What's Up 1943 - Articles Page 14

As Stages Theatre Company (STC) unveils our 32nd season, we continue our commitment providing high-quality, accessible theatre for young audiences.

In theatres across the UK, from Friday 28 August for 11 weeks only, music legend TOMMY STEELE will take to the stage in a spectacular new imagining of the extraordinary tale of the world's most famous big band leader - in The Glenn Miller Story.

After an unparalleled career that has spanned nearly 35 years of ballet and contemporary dance, Olivier Award winner Sylvie Guillem will give her farewell performance on the American stage in Life in Progress, a dance program of both existing and new works, at New York City Center from November 12 -14, 2015. Life in Progress began an international tour on March 31 produced by Sadler's Wells in London, where it is currently playing; Guillem's only United States appearance will be at City Center.

The Lusty Month of May; like the song says: 'It's time to do a wicked thing or two!' It's May, the time when spring brings that hot-blooded, four letter word: lust. Musicals have had a steady history of lusty musical numbers. There are songs about rolling in the hay, and others extolling the virtues of different (ahem) flavors of man-candy. Some songs are paens to hot, steamy nights, and some are about what you do on those kind of nights. 

Civic Theatre of Allentown will continue its 2014-2015 season with nearly a dozen unique events. This spring, the Civic is your hub for entertainment and culture, with unique presentations on both stage and screen. This Spring, Civic will present events ranging from the visual arts ('Matitisse' From Tate Modern and Moma and 'Hermitage Revealed') to science and technology, from much-loved musicals ('Showboat') to staged re-imaginings of great novels- all from the comfort of the Civic's historic 19th Street theatre.

The Bard SummerScape festival presents an entirely new way to experience Oklahoma!, Rodgers and Hammerstein's quintessential celebration of the American frontier

Paul J. Kubis, refurbisher, realtor, family-man and writer, has completed his first book 'The Gorger: The Man Who Could Not Get Enough': a gripping and potent memoir that delves into the lies, crime, love, and loss of the author's life.

In Jim Neu's musical 'The Floatones,' four rather strange characters meet at their encounter group and decide the best way to get better is through show business. They form a vocal quartet on the cutting edge of a new fusion between entertainment and self-help. Their night club act shares their group insights in speech and song, interweaving their individual stories, creating a post-Chorus Line. 'The Floatones' debuted in 1995 and will be revived by La MaMa E.T.C. on the play's 20th anniversary, today, May 1 to 10, 2015 co-directed by Catherine Galasso and Keith McDermott. It is the first production of a Jim Neu play since his death in 2010.

A historic reunion will take place at Geena Davis's upcoming Bentonville Film Festival (BFF), when Gina Casey and Alice Fracasso, join Geena Davis and Rosie O'Donnell on the baseball diamond at Arvest Park, home of the minor league baseball team, the Northwest Arkansas Naturals, on Thursday, May 7.

Sparse CAROUSEL Takes to the Stage

In theatres across the UK, from Friday 28 August for 11 weeks only, music legend TOMMY STEELE will take to the stage in a spectacular new imagining of the extraordinary tale of the world's most famous big band leader - in The Glenn Miller Story.

While watching the Next Stage production of Gina Gionfriddo's RAPTURE, BLISTER, BURN at Theatre Memphis, I was reminded of John Van Druten's screenplay for the 1943 Warner Brothers film OLD ACQUAINTANCE. It was one of those 'women pictures' which provided thespic opportunities for the likes of actresses like Bette Davis and Miriam Hopkins, who, in fact, were the lead players in this particular film. In their youth, the two women had been friends, but as their paths parted in life, the Davis character, brittle and alone, became a critically acclaimed (if financially challenged) author, while the Hopkins character, finally penning a bestseller (trash that it is, it rakes in the 'big bucks'), jealously desires what Davis has. I couldn't help thinking, if Gionfriddo's RAPTURE had fallen into the hands of a director like Vincent Sherman, I could see Davis as the 'Catherine Croll' character, who, despite national recognition and an evidently fulfilling career, begins to have doubts about her life choices. (If you've ever seen the famous car scene in Joseph L. Mankiewicz's ALL ABOUT EVE, also starring Davis, you'll hear the character of stage actress 'Margo Channing' lament what a woman gives up when she devotes herself entirely to a career: I wonder if this very scene influenced Ms. Gionfriddo in her characterizations.) The other character, 'Gwen,' would obviously have been given over to Hopkins, who would have shone as the once promising woman who jettisoned her own burgeoning promise to marry 'Don Harper,' who once had been Catherine's intended (George Brent, anyone?).

In Jim Neu's musical 'The Floatones,' four rather strange characters meet at their encounter group and decide the best way to get better is through show business. They form a vocal quartet on the cutting edge of a new fusion between entertainment and self-help. Their night club act shares their group insights in speech and song, interweaving their individual stories, creating a post-Chorus Line. 'The Floatones' debuted in 1995 and will be revived by La MaMa E.T.C. on the play's 20th anniversary, March 1 to 10, 2015 co-directed by Catherine Galasso and Keith McDermott. It is the first production of a Jim Neu play since his death in 2010.

