Philip Glass News

Composer Robert Sirota is curating a new season-long series at National Sawdust (80 N 6th St). Titled Bridging the Gap, the series features concerts of chamber, choral, and solo works which Sirota has crafted to explore the student/teacher, mentor/mentee relationships between generations of composers. The concerts, all held on Sundays, include performances of works by both younger composers and the teachers who have influenced their development. Each concert is preceded by a discussion with composer mentors, mentees, and performers, led by a distinguished thought leader.

Five Boroughs Music Festival (5BMF) presents the adventurous world-music ensemble East of the River in their new program, SULTANA: Music of the Sephardic Diaspora, on Thursday, March 16 at 7:30 p.m. at Congregation Beth Elohim in Park https://us.vocuspr.com/Publish/3318684/vcsPRAsset_3318684_88987_0d249e23-ca40-4948-bb45-e6b83ee4ecb9_0.jpegSlope, Brooklyn. 

On March 12 and 18, 2017, Long Beach Opera (LBO) will present the long-awaited U.S. premiere of Philip Glass' The Perfect American, a fictionalized account of Walt Disney's final days.

Salon/Sanctuary Concerts is honored to partner with Carnegie Hall's La Serenissima Festival, the Temple Emanu-El Streicker Center, and NYU Casa Italiana Zerilli Marimo in presenting the third annual New York performance of From Ghetto to Cappella, conceived to commemorate the 500th anniversary of the creation of the Venetian Ghetto. This will take place at The Chapel of Emanu-el, Today, February 16.

Theatre for a New Audience (Jeffrey Horowitz, Founding Artistic Director) presents director Arin Arbus's new staging of Thornton Wilder's tragicomic masterpiece The Skin of Our Teethtonight, February 14, through March 19 at Polonsky Shakespeare Center(262 Ashland Place), TFANA's state-of-the-art permanent home in the heart of the Brooklyn Cultural District.

On February 10th and 11th the ABT Studio Company (formerly ABT ll), under the artistic direction of Kate Lydon, and graduate students of London's RBS met at the NYU Skirball Center for the Performing Arts to give three performances of classical and new classical repertory. The shared performances are part of a unique exchange, which began in 2003, between the ABT Studio Company and The Royal Ballet School. On alternate years, they perform in NYC, while on alternate years, they perform in London. I attended the opening night performance, February 10, 2017.

Theatre for a New Audience has announced the performance schedule, cast and creative team for director Arin Arbus's new staging of Thornton Wilder's comic masterpiece The Skin of Our Teeth, the first major New York production since 1998.

Ludovico Einaudi - chart-topping composer and pianist behind music for Oscar-winning film Black Swan, Clint Eastwood's J. Edgar and box-office record breaker The Intouchables - returns to Hamer Hall on 14 February 2017 to perform his latest release, Elements. The album will be visually brought to life for audiences through the use of striking multimedia and lighting.

On Today, February 11 at 7:30 p.m., San Francisco's celebrated Kronos Quartet returns to Zankel Hall for a program of new works, six of which were commissioned as part of Carnegie Hall's 125 Commissions Project, including the world premiere of Rhiannon Giddens's At the Purchaser's Option with Variations.  Additional commissioned works include Garth Knox'sSatellites; Kala Ramnath's Amrit (arr. Reena Esmail); Nicole Lizée's Another Living Soul; Tanya Tagaq's Sivunittinni (arr. Jacob Garchik); and Fodé Lassana Diabaté's Sunjata's Time(arr. Jacob Garchik) on which Diabaté will join the quartet on the balafon.

Musical Chairs Chamber Ensemble, Inc. (MCCE) continues its 13th Season, Revolution #13, with an All String Quartet Program on Saturday, February 11th at 8pm at the Staten Island Museum.

Composer Robert Sirota is curating a new season-long series at National Sawdust (80 N 6th St). Titled Bridging the Gap, the series features concerts of chamber, choral, and solo works which Sirota has crafted to explore the student/teacher, mentor/mentee relationships between generations of composers.

Boston Lyric Opera's (BLO) production of The Rake's Progress, which opens March 12 for a four-performance run at Emerson/Cutler Majestic Theatre, brings to life the traditional story of a young man seduced by monetary and carnal pleasures at the hand of a devilish valet.  The work hasn't been presented in a fully staged professional production since BLO produced it in 1987.  A professional concert version and several conservatories have been staged, but productions in Boston are infrequent.

MasterVoices (formerly The Collegiate Chorale), celebrating its 75th anniversary during the 2016-2017 season, presents St. John Passion by Johann Sebastian Bach on February 9, 2017 at 7pm at Stern Auditorium / Perelman Stage at Carnegie Hall (57th Street and 7th Avenue, New York, NY 10019).

MasterVoices (formerly The Collegiate Chorale), celebrating its 75th anniversary during the 2016-2017 season, presents St. John Passion by Johann Sebastian Bach on February 9, 2017 at 7pm at Stern Auditorium / Perelman Stage at Carnegie Hall (57th Street and 7th Avenue, New York, NY 10019).  The production will be conducted by MasterVoices' Artistic Director Ted Sperling and will feature the MasterVoices chorus, Michael Slattery, Jesse Blumberg, Adam Lau, Jennifer Zetlan, Tamara Mumford, Ben Bliss,and Daniel Okulitch,with New York Baroque Incorporated.

MasterVoices (formerly The Collegiate Chorale), celebrating its 75th anniversary during the 2016-2017 season, presents St. John Passion by Johann Sebastian Bach on February 9, 2017 at 7pm at Stern Auditorium / Perelman Stage at Carnegie Hall (57th Street and 7th Avenue, New York, NY 10019).

21C Music Festival - five days of newly-minted music during which audiences have an opportunity to experience fresh new sounds and ideas from the greatest musical minds of today - returns for a fourth year to The Royal Conservatory of Music from May 24 to May 28, 2017.

The New York Philharmonic welcomes Music Director Designate Jaap van Zweden in 2017-18, a season that celebrates the Philharmonic's greatest strengths and essential commitments while looking to the future as an innovative, global ensemble, spotlighting its musicians and partners, dedication to new music, wide-ranging repertoire, education programs, and accessibility.

The New York Philharmonic welcomes Music Director Designate Jaap van Zweden in 2017-18, a season that celebrates the Philharmonic's greatest strengths and essential commitments while looking to the future as an innovative, global ensemble, spotlighting its musicians and partners, dedication to new music, wide-ranging repertoire, education programs, and accessibility.

WORLD MUSIC INSTITUTE continues its new Collaborations series with Ballaké Sissoko & Vincent Ségal. This unconventional but highly popular duo is comprised of Mali's kora master and the French cellist with a trip-hop background, Friday, March 3, 2017, 8:00 p.m. at French Institute Alliance Française, Florence Gould Hall, 22 East 60th Street. Tickets: $35; www.worldmusicinstitute.org

Boston Ballet Artistic Director Mikko Nissinen announces the programming for the 2017-2018 season at the Boston Opera House, to begin in November. The 54th season will open with the North American premiere of Wayne McGregor's "forcefully resonant" Obsidian Tear (Roslyn Sulcas, The New York Times), a co-production with The Royal Ballet.