Gallery Henoch Presents KATHY RUTTENBERG and STEPHEN WRIGHT
by BWW News Desk
- Feb 5, 2015
Kathy Ruttenberg's ceramic sculptures have received wide critical acclaim. Roberta Smith from the New York Times calls Ruttenberg, 'a force to contend with as a narrator and symbolist, a form maker and colorist. Coating sexual tensions with a storybook innocence, she works in a triangle bordered by Louise Bourgeois, Viola Frey and Beatrix Potter.'
LPR Presents STRANGE & BEAUTIFUL: The Music & Art of John Lurie, Now thru 9/27
by BWW News Desk
- Sep 9, 2014
(Le) Poisson Rouge haso announce Strange & Beautiful: The Music & Art of John Lurie, a festival celebrating the work of genre-twisting iconoclast John Lurie. The festival will span three concerts at Le Poisson Rouge, one concert at Town Hall, a gallery exhibition in The Gallery at Le Poisson Rouge, and an exhibition at the Cavin-Morris Gallery.
LPR to Present STRANGE & BEAUTIFUL: The Music & Art of John Lurie, 9/9-27
by Tyler Peterson
- Jul 29, 2014
(Le) Poisson Rouge haso announce Strange & Beautiful: The Music & Art of John Lurie, a festival celebrating the work of genre-twisting iconoclast John Lurie. The festival will span three concerts at Le Poisson Rouge, one concert at Town Hall, a gallery exhibition in The Gallery at Le Poisson Rouge, and an exhibition at the Cavin-Morris Gallery.
New York Live Arts to Present U.S. Premiere of DISABLED THEATER, 11/12-16
by Tyler Peterson
- Sep 24, 2013
New York Live Arts, in partnership with Performa for Performa 13, will present the U.S. premiere of French choreographer Jerome Bel and Zurich-based Theater Hora's critically acclaimed Disabled Theater, November 12 - 16 at 7:30pm and November 17 at 3:00pm. Dubbed "transcendent art" by Roberta Smith of The New York Times, David Velasco ofParkett 91 called it "a hit, satisfying all of our lukewarm progressive principles.while also providing a satisfyingly cathartic dramatic experience."
Art Institute of Chicago Extends IMPRESSIONISM, FASHION AND MODERNITY Exhibit Through 9/29
by Devin MacDonald
- Jul 24, 2013
Due to the enthusiastic response to the exhibition IMPRESSIONISM, FASHION AND MODERNITY, the Art Institute has added an additional week of viewing to accommodate demand. IMPRESSIONISM, FASHION AND MODERNITY will now run through Sunday, September 29, 2013. The Art Institute exhibition—which the Chicago Tribune called 'a sophisticated and exquisite display of Impressionist masterpieces . . . as insightful as it is pleasurable' and the Chicago Sun-Timeslabeled 'the biggest and most important Impressionist presentation to be on display there in nearly two decades'—has won critical praise and attracted large crowds throughout its world tour.
Art Institute Chicago Extends IMPRESSIONISM, FASHION, AND MODERNITY Exhibit Thru 9/29
by Christina Mancuso
- Jul 23, 2013
acclaimed exhibition Impressionism, Fashion, and Modernity, which opened in Paris in October 2012, lands at the Art Institute this summer as the final stop on its world tour. Organized by the Art Institute of Chicago, The Metropolitan Museum of Art, New York, and the Musée d'Orsay, Paris, the exhibition broke attendance records in Paris and has been lauded by international and national critics alike. Roberta Smith of the New York Times called the New York presentation a “thrilling, erudite show” with “visual fireworks, historical clarity, and pitch-perfect contextualizing.” Vogue proclaimed the show “breathtaking” for its portrayal of “art's passionate love affair with fashion in the boulevards and salons of late 19th-century France.” And now audiences in Chicago will be able to spend the summer with the first exhibition to explore the role of fashion in the revolutionary Impressionist movement.
Alexi Worth's STATES Closes Today at DC Moore Gallery
by BWW News Desk
- Jun 15, 2013
Alexi Worth presents his most ambitious exhibition yet, made in the distinctive mesh-based idiom that he has developed over the past three years. On view in the main gallery are large images of private and public subjects: solitary smokers, wine-drinkers, crumpled texts, and crowds of protesters in damaged cities. Thanks in part to the “physical halftone” of the mesh support, Worth's paintings have a tonal delicacy and flat depth reminiscent of print and photographic media. And yet their willful proportions show their origins as freehand drawings, both “hand-made and mind-made.”
Alexi Worth's STATES to Close at DC Moore Gallery, 6/15
by Devin MacDonald
- Jun 12, 2013
Alexi Worth presents his most ambitious exhibition yet, made in the distinctive mesh-based idiom that he has developed over the past three years. On view in the main gallery are large images of private and public subjects: solitary smokers, wine-drinkers, crumpled texts, and crowds of protesters in damaged cities. Thanks in part to the “physical halftone” of the mesh support, Worth's paintings have a tonal delicacy and flat depth reminiscent of print and photographic media. And yet their willful proportions show their origins as freehand drawings, both “hand-made and mind-made.”
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