Katharine Hepburn News

Roundabout Theatre Company, L.A. Theatre Works and BY Experience are thrilled to announce dates and venues for the upcoming screening of Roundabout's critically acclaimed Broadway production of Oscar Wilde's comedy The Importance of Being Earnest, directed by and starring Brian Bedford.

Roundabout Theatre Company, L.A. Theatre Works and BY Experience are thrilled to announce dates and venues for the upcoming screening of Roundabout's critically acclaimed Broadway production of Oscar Wilde's comedy The Importance of Being Earnest, directed by and starring Brian Bedford.

Today we lost one of the greats: the gentle giant of directors, Sidney Lumet. What a resume! Just to pick seven of perhaps the best known of the bunch, the bunch in question being over 100 titles strong: 12 ANGRY MEN, LONG DAY'S JOURNEY INTO NIGHT, SERPICO, DOG DAY AFTERNOON, NETWORK and BEFORE THE DEVIL KNOWS YOU'RE DEAD - the films spanning fifty years from MEN in 1957 and DEVIL in 2007 - it is clear to see why Lumet was one of the most cherished and celebrated directors in Hollywood, especially known for his tough, gritty New York stories and his pristine stage-to-screen transfers. For an excellent example of the latter (in addition to LONG DAY'S JOURNEY and the others) check out DEATHTRAP - based on Ira Levin's play, the longest-running thriller in Broadway history - featuring Michael Caine in one of his best roles and Christopher Reeve and Dyan Cannon in their finest performances on film. For an example of the former genre, look no further than NETWORK, containing one of the strongest screenplays ever penned, from the fiery and ferocious pen of Paddy Cheyefsky, and Faye Dunaway in her Oscar-winning performance for all the ages. As far as theatrical screenplays on screen, Lumet would be hard-pressed to even come close to the power, prescience and transformative brilliance at the core of the conceit of that film - yet he did just that; with his final, 2007 film no less. I am speaking, of course, of the underrated and riveting BEFORE THE DEVIL KNOWS YOU'RE DEAD starring Philip Seymour Hoffman, Ethan Hawke, Marisa Tomei, with Albert Finney and Rosemary Harris. Taking an original screenplay that could just as well have been written for the stage - shades of 12 ANGRY MEN, DOG DAY AFTERNOON, NETWORK and SERPICO, certainly - Lumet made a bristling, biting brilliant work of staggering craft and ingenuity - all with verve, energy and drive of a man a quarter of his age at the time (80). His films were classics in his own time and, now, in his passing, they are just as timeless - if not more so. With each passing year, new layers of truth, beauty, sadness and soulfulness can be found in the countless frames in the innumerable unforgettable scenes in his many masterpieces.

On this very day in 1943, Michael DiFiglia was born in Buffalo, New York, and the world of Broadway would simply never be the same. Cutting his teeth with the accomplished choreography for A JOYFUL NOISE, PROMISES, PROMISES, SEESAW and COCO was merely the beginning of a career that would virtually rewrite and revolutionize the ways and means by which a director could yield ultimate control over a project. With COMPANY and FOLLIES, the later co-directing with Hal Prince, Bennett solidified himself as one of the most talented and brilliant choreographers of his generation and, shortly thereafter, proved with A CHORUS LINE that he was a master theatrical engineer with few, if any, peers. Worldwide success, Tony Awards and the Pulitzer Prize were just the gravy. Who else but Michael Bennett would then, or ever, receive - or should I say, earn - the credit "Entire Production Conceived, Produced and Directed by," besides him? While BALLROOM failed to live up to A CHORUS LINE in mostly every way, he soon after reinvented the wheel yet again with DREAMGIRLS in 1981. We never got to see his productions of CHESS and SCANDAL, both of which he was in the latter stages of developing at the time of his death in 1988. Broadway has never been the same since he's been gone. So, today, on the day following a glittering new production of COMPANY at Lincoln Center - with the complete dance sequence "Tick Tock" fully restored, now with five dancers - we take a tip of the top hat to the tops in taps, temerity and truthfulness onstage - the one and only Michael Bennett.

PHILADANCO, the Philadelphia Dance Company, hot on the heels of a celebratory 40th Anniversary season, will return to The Joyce Theater for a week-long engagement this spring from March 29 - April 3.

The first exhibition to chronicle the career of Tennessee Williams with drawings by legendary artist Al Hirschfeld is currently running in the French Quarter.

