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Michael Healey's New Adaptation Of THE FRONT PAGE Begins Previews
by A.A. Cristi - Jul 30, 2019


The Front Page, one of the great satires about the world of journalism, hits the stage in Stratford today, under the direction of Festival veteran Graham Abbey. Written by former Chicago reporters Ben Hecht and Charles MacArthur, and newly adapted by Canadian playwright Michael Healey, this comedy-drama is now in previews at the Festival Theatre and will officially open on Thursday, August 15.

BWW Review: Soulpepper's FOOL FOR LOVE diversifies a complex story, but struggles to fully connect
by Isabella Perrone - Jul 20, 2019


Soulpepper takes on a classic American script in their new production of Sam Shepard's FOOL FOR LOVE, directed by Frank Cox-O'Connell. With simple staging and a compact ensemble, the production implements some interesting and timely ideas but overall leaves something to be desired.

Full List of Winners Announced For the 40th Annual Dora Awards - Soulpepper Theatre, Canadian Opera Company, and More!
by Stephi Wild - Jun 26, 2019


The 40th Anniversary Dora Mavor Moore Awards for the 2018-2019 season were handed out in a star-studded celebratory ceremony in Toronto on the evening of Tuesday, June 25 at the Sony Centre for the Performing Arts, hosted by the multi-talented, multi-award-winning Rick Miller, well-known for his widely acclaimed one-man shows that include MacHomer, BOOM and Bigger Than Jesus (Dora Award for Outstanding Performance, 2006).

BWW Review: The Stratford Festival's MOTHER'S DAUGHTER Brilliantly Brings a Beloved New Trilogy to a Fine Close
by Lauren Gienow - Jun 20, 2019


MOTHER'S DAUGHTER, the third and final installment of playwright Kate Hennig's 'Queenmaker Trilogy' had its world premiere at the Stratford Festival's Studio Theatre Friday night. The play follows the reign of Mary I Queen of England and like the two previous instalments, it is reimagined (or perhaps 'restored') to be told from the perspective of the women at the centre of the story. Directed by Alan Dilworth, this production provides a fitting end to the intimate story of tradition, family, faith, imperfection and sisterhood that audiences first became immersed in 4 years ago.

40th Annual Dora Awards Nominations Announced: Soulpepper Takes Home 25 Nominations, DEAR EVAN HANSEN Taps 9 Noms
by Alan Henry - May 28, 2019


At a press conference held May 28 in the Davies Takacs Lobby of the Elgin and Winter Garden Theatre Centre, the Toronto Alliance for the Performing Arts (TAPA) announced 282 nominations for the 40th Anniversary Dora Mavor Moore Awards, which recognize excellence in professional theatre, dance and opera in Toronto. On Tuesday, June 25 at the Sony Centre for the Performing Arts, 49 Dora Mavor Moore Awards, the Silver Ticket Award and the Jon Kaplan Audience Choice Award will be presented.

Stratford Festival Presents MOTHER'S DAUGHTER Now On Stage
by Sarah Hookey - May 21, 2019


Mother's Daughter, the highly anticipated final instalment of Kate Hennig's Queenmaker Trilogy, is now on stage at the Studio Theatre. The production officially opens on Friday, June 14.

BWW Review: ROSE is an Inspirational Look at the Self Despite its Struggle to Balance a Busy Story
by Isabella Perrone - Jan 27, 2019


ROSE follows the highs and lows of a nine-year-old on a journey to find herself, with a lively soundtrack and well-rounded cast pushing the plot through a busy storyline.

BWW Review: Ravi Jain's PRINCE HAMLET (2017 Review)
by Taylor Long - Jan 17, 2019


A gender-bending, English and American Sign Language (ASL) bilingual production of Shakespeare's Hamlet may sound ambitious - but it plays as compellingly human. Maybe you're not familiar with the story. Maybe you've seen it a hundred times. Regardless, Why Not Theatre's PRINCE HAMLET will defy your expectations. Ravi Jain has adapted Shakespeare's most famous play in a way that is relevant and, as the title suggests, focuses more intimately on its protagonist's struggle to understand human nature.

BWW Review: Soulpepper's ORLANDO is an Impressive, Existential Look into Identity
by Isabella Perrone - Jul 14, 2018


How can a life be described when the only constants are a name and a poem? In Soulpepper's production of ORLANDO, the title character struggles with existentialism and a fixation on death - something that seems to constantly elude them.

Nominations Announced for the 39th Annual Dora Mavor Moore Awards!
by Alan Henry - May 31, 2018


At a press conference held May 31 in the lobby of the Sony Centre for the Performing Arts, the Toronto Alliance for the Performing Arts (TAPA) announced 237 nominations for the 39th Annual Dora Mavor Moore Awards, which recognize excellence in the performing arts in Toronto.

