Legacy of Light, a new play by Karen Zacarias, anchors the sixth annual FusionFest of new work and completes the Cleveland Play House's 84-year run at 8500 Euclid Avenue.
Legacy of Light, a new play by Karen Zacarias, anchors the sixth annual FusionFest of new work and completes the Cleveland Play House's 84-year run at 8500 Euclid Avenue.
Room, directed by Anne Bogart and based on a lifetime of Virginia Woolf's writing adapted by Jocelyn Clarke, will return to the New York stage 11 years after its world premiere when Women's Project and Siti Company closes March 27 at Women's Project, 424 West 55th Street.
The Green Room Awards took place at The Famous Spiegeltent in Melbourne last night, and global favorite MARY POPPINS led the night with a total of nine awards out of its twelve nominations. Yana Alana and the Paranas in Concert, a cabaret production, was a close second for total awards with six out of eight cabaret awards.
Legacy of Light, a new play by Karen Zacarias, anchors the sixth annual FusionFest of new work and completes the Cleveland Play House's 84-year run at 8500 Euclid Avenue.
Room, directed by Anne Bogart and based on a lifetime of Virginia Woolf's writing adapted by Jocelyn Clarke, will return to the New York stage 11 years after its world premiere when Women's Project and SITI Company begins previews Saturday, March 12, at 8:00pm for a run through March 27 at Women's Project, 424 West 55th Street.
Columbia University School of the Arts, Theatre Arts Program presents MACHINAL
Room, directed by Anne Bogart and based on a lifetime of Virginia Woolf's writing adapted by Jocelyn Clarke, will return to the New York stage 11 years after its world premiere when Women's Project and SITI Company begins previews Saturday, March 12, at 8:00pm for a run through March 27 at Women's Project, 424 West 55th Street.
Columbia University School of the Arts, Theatre Arts Program presents MACHINAL
The American Repertory Theater (A.R.T.) continues its 2010/11 Season with R. Buckminster Fuller: THE HISTORY (and Mystery) OF THE UNIVERSE, written and directed by D.W. Jacobs from the life, work, and writings of R. Buckminster Fuller. The production features Thomas Derrah as Bucky Fuller. Set and lighting design is by David Cuthbert, costume design by Darla Cash, projection design by Jim Findlay, and sound/composition by Luis Perez.
The American Repertory Theater (A.R.T.) continues its 2010/11 Season with R. Buckminster Fuller: THE HISTORY (and Mystery) OF THE UNIVERSE, written and directed by D.W. Jacobs from the life, work, and writings of R. Buckminster Fuller. The production features Thomas Derrah as Bucky Fuller. Set and lighting design is by David Cuthbert, costume design by Darla Cash, projection design by Jim Findlay, and sound/composition by Luis Perez.
Following her sell-out production of J.M. Barrie's What Every Woman Knows at the Finborough Theatre in July this year, director Louise Hill returns to the Finborough Theatre with another rediscovery of a classic comedy by J.M. Barrie to celebrate the 150th anniversary of his birth - his magical 1901 play Quality Street, opening on 30 November 2010 (Press Night: Thursday, 2 December 2010 at 7.30pm) as part of the Finborough Theatre's 30th anniversary year.
Following her sell-out production of J.M. Barrie's What Every Woman Knows at the Finborough Theatre in July this year, director Louise Hill returns to the Finborough Theatre with another rediscovery of a classic comedy by J.M. Barrie to celebrate the 150th anniversary of his birth - his magical 1901 play Quality Street, opening on 30 November 2010 (Press Night: Thursday, 2 December 2010 at 7.30pm) as part of the Finborough Theatre's 30th anniversary year.
The Cherub Company returns to the Finborough Theatre with the world premiere of a brand new play by Peter Nichols, Lingua Franca, opening Tuesday, 13 July 2010 (Press Night: Thursday, 15 July 2010) as part of the Finborough Theatre's 30th anniversary year.
The Cherub Company returns to the Finborough Theatre with the world premiere of a brand new play by Peter Nichols, Lingua Franca, opening Tuesday, 13 July 2010 (Press Night: Thursday, 15 July 2010) as part of the Finborough Theatre's 30th anniversary year.
