There aren't many bass/piano duos more musically familiar with one another than Charlie Haden and Paul Bley. The two legends have been playing together off and on since the late 1950s. Charlie Haden's career as a sideman (Ornette Coleman, Keith Jarrett, Charles Lloyd) and as a leader (Liberation Music Orchestra, Quartet West) have made him one of the most respected jazz musicians of our time. Some of Haden's most beautiful and introspective music has appeared in his duo work (the most recent of which can be heard on Jasmine, recorded with celebrated pianist Keith Jarrett on ECM). Paul Bley, an equally innovative pianist whose recording credits range from Lester Young and Charlie Parker to John Scofield and Bill Frisell, will share the stage with Haden from Nov. 18 - 21.
The Opera Orchestra of New York opens its 2010-11 season on Monday, October 25 at 7:30 pm at Carnegie Hall with a double-bill of Massenet's La Navarraise starring tenor Roberto Alagna, mezzo-soprano Elena Garanea, and bass Ildar Abdrazakov and Pietro Mascagni's Cavalleria Rusticana starring Mr. Alagna, soprano Maria Guleghina, and mezzo-sopranos Krysty Swann and Mignon Dunn, conducted by Music Director Designate Alberto Veronesi. The concert features many important debuts including the company premiere of La Navarraise and Cavalleria rusticana; Music Director Designate Alberto Veronesi's Carnegie Hall and company debuts; the company debuts of soloists Robert Alagna, El?na Garan?a, Maria Guleghina, and Mignon Dunn, who returns to the stage for the first time since performing in Elektra at the Metropolitan Opera in 1994; and the young artist debut of mezzo-soprano Krysty Swann, a former member of the Opera Orchestra's Young Artist Program.
Canadian Stage is thrilled to bring Ex Machina's production of The Andersen Project to Toronto theatre audiences. Canadian visionary Robert Lepage has created a modern-day, multimedia fairytale that tells the story of a Quebecois songwriter (Yves Jacques, The Barbarian Invasions, The Far Side of the Moon) whose notable engagement with the Paris Opera helps him discover what defines, motivates and inspires him. The production runs October 21 to 30, 2010 at the Bluma Appel Theatre, 27 Front Street East, Toronto. Tickets are available in person, by phone 416.368.3110, or online at canadianstage.com.
Ten years after his last Toronto performance, fans of theatrical genius Robert Lepage will have a rare opportunity to see him on stage when the Sony Centre presents Eonnagata, a Sadler's Wells London production in association with Ex Machina and Sylvie Guillem, on November 18 and 19, 2010.
Before jazz had a name and 'world music' was a concept, a young trumpet player emerged from another hemisphere and landed alongside some of the greatest icons in American music. Louis Armstrong sent him a trumpet. Harry Belafonte arranged for him to come to New York City to study music. Dizzy Gillespie and Miles Davis took him under their wings. That man, Hugh Masekela, born out of apartheid South Africa, has consistently toured worldwide and his genre-bending dynamism has led to his own icon status. His uncategorizable sound comes to life on his October 2010 North American tour.
Italy's Dario D'Ambrosi, a radical innovator of the theater and founder of the movement called Teatro Patologico (Pathological Theater), will direct his newest play, 'Bong Bong Bong against the Walls, Ting Ting Ting in our Heads,' as the opening production of 'La MaMa Puppet Series IV--Built to Perform.'
Before jazz had a name and 'world music' was a concept, a young trumpet player emerged from another hemisphere and landed alongside some of the greatest icons in American music. Louis Armstrong sent him a trumpet. Harry Belafonte arranged for him to come to New York City to study music. Dizzy Gillespie and Miles Davis took him under their wings. That man, Hugh Masekela, born out of apartheid South Africa, has consistently toured worldwide and his genre-bending dynamism has led to his own icon status. His uncategorizable sound comes to life on his October 2010 North American tour.
Canadian Stage is thrilled to bring Ex Machina's production of The Andersen Project to Toronto theatre audiences. Canadian visionary Robert Lepage has created a modern-day, multimedia fairytale that tells the story of a Quebecois songwriter (Yves Jacques, The Barbarian Invasions, The Far Side of the Moon) whose notable engagement with the Paris Opera helps him discover what defines, motivates and inspires him. The production runs October 21 to 30, 2010 at the Bluma Appel Theatre, 27 Front Street East, Toronto. Tickets are available in person, by phone 416.368.3110, or online at canadianstage.com.