PHILADANCO, the Philadelphia Dance Company, hot on the heels of a celebratory 40th Anniversary season, will return to The Joyce Theater for a week-long engagement this spring from March 29 - April 3.

Following the news this week of the passing of Elizabeth Taylor, we are taking a look back at some of her most memorable screen appearances over the years, beginning with LASSIE COME HOME and NATIONAL VELVET, and ranging from Vincente Minnelli's loveable comedies FATHER OF THE BRIDE and its equal sequel FATHER'S LITTLE DIVIDEND, to her unforgettable dramatic performance in A PLACE IN THE SUN, to the series of legendary pictures produced alongside her (sometime) husband and (always) love of her life Richard Burton, in roles ranging from Antony and Cleopatra in, of course, CLEOPATRA, to BOOM! Based on Tennessee Williams' THE MILK TRAIN DOESN'T STOP HERE ANYMORE - with a screenplay by Williams himself (his sole screen adaptation) - and one of the greatest films in cinematic history, based on one of the most important plays of the latter half of the twentieth century: Edward Albee's WHO'S AFRAID OF VIRGINIA WOOLF? That's not even mentioning her iconic performance in Williams' CAT ON A HOT TIN ROOF and SUDDENLY, LAST SUMMER - plus, BUTTERFIELD 8 (her first Oscar win), A PLACE IN THE SUN and GIANT. Who knows, there may even be time for a little FLINSTONES action, as well! Here we have a surefire spangled salute to one of the last great stars Broadway and Hollywood has known.

Drawing on a series of recordings made over many years, acclaimed biographer Charlotte Chandler's I Know Where I'm Going, the most intimate and personal biography ever published of Hollywood legend Katharine Hepburn, is now available in paperback from Applause Theatre & Cinema Books.

Connecticut Repertory Theatre (CRT) will present the smash-hit Broadway Musical Urinetown, featuring Broadway star Andrea McArdle, April 14 - 17 & 27 - 30, 2011 in the Harriet S. Jorgensen Theatre on the Storrs campus.

PHILADANCO, the Philadelphia Dance Company, hot on the heels of a celebratory 40th Anniversary season, will return to The Joyce Theater for a week-long engagement this spring from March 29 - April 3.

The first exhibition to chronicle the career of Tennessee Williams with drawings by legendary artist Al Hirschfeld is currently running in the French Quarter.

As the region emerges from a long and difficult winter, Northern Stage taps into the eternal optimism of the American spirit with N. Richard Nash's acclaimed comedy-drama-romance The Rainmaker, on stage from March 16 through April 3 at the Briggs Opera House in White River Junction.

The Actors' NET of Bucks County's March 11 - 27 revival of N. Richard Nash's romantic comedy The Rainmaker promises 'a shower of laughs,' NET Director Joe Doyle predicted.

The Actors' NET of Bucks County's March 11 - 27 revival of N. Richard Nash's romantic comedy The Rainmaker promises 'a shower of laughs,' NET Director Joe Doyle predicted.

the RRAZZ room at Hotel Nikko is San Francisco's premier nightclub, offering the finest in world-class Classic Soul, R&B, Traditional Pop, Jazz, Comedy, Revue and Cabaret entertainment.

Variety is reporting that the Roundabout Theater Company held a reading in Los Angeles of The Philadelphia Story, directed by Bloody Bloody Andrew Jackson's Alex Timbers. Starring in the reading were Mad Men's Jon Hamm, The Office's John Krasinski and Tony-winner Scarlett Johansson. Naturally, readings are not a guarantee that productions will move forward and/or that these stars will remain attached.

The Broadway Beauty Pageant announced that the award-winning Tovah Feldshuh will be the host for this not-to-be-missed event on Monday, March 21st, 2011 at 8:00 PM, benefiting The Ali Forney Center, NYC's primary housing resource for homeless LGBT youth. The annual show will again be at the Peter Norton Symphony Space, 2537 Broadway (at 95th Street).

On Monday, March 7th, Ten Chimneys Foundation will begin public ticket sales for Music in the Drawing Room featuring Broadway luminary Christine Ebersole and Edward Hibbert - for two nights only, April 29th and 30th.

On Monday, March 7th, Ten Chimneys Foundation will begin public ticket sales for Music in the Drawing Room featuring Broadway luminary Christine Ebersole and Edward Hibbert - for two nights only, April 29th and 30th.