Soprano Lisa Delan, pianist Kristin Pankonin, cellist Matt Haimovitz and mezzo-soprano Zheng Cao present a rich and varied collection of art songs by living American composers entitled AND IF THE SONG BE WORTH A SMILE: AN EVENING OF AMERICAN SONG, Friday, May 21, 2010 at 8 p.m. at The Allen Room in Frederick P. Rose Hall, home of Jazz at Lincoln Center, Broadway at 60th Street.
Kaufman Center and New York Festival Of Song (NYFOS, www.nyfos.org), acclaimed by New York Magazine as 'The best classical music programming in New York,' will present an all-new program on May 4 and 6 at 8 PM of American composers, including the premiere of Beautiful Ohio, a song cycle by 2009 Pulitzer Prize- finalist Harold Meltzer, with texts of poet James Arlington Wright and composed specifically for the young American tenor Paul Appleby.
Kaufman Center and New York Festival Of Song (NYFOS, www.nyfos.org), acclaimed by New York Magazine as 'The best classical music programming in New York,' will present an all-new program on May 4 and 6 at 8 PM of American composers, including the premiere of Beautiful Ohio, a song cycle by 2009 Pulitzer Prize- finalist Harold Meltzer, with texts of poet James Arlington Wright and composed specifically for the young American tenor Paul Appleby.
Kaufman Center and New York Festival Of Song (NYFOS, www.nyfos.org), acclaimed by New York Magazine as 'The best classical music programming in New York,' will present an all-new program on May 4 and 6 at 8 PM of American composers, including the premiere of Beautiful Ohio, a song cycle by 2009 Pulitzer Prize- finalist Harold Meltzer, with texts of poet James Arlington Wright and composed specifically for the young American tenor Paul Appleby.
Kaufman Center and New York Festival Of Song (NYFOS, www.nyfos.org), acclaimed by New York Magazine as 'The best classical music programming in New York,' will present an all-new program on May 4 and 6 at 8 PM of American composers, including the premiere of Beautiful Ohio, a song cycle by 2009 Pulitzer Prize- finalist Harold Meltzer, with texts of poet James Arlington Wright and composed specifically for the young American tenor Paul Appleby.
Kaufman Center and New York Festival Of Song (NYFOS, www.nyfos.org), acclaimed by New York Magazine as 'The best classical music programming in New York,' will present an all-new program on May 4 and 6 at 8 PM of American composers, including the premiere of Beautiful Ohio, a song cycle by 2009 Pulitzer Prize- finalist Harold Meltzer, with texts of poet James Arlington Wright and composed specifically for the young American tenor Paul Appleby.
Kaufman Center and New York Festival Of Song (NYFOS, www.nyfos.org), acclaimed by New York Magazine as 'The best classical music programming in New York,' will present an all-new program on May 4 and 6 at 8 PM of American composers, including the premiere of Beautiful Ohio, a song cycle by 2009 Pulitzer Prize- finalist Harold Meltzer, with texts of poet James Arlington Wright and composed specifically for the young American tenor Paul Appleby.
Kaufman Center and New York Festival Of Song (NYFOS, www.nyfos.org), acclaimed by New York Magazine as 'The best classical music programming in New York,' will present an all-new program on May 4 and 6 at 8 PM of American composers, including the premiere of Beautiful Ohio, a song cycle by 2009 Pulitzer Prize- finalist Harold Meltzer, with texts of poet James Arlington Wright and composed specifically for the young American tenor Paul Appleby.
Kaufman Center and New York Festival Of Song (NYFOS, www.nyfos.org), acclaimed by New York Magazine as 'The best classical music programming in New York,' will present an all-new program on May 4 and 6 at 8 PM of American composers, including the premiere of Beautiful Ohio, a song cycle by 2009 Pulitzer Prize- finalist Harold Meltzer, with texts of poet James Arlington Wright and composed specifically for the young American tenor Paul Appleby.
Center Stage could have made a better programming choice than this overrated agitprop, but turns in a creditable performance
Videos