Reprise Theatre Company presents A Party With Marty, an evening of comedy and song with Martin Short and featuring Jason Alexander for one performance only on Monday, November 1, 2010 at 8:00 pm, at the Saban Theatre, Beverly Hills (formerly the Wilshire Theatre).
This world premiere event features old friends, and former cast mates from "The Producers," Martin Short and Reprise Theatre Company Artistic Director Jason Alexander doing what they do best - making people laugh! Ticket sales for this event support Reprise Theatre Company and their mission to produce great musical theatre as well as arts education programs that bring the magic of theatre to underserved members of our community.
Reprise Theatre Company is headed by Artistic Director Jason Alexander, who is best known for his 9-year stint as George Costanza on "Seinfeld." Christine Bernardi is Managing Director and Gilles Chiasson is Producing Director of Reprise Theatre Company.
Tickets are available for "A Party With Marty" and go on sale to the public on October 4 and are available online at www.reprise.org
The Opera Orchestra of New York opens its 2010-11 season on Monday, October 25 at 7:30 pm at Carnegie Hall with a double-bill of Massenet's La Navarraise starring tenor Roberto Alagna, mezzo-soprano Elena Garanea, and bass Ildar Abdrazakov and Pietro Mascagni's Cavalleria Rusticana starring Mr. Alagna, soprano Maria Guleghina, and mezzo-sopranos Krysty Swann and Mignon Dunn, conducted by Music Director Designate Alberto Veronesi. The concert features many important debuts including the company premiere of La Navarraise and Cavalleria rusticana; Music Director Designate Alberto Veronesi's Carnegie Hall and company debuts; the company debuts of soloists Robert Alagna, El?na Garan?a, Maria Guleghina, and Mignon Dunn, who returns to the stage for the first time since performing in Elektra at the Metropolitan Opera in 1994; and the young artist debut of mezzo-soprano Krysty Swann, a former member of the Opera Orchestra's Young Artist Program.
Multi-faceted comedian and actor Eddie Izzard and multiple award-winning actress Frances Conroy will guest star on the SHOWTIME series UNITED STATES OF TARA. Izzard will appear in eight episodes and Conroy in one episode of the third season opposite Toni Collette, last year's Emmy(R) Award winner and this year's Emmy(R) nominee for her role as Tara Gregson, a wife and mother who struggles with Dissociative Identity Disorder (DID). Izzard will play Tara's brilliant psychology professor who is at first a DID skeptic, but becomes fascinated with Tara as a subject, leading him to further explore the condition. Conroy will star as Max Gregson's (John Corbett) mother, a recluse with a compulsive hoarding problem. Production on season three begins mid-September in Los Angeles for a 2011 premiere.
Italy's Dario D'Ambrosi, a radical innovator of the theater and founder of the movement called Teatro Patologico (Pathological Theater), will direct his newest play, 'Bong Bong Bong against the Walls, Ting Ting Ting in our Heads,' as the opening production of 'La MaMa Puppet Series IV--Built to Perform.'
The National Jazz Museum in Harlem announces its August 2010 Schedule. This month of public programs presented by the National Jazz Museum in Harlem features retrospectives (Louis Armstrong and Hank Jones), discussions with two of the most prominent and influential contemporary saxophonists (Joe Lovano and Steve Coleman) as well as a talk with top jazz journalist Bill Milkowski, and live performances that riff on the connection between visual art and jazz, by trumpeter Marcus Printup and trombonist Ryan Keberle at the Rubin Museum of Art, and the NJMH All Stars at the Studio Museum in Harlem. Whether your taste leans toward the historical and traditional, or to the futuristic and cutting edge, you'll find it this month. Mark your calendar and bring some friends!
The National Jazz Museum in Harlem announces its August 2010 Schedule. This month of public programs presented by the National Jazz Museum in Harlem features retrospectives (Louis Armstrong and Hank Jones), discussions with two of the most prominent and influential contemporary saxophonists (Joe Lovano and Steve Coleman) as well as a talk with top jazz journalist Bill Milkowski, and live performances that riff on the connection between visual art and jazz, by trumpeter Marcus Printup and trombonist Ryan Keberle at the Rubin Museum of Art, and the NJMH All Stars at the Studio Museum in Harlem. Whether your taste leans toward the historical and traditional, or to the futuristic and cutting edge, you'll find it this month. Mark your calendar and bring some friends!
