Marilyn Monroe News

As we near the halfway point for Season One, it is evident now more than ever that SMASH has established a pretty clear-cut style, structure and overall dramatic direction - each week we can depend upon most if not all of the following in one form or another: a fabulous Marilyn Monroe-themed musical production number; a soul-baring rehearsal scene or three; a pop cover or two (both a classic and a current one, if possible); some Derek (Jack Davenport) and Ivy (Megan Hilty) diva drama and hand-wringing; cattiness, backstabbing and shade thrown in the direction of, and almost always directly affecting, sweet-as-pie Karen (Katharine McPhee), an all-too sympathetic character who just can't seem to catch a break (bar mitzvah tween audiences excluded); a peek into the lives of the Marilyn musical songwriters, Julia (Debra Messing) and Tom (Christian Borle), currently developing the show-within-the-show before our very eyes and ears; Julia and Tom's subsequent respective romantic relationships and entanglements (showmances and otherwise; though it seems there are many more of the former than the latter with these two); and, of course, Anjelica Huston being both poignant in one way or another in her delicate portrayal of Eileen and also just plain divine as only she can be, kicking ass and taking names as the lead producer of the show-within-the-show. All in all, the show-within-the-show based on Marilyn Monroe acts as the real machine running SMASH and keeping it all connected. And, that about sums it up. Shake, stir and serve - there you have SMASH in a sentence or two. Better still, this formula really works - and also really works wonders, from time to time, too. Each week dishes up its fair share of surprises, as well. I mean, who could foresee that scintillating scene with Julia and Joe DiMaggio (Will Chase) post-rehearsal paralleling the Marilyn/DiMaggio duet just rehearsed? Or, furthermore, Karen positively killing Florence & The Machine at a bar mitzvah like she most certainly did? Best of all, Marc Shaiman and Scott Wittman provided another tantalizing and terrific new Marilyn song with a fiercely fresh style and sound in the spectacular form of the romantically rapturous, late-50s doo-wop-hued duet "History Is Made At Night", given a particularly playfully seductive performance by Chase and Hilty as the undeniably perfect Monroe and Joe DiMaggio (though Chase's character does not seem like he will be sticking around much longer). Plus, how badass was Eileen (Anjelica Huston) at the very end of the episode and how all around awesome was her delivery of the final line? Shoot to score, indeed - and, on 'Chemistry', there was more focus on the scoring, both in the musical and sexual senses, than on anything else. Above all, last night's SMASH showed that one aspect of show business shall always remain a viable, hot-cross-bun-level-hot commodity: sex.

According to The Hollywood Reporter, Nick Jonas will reprise his guest starring role as Lyle West in the May 14 season finale of SMASH on NBC.

Anchor Bay Entertainment and The Weinstein Company announced today the Blu-ray and DVD release of the 'warm, wonderful and enchanting' (Rex Reed, The New York Observer) film, MY WEEK WITH MARILYN, starring three-time Academy Award nominee Michelle Williams.

Anchor Bay Entertainment announces that MY WEEK WITH MARILYN, the critically acclaimed film starring three-time Oscar® nominee Michelle Williams, will be coming out on Blu-ray™ and DVD March 13th, 2012.

Packing more music per minute than any episode of the show since the pilot, last night's SMASH showed the ever-developing musical dramedy series finding its footing and delineating the many relationships and interrelationships of the onstage and backstage cast of characters that populate it - and, as always, the music made the night. Will Chase scored yet again with a soulful "Song For You"; McPhee emanated sultriness in her cover of James Brown's "It's A Man's Man's World"; and, in particular, Megan Hilty made the bawdiest and most big Broadway-sounding song from the Marilyn Monroe musical we have yet heard hit like Joe DiMaggio's bat when it met a meatball in the big 20th Century Fox production number we are sure to remember. When it comes to the musical numbers, SMASH is adult musical storytelling done exceptionally well with a precise, professional sheen. The story and characters have exhibited a lot of areas where they could go in future episodes, and, now, by the fifth episode, the style and music/drama formula is being perfected right before our eyes. What has resulted is that we are witnessing SMASH as a show finding its voice with all the world to hear - not an enviable position to be in, but that is the name of the game of a network TV gamble on the level of this. And, anyway, what sights and sounds we have to look forward to in the coming weeks as the Marilyn musical within the show begins to take a more tangible shape - and Bernadette Peters makes her SMASH debut in less than two weeks!

