Stephen Joseph News

The two lead characters are cast, joining Mark Curry and Jeffrey Holland

James Macdonald returns to the Almeida to direct the world premiere of Christopher Hampton's new version of Ödön von Horváth's Judgment Day. Judgment Day will run at the Almeida from 3 September - 17 October 2009, with press night on 10 September. Set designs are by Miriam Buether with costume design is by Moritz Junge, lighting by Neil Austin, sound by Chris Shutt and music by Matthew Herbert.

Victoria Wood is to direct a new version of her play Talent, a comedy with songs, previewing at the Menier Chocolate Factory from 17 September with press night on 23 September, and running until 14 November.

For the Almeida Theatre's 2009 Summer Festival (8 July - 1 August 2009) the Yorkshire based Slung Low, The TEAM (Theater of the Emerging American Moment) from New York, GULP and Tiata Fahodzi have been invited to collaborate with the Almeida at its home base in Islington and the surrounding area. In addition, the Festival will present a concert by Heather Christian, an Installation by Lu Kemp and a concert celebrating African music presented by Tiata Fahodzi. The Almeida Theatre is very grateful to American Airlines - Airline Partner of the Almeida.

For the Almeida Theatre's 2009 Summer Festival (8 July - 1 August 2009), four cutting edge companies have been invited to collaborate with the Almeida at its home base in Islington and the surrounding area.

For the Almeida Theatre's 2009 Summer Festival (8 July - 1 August 2009) the Yorkshire based Slung Low, The TEAM (Theater of the Emerging American Moment) from New York, GULP and Tiata Fahodzi have been invited to collaborate with the Almeida at its home base in Islington and the surrounding area. In addition, the Festival will present a concert by Heather Christian, an Installation by Lu Kemp and a concert celebrating African music presented by Tiata Fahodzi. The Almeida Theatre is very grateful to American Airlines - Airline Partner of the Almeida.

BroadwayWorld Congratulates Karen Olivo, 2009 Tony Award Winner, 'Best Performance by a Featured Actress in a Musical'

BroadwayWorld Presents The 2009 Tony Award Nominees: 'Best Performance by a Featured Actress in a Musical'

For the Almeida Theatre's 2009 Summer Festival (8 July - 1 August 2009), four cutting edge companies have been invited to collaborate with the Almeida at its home base in Islington and the surrounding area.

reen Day won two Grammy Awards - Best Rock Album and Record of the Year - with its multi-platinum American Idiot, which sold more than 12 million copies worldwide. Today the band announced plans to bring that explosive album to the stage by collaborating with Michael Mayer, renowned director of Spring Awakening, which grabbed eight Tony Awards including Best Director and Best Musical in 2007.

Exigent Theatre presents HENRI GABLER, a new play by Alexander Burns adapted from Henrik Ibsen's masterpiece HEDDA GABLER, to be directed by Alexander Burns. The production will start previews on Friday, March 20th at 8pm and open on Sunday March 22nd at 7pm. Performances are Friday, March 20th through Sunday, April 5th.

Exigent Theatre presents HENRI GABLER, a new play by Alexander Burns adapted from Henrik Ibsen's masterpiece HEDDA GABLER, to be directed by Alexander Burns. The production will start previews on Friday, March 20th at 8pm and open on Sunday March 22nd at 7pm. Performances are Friday, March 20th through Sunday, April 5th.

London Evening Standard theatre critic Nicholas de Jongh's Plague Over London, which was first presented at the tiny Finbourgh Theatre in Earls Court will transfer to the West End. It begins a limited engagement at the Duchess Theatre on February 11th, 2009.

London Evening Standard theatre critic Nicholas de Jongh's Plague Over London, which was first presented at the tiny Finbourgh Theatre in Earls Court will transfer to the West End. It begins a limited engagement at the Duchess Theatre on February 11th, 2009.

59E59 Theaters (Elysabeth Kleinhans, Artistic Director; Peter Tear, Executive Producer) is thrilled to host the NYC premiere of Simon Green Sings COWARD AT CHRISTMAS: A Cabaret for Noel. Simon Green Sings COWARD AT CHRISTMAS: A Cabaret for Noel began performances on Sunday, December 14 for a limited engagement through Sunday, January 4. There was a special Noel Coward Birthday Celebration Performance on Tuesday, December 16 at 8:30 PM, which included a champagne toast, birthday cake and special guest theatre icon Elaine Stritch.

59E59 Theaters' Holiday E:Café toasts the Festive season with SIMON GREEN Sings COWARD AT CHRISTMAS: A Cabaret for Noël

59E59 Theaters' Holiday E:Café toasts the Festive season with SIMON GREEN Sings COWARD AT CHRISTMAS: A Cabaret for Noël

Torben Betts' The Unconquered is a fast-moving satirical portrait of patriarchy, political indolence and over-reaction. The laughs begin when the 're-liberation' knocks on the door of your average upper-middle class family after aggressive revolutionaries have overthrown the government. Strange and unsettling, their new found freedom provokes the parents to reminisce about the comfort of life under the previous aristocracy while their spirited daughter criticizes her parent's banal and conforming attitudes with great, yet impotent, ferocity. The piece is a reflection of war's long-reaching effects on the domestic front, demonstrating the encompassing ambiguity of a public out of touch with reality. With great wit, poetics and charm, Betts sketches the self-hypocrisy that materializes during times of opaque identity and societal partition.

Torben Betts' The Unconquered is a fast-moving satirical portrait of patriarchy, political indolence and over-reaction. The laughs begin when the 're-liberation' knocks on the door of your average upper-middle class family after aggressive revolutionaries have overthrown the government. Strange and unsettling, their new found freedom provokes the parents to reminisce about the comfort of life under the previous aristocracy while their spirited daughter criticizes her parent's banal and conforming attitudes with great, yet impotent, ferocity. The piece is a reflection of war's long-reaching effects on the domestic front, demonstrating the encompassing ambiguity of a public out of touch with reality. With great wit, poetics and charm, Betts sketches the self-hypocrisy that materializes during times of opaque identity and societal partition.