BWW Review: Soulpepper's IDOMENEUS Resonates Through Jarring Storytelling
by Taylor Long - Mar 15, 2018


'That's not what happened.' Soulpepper's IDOMENEUS tells the story of a famous Greek myth - but plays with the mode of storytelling to create something remarkable. Roland Schimmelpfennig's modern play comes to life in a timeless zone of monochromatic universality in Alan Dilworth's production, designed by Lorenzo Savoini. Using a chorus of voices, the narrative weaves between past and present, fact and fiction - presenting themes that resonate not only within the world of Soulpepper, but within the world at large.

BWW Review: Soulpepper's THE GOAT OR, WHO IS SYLVIA? Shocks with Gripping Performances
by Taylor Long - Nov 9, 2017


'You don't understand,' repeats Martin. You'll have to see it to really understand. Soulpepper presents Edward Albee's shocking Tony Award-winning play, THE GOAT OR, WHO IS SYLVIA? (2002) Featuring an outstanding cast, including Soulpepper's Artistic Director, Albert Schultz, this production is proof that tremendous performances can sell any subject matter - no matter how taboo.

BWW Review: Nothing is Everything in Soulpepper's WAITING FOR GODOT
by Taylor Long - Sep 15, 2017


Beckett's masterpiece, WAITING FOR GODOT proves its relevance in Soulpepper's riveting revival, opening their 2017-18 season. GODOT's structure, atmosphere and design plays like a contemplation on mindfulness - a search for meaning, in the seemingly meaningless.

Photo Flash: Sneak Peek at Soulpepper's Upcoming Residency at Signature Theatre
by BWW News Desk - Jun 20, 2017


Tickets are on sale for the US debut for SOULPEPPER, Toronto's largest and most celebrated theatre company, in a four-week engagement Off-Broadway at The Pershing Square Signature Center, 480 West 42nd Street in New York City. A true repertory program of plays, musicals and concert performances, featuring a company of over 65 artists, the festival, entitled SOULPEPPER ON 42nd STREET, will be presented July 1-July 29, 2017. BroadwayWorld has a sneak peek at the productions below!

COME FROM AWAY and MATILDA Receive 14 Dora Award Nominations - See All The Nominees!
by Alan Henry - May 30, 2017


At a press conference held May 30 in the lobby of the Sony Centre for the Performing Arts, the Toronto Alliance for the Performing Arts (TAPA) announced 235 nominations for the 38th Annual Dora Mavor Moore Awards, which recognize excellence in the performing arts in Toronto.

BWW Review: Shakespeare's Reflection on Humanity is Powerfully Human in Why Not Theatre's PRINCE HAMLET
by Taylor Long - Apr 22, 2017


A gender-bending, English and American Sign Language (ASL) bilingual production of Shakespeare's Hamlet may sound ambitious - but it plays as compellingly human. Maybe you're not familiar with the story. Maybe you've seen it a hundred times. Regardless, Why Not Theatre's PRINCE HAMLET will defy your expectations. Ravi Jain has adapted Shakespeare's most famous play in a way that is relatable and, as the title suggests, focuses more intimately on its protagonist's struggle to understand human nature.

Tickets on Sale Today for Toronto's SOULPEPPER ON 42ND STREET Festival Off-Broadway
by BWW News Desk - Apr 11, 2017


Tickets go on sale today, April 11, for the US debut for SOULPEPPER, Toronto's largest and most celebrated theatre company, in a four-week engagement Off-Broadway at The Pershing Square Signature Center, 480 West 42nd Street in New York City, it was announced by Albert Schultz, SOULPEPPER's Founding Artistic Director.

Why Not Theatre to Continue 10th Anniversary Season with Reimagining of HAMLET
by BWW News Desk - Mar 13, 2017


Under Artistic Director Ravi Jain, and Artistic Producers Owais Lightwala and Kelly Read, Why Not Theatre will mark a decade of work with a new production of the company's inaugural show, Ravi Jain's reconstructed Prince Hamlet, and the 4th round of the RISER Project, both at The Theatre Centre this spring.

BWW Review: Nancy Palk Shines in THE TESTAMENT OF MARY
by Jason Carlos - May 19, 2016


The Bible features parables, stories and encounters of the life and trials of Jesus and his disciples; but a figure who is so prominent in that story - his mother, Mary, only speaks four times. Her role as a matriarch is often silent, and the Aaron Willis-directed THE TESTAMENT OF MARY, now playing at the Young Centre for the Performing Arts, explores what Mary would say if she could have said more. The play, by Colm Toibin (based on his 2012 novella of the same name) looks at the life and death of Jesus from the perspective of Mary - through the eyes of a traumatized and grieving woman and mother. The 70-minute solo performance is a star-vehicle for Nancy Palk who embraces this challenging, trying and controversial role.

ONCE, THE WILD PARTY & More Score 2015 Dora Awards Nominations
by Tyler Peterson - Jun 1, 2015


At a press conference held June 1 in the lobby of the Sony Centre for the Performing Arts, the Toronto Alliance for the Performing Arts (TAPA) announced 236 nominations for 212 eligible productions for the 36th Annual Dora Mavor Moore Awards, which honour excellence in the performing arts in Toronto.

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