Im Jahr 2006 erscheint das Buch 'The Prince, the Showgirl and Me' des ehemaligen Assistenten Colin Clark, in dem er über seine Zeit als Filmassistent berichtet. Doch die eine Woche mit Marilyn Monroe fehlt. Diese Zeit wird einige Jahre später unter dem Titel 'My Week with Marilyn' veröffentlicht. Das Biopic MY WEEK WITH MARILYN erzählt von dieser Woche und behandelt außerdem die angespannte Beziehung zwischen den beiden Superstars Marilyn Monroe und Sir Laurence Olivier.

NBC has released two new video previews from the Monday, March 5th episode of the musical drama series SMASH. In the first clip, Karen (Katharine McPhee) discovers what she 'brings to the party' in a sensual performance of James Brown's 'It's a Man's Man's Man's World'. In the second clip, Ivy (Megan Hilty) exudes Marilyn in her performance of 'Let's Be Bad', as rehearsal transforms into a Broadway fantasy.

Mit 'Smash' hat die Musical-Serie 'Glee' in diesem Jahr einen neuen Konkurrenten bekommen. In Deutschland hat sich nun die RTL Gruppe die Rechte an Serie des US-Senders NBC gesichert.

In this Monday's episode of the NBC musical drama SMASH, guest star Will Chase's character, Michael attempts to win back the affections of his former love Julia, played by Debra Messing and serenades her with his version of Leon Russell's 'A Song For You'.

NBC has just released a sneak peek clip of next week's SMASH episode entitled 'Let's Be Bad'. In the episode, Derek asks Karen to demonstrate to Ivy the 'correct' way to sing 'Happy Birthday'. While Karen does her best not to anger the 'Marilyn Monroe' star, Ivy still gives her a glance that suggests, 'if looks could kill!'

In a career spanning three decades, the American choreographer Karole Armitage has continuously bridged contemporary ballet with the worlds of visual art and fashion. Luminaries such as Jeff Koons, David Salle, Philip Taaffe and Brice Marden have created sets and costumes for her dances. She is described as 'pioneering in her valorization of voguing, creating the video for Madonna's 'Vogue' in 1992 and serving on the jury of many of New York's underground voguing balls, elaborate early 1980s events in which 'walkers' competed in a series of categories emulating high fashion, style or a ways of being.'

Those iconic and beloved actresses Marilyn Monroe and Natalie Wood, whose careers were each to be cut tragically short, can be seen in two of their most important and popular films: 1956's 'Bus Stop' and 1961's 'West Side Story' respectively on THIRTEEN's Reel 13 in March.

On last night's WATCH WHAT HAPPENS LIVE on Bravo TV, Broadway stars Megan Hilty and Nick Jonas visited with host Andy Cohen and discussed their busy lives as actors of both stage and screen.

SMASH is out for blood - wolf's blood, that is. So, go howl! In the climax of the series so far - at least since that thrilling finale to the pilot episode - the wildly talented cast of characters that inhabit SMASH were joined in purpose and performance for the first time onscreen all together, singing "I Never Met A Wolf That Didn't Like To Howl" - well, at least the current top choices for Marilyn Monroe (Megan Hilty) and Joe DiMaggio (Will Chase) by the songwriting duo (portrayed by Debra Messing and Christian Borle) behind the show-within-the-show; guest appearance by prospective investor portrayed by pop idol and current Broadway star Nick Jonas notwithstanding. Yet, Katharine McPhee shone bright in her secondary storyline, bringing defiant joie de vivre to a karaoke cover of Adele's soulful earworm "Rumor Has It" at the close of the show. Nick Jonas got a moment in the musical spotlight, as well, in a self-played piano accompanied cover of Michael Buble's "Haven't Met You Yet". On the dramatic side of SMASH, the twists and turns of the theatre-centric musical series are beginning to create intriguing complexities for the individuals caught in the tumult - none the least being the budding romances between Derek (Jack Davenport) and Ivy Lynn (Megan Hilty), but also the secret liaison rekindled of one half of the songwriting duo (Messing) and Joltin' Joe (Chase) himself. Plus, the other half of the team behind the Marilyn musical, Tom (Christian Borle), finally got his own romantic plotline and sudsy, soap-ish moment. It seems to be a prerequisite that each cast member have a post-coital scene at some point, so, one supposes Eileen (Anjelica Huston) and her ex husband, Jerry (Michael Cristofer), may re-team behind the scenes - or, maybe not. Eileen was given finest material of the night as far as I'm concerned and Huston's delicate portrayal of a woman conflicted was artful in its attentiveness and believability. She imbues the material with a grace and gravitas that few stars can consistently achieve as she has done throughout her career and continues to do so here on SMASH. Episode Four cleanly and clearly displayed the attributes we came to love about the pilot - natural integration of fabulous Marilyn-themed musical numbers into the drama, as in "Howl"; superlative new renditions of modern-day pop hits, such as "Rumor Has It"; and a specialty song or two, too, like Nick Jonas and his Michael Buble party accompaniment. While it did not break new ground as far as where the show is heading as a series like last week's show, this episode gave us an inkling of the entertainment experience coming in the next few weeks as we anticipate the arrival of many new and exciting guest stars, such as Bernadette Peters and Uma Thurman, in addition to the pain, passion, ecstasy and As for the rest of the drama, music and comedy, read on!

