeargan's classic production that was inspired by Italianpainter Giorgio di Chirico.

Thomas W. Morris, artistic director of the Ojai Music Festival and Ojai's 2009 music director eighth blackbird have announced the final programming for the 2009 Ojai Music Festival, which takes place from Thursday, June 11 to Sunday, June 14, 2009. This season, the four-day Festival, which for six decades has become well known for its fearlessness in championing pioneering musical ideas and personalities, pushes the envelope again with programming that reflects the qualities that have made eighth blackbird a growing musical phenomenon-genre-defying variety in wildly collaborative and visually dramatic presentations.

Roundabout Theatre Company (Todd Haimes, Artistic Director) is proud to announce John Goodman (Pozzo) and David Strathairn (Lucky) will join Bill Irwin (Vladimir) and Nathan Lane (Estragon) in a new Broadway production of Waiting for Godot by Samuel Beckett and directed by Tony? award winner Anthony Page.

Roundabout Theatre Company has announced Tony award winners Bill Irwin as 'Vladimir' and Nathan Lane as 'Estragon' in a new Broadway production of Waiting for Godot by Samuel Beckett and directed by Tony award winner Anthony Page.

Final show in Artistic Director Nicholas Martin's eight-year reign at The Huntington plays up the jaunty style but sacrifices the sentimental substance of Bock and Harnick's musical gem