On Tuesday night I had the privilege of conducting an InDepth InterView with legendary composer, conductor and musical director Marvin Hamlisch. The three-time Oscar-winner has also won a Pulitzer Prize, a Tony, Emmys and Golden Globes making him the only individual besides Richard Rodgers to accomplish as much in his forty-year-plus career. His scores for A CHORUS LINE, THEY'RE PLAYING OUR SONG and SWEET SMELL OF SUCCESS, along with his work on classic films like THE WAY WE WERE and THE STING surely cement his place in the pantheon of great American artists, a legend in his own time. On Monday night he also participated - accompanying Idina Menzel on a song from A CHORUS LINE - in the White House celebration of Broadway also starring Nathan Lane, Idina Menzel, Audra McDonald and the First Family themselves which will be airing on PBS in October. He also hosts the 70s music special THE WAY WE WERE, MUSIC OF THE SEVENTIES airing in August on PBS, as well.
Juilliard's Drama Division presents a series of fully-staged productions during the 2010-2011 season featuring students in their fourth and final year of acting training at Juilliard.
The National Jazz Museum's June line-up includes discussions with musical artists Paquito D'Rivera and Craig Harris for Harlem Speaks; a talk with a living literary legend, Peter Straub, at Jazz for Curious Readers; and our adult education series, Jazz for Curious Listeners, features instrumentalists Jeremy Pelt, Nicholas Payton and Orrin Evans taking the reins of discourse on jazz in the 21st century. For more information visit http://jazzmuseuminharlem.org/
Singer/songwriter Melissa Ferrick emerged in 1994 as part of a group of new female alternative singer/songwriters, much in the vein of Liz Phair. Raised in Ipswich, MA, she began singing in coffeehouses after dropping out of college and eventually wound up in Boston. Her major breakthrough arrived one night when she replaced Morrisey's opening act less than an hour before showtime.
'I murdered Mozart!' rings out across Europe from Composer Antonio Salieri on his death-bed. Salieri had been the toast of Europe. He had been a devout Catholic all his life. He made a pact with God that he would be the vessel through which God's music would spring. All was good until Wolfgang Amadeus Mozart arrives in Vienna. In horror Salieri determines that it is Mozart instead who is his God's chosen voice. Mozart's music proves it; God had broken their pact. Salieri now makes a terrible new vow: to block God on earth and teach Him a lesson, using Mozart as the means to that end.
The National Jazz Museum's June line-up includes discussions with musical artists Paquito D'Rivera and Craig Harris for Harlem Speaks; a talk with a living literary legend, Peter Straub, at Jazz for Curious Readers; and our adult education series, Jazz for Curious Listeners, features instrumentalists Jeremy Pelt, Nicholas Payton and Orrin Evans taking the reins of discourse on jazz in the 21st century. For more information visit http://jazzmuseuminharlem.org/
Singer/songwriter Melissa Ferrick emerged in 1994 as part of a group of new female alternative singer/songwriters, much in the vein of Liz Phair. Raised in Ipswich, MA, she began singing in coffeehouses after dropping out of college and eventually wound up in Boston. Her major breakthrough arrived one night when she replaced Morrisey's opening act less than an hour before showtime.
David Zwirner will present Edward Kienholz's (1927-1994) renowned installation Roxys, 1960-61. First exhibited at Los Angeles's Ferus Gallery in 1962, this significant large-scale assemblage represents the first of the artist's environmental installations, or 'tableaux' as he called them, and has been credited as being one of the earliest examples of what is now ubiquitously referred to as 'installation art.'
David Zwirner will present Edward Kienholz's (1927-1994) renowned installation Roxys, 1960-61. First exhibited at Los Angeles's Ferus Gallery in 1962, this significant large-scale assemblage represents the first of the artist's environmental installations, or 'tableaux' as he called them, and has been credited as being one of the earliest examples of what is now ubiquitously referred to as 'installation art.'
What do a crawfish, a cowboy mouse, and a 100-year-old woman have in common? They are all characters in Fiesta Mexicana: Mexican Songs & Stories for Niños & Niñas and their Papás & Mamás (release April 24, 2010), the latest recording by Sones de Mexico Ensemble.
What do a crawfish, a cowboy mouse, and a 100-year-old woman have in common? They are all characters in Fiesta Mexicana: Mexican Songs & Stories for Niños & Niñas and their Papás & Mamás (release April 24, 2010), the latest recording by Sones de Mexico Ensemble.
| 1994 | Off-Broadway |
Off-Broadway |
| 2012 | Off-Broadway |
Soho Playhouse Production Off-Broadway |
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