Megan Hilty, currently staring in the NBC series SMASH, sat down with MyFOX NY to talk about Smash.

The COLUMN AWARDS Board of Directors and the Executive Director/Producer announced today that Tony Award winner and Kennedy Center Honoree Chita Rivera will be the Co-host for the 13th Annual COLUMN AWARDS Gala.

Broadway stars Nick Jonas and Wesley Taylor will be featured on the February 27th episode of NBC's SMASH. The episode is entitled 'The Cost of the Art' and will air at 10:00 pm/ET on the NBC network.

The 27th annual Independent Spirit Awards were held in Santa Monica yesterday. The event was hosted by actor Seth Rogen.

"Baby, I would catch a grenade for you," as Bruno Mars wrote in his international smash hit song "Grenade", recently nominated for a Grammy, and, so, too, would Joe DiMaggio catch a grenade for Marilyn Monroe, and, maybe - just maybe - married Broadway star Michael Swift (Will Chase) will cross the line into the danger zone and rekindle his romance with former flame (similarly, married with children) Julia (Debra Messing), half of the songwriting team responsible for the spectacular musical-within-the-show on NBC's SMASH. Yes, the third episode of the new musical drama series was a much different experience from the first two shows, with Karen (Katharine McPhee)'s journey back home to Iowa - complete with down-home karaoke baby shower and Gretchen Wilson's "Redneck Woman" - and the introduction of Broadway star Will Chase's character and the subsequent exploration of his prior trysts with Julia, as well as detailing more of Ivy (Megan Hilty) and Derek (Jack Davenport)'s hot and heavy romance. So, too, did the dissolving marriage between the Marilyn musical's lead producer, Eileen (Anjelica Huston) and her ex (Michael Cristofer) see further shading, as did the trusting and caring coupling of Karen and Dev (Raza Jaffrey). Along with recurring guest stars Dylan Baker and Becky Ann Baker as Karen's supportive but speculative parents, "Enter Mr. DiMaggio" was a relationship-themed episode that reached its thematic, dramatic and musical apotheosis in the stunning new Marc Shaiman/Scott Wittman Marilyn musical composition, "Mr. & Mrs. Smith", ending the episode on a stylish and all-too-apropos note. A hard rock rendering of the aforementioned Bruno Mars pop hit "Grenade", as well as Karen's spirited country karaoke "Redneck Woman" were the other musical entertainments in an episode that showed that SMASH does, indeed, have legs - a Rockette-worthy line of them, actually - and this story can sustain more than a handful of episodes or, even, a season or two. Sure, this episode had a different feel than the first two, more Broadway-based shows, yet the series seems to be finding a rhythm that is particularly appreciable at this very, very early stage of the game. After all, the first two episodes of an hour-long adult drama such as SMASH usually set the scene for the series as a whole, if they even succeed at accomplishing that. So far, SMASH has already gone far beyond that, and, I promise, next week will be more along the lines of the first two entries, showcasing the simple fact that this tree has many, many branches and exceptionally deep roots supporting the strong core of central and supporting performers that make up its trunk. Episode Three was a gamble that largely paid off dramatically and thematically, and, wow, that final number was a home run hit truly worthy of a show billing itself as SMASH.

Also in the upcoming 'Rock of Ages' movie, Keith has many other TV, film and pop-music credits, as well as 4 B'way shows.