In Jim Neu's musical 'The Floatones,' four rather strange characters meet at their encounter group and decide the best way to get better is through show business. They form a vocal quartet on the cutting edge of a new fusion between entertainment and self-help. Their night club act shares their group insights in speech and song, interweaving their individual stories, creating a post-Chorus Line. 'The Floatones' debuted in 1995 and will be revived by La MaMa E.T.C. on the play's 20th anniversary, March 1 to 10, 2015 co-directed by Catherine Galasso and Keith McDermott. It is the first production of a Jim Neu play since his death in 2010.

Ten years ago, filmmaker Michael Maglaras screened his first film, 'Cleophas and His Own,' a monumental work 2 hours and 27 minutes long, about the American Modernist master and Lewiston, Maine native, Marsden Hartley.

Parson's Nose Theater (PNT), the acclaimed classical comedic theater company, continues its 15th Season with The Madwoman of Chaillot, opening tonight, February 7th. Adapted by Artistic Director, Lance Davis, this 70-minute performance features many Parson's Nose Company Members as well as some guest artists.

Parson's Nose Theater (PNT), the acclaimed classical comedic theater company, continues its 15th Season with The Madwoman of Chaillot, opening this Saturday, February 7th. The 70-minute production, adapted and directed by Artistic Director, Lance Davis, features Barry Gordon as Ragman and Mary Chalon as Countess Aurelia.

Orange County, Calif.-Jan. 9, 2015-Composer, conductor and teacher Leonard Bernstein, one of the undeniable giants of 20th-century music, and the first American-born conductor to become a major star, becomes the focal point of Pacific Symphony's second "Music Unwound" concert this season, "For the Love of Bernstein." In 1985, a young Carl St.Clair met Bernstein as a conducting fellow at Tanglewood Music Center. A few years later in 1990, St.Clair stepped in for the ailing Maestro and conducted his "Arias and Barcarolles" during what turned out to be Bernstein's last concert. St.Clair would soon be named music director of Pacific Symphony, but the impact of Bernstein's mentoring to St.Clair has remained to this day.

Parson's Nose Theater (PNT), the acclaimed classical comedic theater company, continues its 15th Season with The Madwoman of Chaillot, opening Saturday, February 7th. Adapted by Artistic Director, Lance Davis, this 70-minute performance features many Parson's Nose Company Members as well as some guest artists.

Orange County, Calif.—Jan. 9, 2015—Composer, conductor and teacher Leonard Bernstein, one of the undeniable giants of 20th-century music, and the first American-born conductor to become a major star, becomes the focal point of Pacific Symphony's second “Music Unwound” concert this season, “For the Love of Bernstein.” In 1985, a young Carl St.Clair met Bernstein as a conducting fellow at Tanglewood Music Center. A few years later in 1990, St.Clair stepped in for the ailing Maestro and conducted his “Arias and Barcarolles” during what turned out to be Bernstein's last concert. St.Clair would soon be named music director of Pacific Symphony, but the impact of Bernstein's mentoring to St.Clair has remained to this day.

What better way to commemorate the 100th birthday of one of the nation's most storied theaters - The Shubert Theater in New Haven, Connecticut - than with a special video starring the national company of Irving Berlin's White Christmas, the first show to take the stage in the theater's centennial year?

It seems only fitting that in its efforts to introduce a musical form as grown-up as the opera to younger audiences, that the Kennedy Center has picked for this holiday season the children's classic THE LITTLE PRINCE, a story all about grown-ups trying to understand children trying to understand grown-ups. As the author's original dedication reads, 'All grown-ups were children first,' and in this family friendly production, the Kennedy Center has put forward something for the grown-up and the child in all of us.

The month of December has always been an emotional time of the year, especially for our military families; a period to deeply reflect on family and country. Over the past few months in New York cabaret, a few performers have offered up musical testimony on wars, patriotism, and US military veterans. Recently, two singers fairly new to the cabaret scene--Anna Marie Sell and Kim Sutton--staged shows saluting the brave men and women who serve our country now and in the past.

?The award-winning Equity professional East Lynne Theater Company announces its 2015 Cape May Mainstage Season. This is ELTC's 35th year of delighting audiences with classic gems, a world premiere, and radio-style productions. The theme for 2015 is 'Unexpected Encounters."

As I left the theater yesterday afternoon, I clutched my sweater close around me to ward off the chill. Not the chill in the crisp fall air, but the chill from the play I had just seen - Walking Shadow's GABRIEL. This story about a little known facet of WWII history is so captivating, horrifying, chilling, and completely engaging that it hangs with you well after you leave the theater. The excellent cast and realistic set make you feel like you're right there, as this family fights for survival on a Nazi-occupied British island. It's only playing for one more weekend, but it's well worth it if you can make it. You won't soon forget this beautifully done, powerful play.