Ladies and gentlemen. In the course of this evening's performance, the following physical objects will appear onstage: a boxing bag, four golf clubs, a newspaper, two small targets, an oversized golf ball plus snake, a bloody towel, a duck mask, a white spider with spots, a watering can, three boulders wrapped in twine, a yellow suit, two imitation row boats, one tray of fruit, one rolling table, six highball glasses, two white pillows, one large roll of plastic tape, a jeweled wristwatch, one package, gift-wrapped, one jeweled container, plus one blank container, three mirrors with numbers painted on the reverse side, two bows and arrows, one duck in a small cage, one stuffed small mouth plug.
From Show Boat to Finian's Rainbow to Ragtime to Hairspray the racial divide between white America and Americans of African decent has been one of the richest resources for both Broadway musical dramas and musical comedies. And a popular theme of such musicals has been the assimilation of African-American music into the white mainstream. The latest to tackle this topic, Memphis, certainly wouldn't look like the best of the lot on paper, but on stage the gritty sincerity of Joe DiPietro's book coupled with David Bryan's infectiously melodic compositions (they collaborated on the lyrics), under Christopher Ashley's dynamic staging, frequently threaten to tear the roof off of the Shubert Theatre.
The August Wilson Center for African American Culture -- named for one of the 20th century's most celebrated playwrights and a Pittsburgh native who garnered international recognition for his contributions to the American theater -- honors his legacy with the Grand Opening and World Premiere Tribute Ceremony & Celebration on Thursday, September 17, beginning at 5 pm. This newest contribution to Pittsburgh's cultural landscape is a long-sought-after multidisciplinary facility reflective of all aspects of African and African American culture.
The August Wilson Center for African American Culture -- named for one of the 20th century's most celebrated playwrights and a Pittsburgh native who garnered international recognition for his contributions to the American theater -- honors his legacy with the Grand Opening and World Premiere Tribute Ceremony & Celebration on Thursday, September 17, beginning at 5 pm. This newest contribution to Pittsburgh's cultural landscape is a long-sought-after multidisciplinary facility reflective of all aspects of African and African American culture.
From September 3 to 19, Handcart Ensemble will present the stage premiere of 'Homer's Odyssey' as adapted by Simon Armitage, one of Britain's most gifted and prolific poets. A series of contemporary verse dialogues, it was commissioned by BBC Radio and performed for Radio 4 in 2004.
Alan Gilbert, who will become Music Director of the New York Philharmonic in September 2009, returns to New York to lead two weeks of programs with the Orchestra. The first series of concerts ? Thursday, April 30, 2009, at 7:30 p.m., Friday and Saturday, May 1 and 2, and 8:00 p.m., and Tuesday, May 5, at 7:30 p.m. will comprise Dvorák?s The Golden Spinning Wheel; Saint-Saëns?s Violin Concerto No. 3, with Joshua Bell as soloist; and Martin's Symphony No. 4.
Alan Gilbert, who will become Music Director of the New York Philharmonic in September 2009, returns to New York to lead two weeks of programs with the Orchestra. The first series of concerts ? Thursday, April 30, 2009, at 7:30 p.m., Friday and Saturday, May 1 and 2, and 8:00 p.m., and Tuesday, May 5, at 7:30 p.m. will comprise Dvorák?s The Golden Spinning Wheel; Saint-Saëns?s Violin Concerto No. 3, with Joshua Bell as soloist; and Martin's Symphony No. 4.
Tony Estrella, artistic director of
The Sandra Feinstein-Gamm Theatre (The Gamm), today announced the
theater?s 25th Anniversary Season (2009-2010), featuring 5 plays
representative of its quarter-century history of staging a broad
spectrum of entertaining, evocative plays of distinction, as well as
social and political relevance.
The Atlanta Symphony Orchestra will present a four week 'American Originals' festival, celebrating music written by American and European composers while living in America. The festival opens with a program of works by Bernstein, Barber and Rachmaninov on Thursday, October 30, 2008, and concludes with the Atlanta debut of a concert-staged production of John Adams' Dr. Atomic on Sunday, November 23, 2008.
Complete scheduling information has been announced for the New York Musical Theatre Festival
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