Jules Massenet News

New York Festival of Song marks its eighth annual residency at the Caramoor Center for Music and the Arts with AT HOME, to be performed today, March 15, 2016 at 8:00 p.m. at Merkin Concert Hall.

Boston, MA – February 16, 2016 – Boston Lyric Opera (BLO) unleashes Jules Massenet's melodic, romantic French opera Werther from its late 18th Century German source material, bringing it to an early-20th-Century arrondissement outside Paris as part of BLO's French-inspired season. This new production of Werther opens March 11 for a five-performance run at Citi Performing Arts CenterSM Shubert Theatre in Boston.

Working to address a long-standing career issue in the opera world, The Dallas Opera is delighted to announce that applications are now being accepted for a unique residential program designed to provide training and career support for distinctively talented women conductors: The Linda and Mitch Hart Institute for Women Conductors at The Dallas Opera. 

Take one part “Casablanca,” a taste of Bernstein's CANDIDE, some Alfred Hitchcock and you get Sir Richard Eyre's film noir concept for the Met's new MANON LESCAUT, now set in France in the 1940s, complete with Nazis. Tack on that behind-the-scenes drama of “Roberto Alagna to the rescue”--when tenor Jonas Kaufmann cancelled at the last minute--and add the visual and vocal glamour of soprano Kristine Opolais and you have, well, a messy-but-enjoyable evening at the opera.

Bramwell Tovey returns to the New York Philharmonic to conduct Massenet's Ballet Music from Le Cid; Falla's Nights in the Gardens of Spain, with pianist Joyce Yang as soloist; and Falla's The Three-Cornered Hat (complete ballet), with mezzo-soprano Virginie Verrez in her Philharmonic subscription debut, Wednesday, March 30, 2016, at 7:30 p.m.; Thursday, March 31 at 7:30 p.m.; Friday, April 1 at 11:00 a.m.; Saturday, April 2 at 8:00 p.m.; and Tuesday, April 5 at 7:30 p.m.

This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera,theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights. These include a rare, fully staged production of Iris, a forerunner of Madama Butterfly by Puccini's close contemporary Pietro Mascagni; the world premiere of Demolishing Everything with Amazing Speed, four newly unearthed puppet plays from leading Italian Futurist Fortunato Depero, as reimagined by Dan Hurlin;the world premiere of Fantasque, a new ballet set to the music of Respighi and Rossini by John Heginbotham and Amy Trompetter; a film series on "Puccini and the Operatic Impulse in Cinema"; and the return of Bard's authentic and sensationally popularSpiegeltent,hosted by the inimitable Mx. Justin Vivian Bond. Taking place between July 1 and August 14 in the Frank Gehry-designed Richard B. Fisher Center for the Performing Arts and other venues on Bard College's stunning Hudson River campus, SummerScape's 2016 offerings provide new opportunities to discover that, as Time Out New York puts it, "the experience of entering the Fisher Center and encountering something totally new is unforgettable and enriching." Tickets go on sale on Monday, February 15; click here for more information.

New York Festival of Song marks its eighth annual residency at the Caramoor Center for Music and the Arts with AT HOME, to be performed on Tuesday, March 15, 2016 at 8:00 p.m. at Merkin Concert Hall.

 The Dallas Opera resumes the 2015-2016 Season in early spring with Jules Massenet's heart-wrenching and seductive tale of love, lust, and spectacularly bad choices: MANON, opening March 4, 2016 at 7:30 p.m. in the Margot and Bill Winspear Opera House for the first of four performances.

The Dallas Opera is proud to announce its spectacular 2016-2017 Season, consisting of five brilliant mainstage productions, including two repertoire classics never before performed by this company. 

The Dallas Opera is the proud recipient of two extraordinary new gifts, totaling $2 million, from The Eugene McDermott Foundation and Mrs. Eugene (Margaret) McDermott, who have requested that the position of Dallas Opera General Director and CEO be known henceforth as the “Kern Wildenthal General Director and CEO” in honor of the longtime Dallas Opera Board Member and Past Chairman.  Dr. Wildenthal currently serves the company as an Officer-at-large on TDO's Executive Committee.

The Dallas Opera is thrilled to present six women conductors of international stature making music with The Dallas Opera Orchestra and a host of outstanding young artists in one great evening designed to showcase the work of the inaugural Linda and Mitch Hart Institute for Women Conductors at The Dallas Opera.

The Dallas Opera is thrilled to present six women conductors of international stature making music with The Dallas Opera Orchestra and a host of outstanding young artists in one great evening designed to showcase the work of the inaugural Linda and Mitch Hart Institute for Women Conductors at The Dallas Opera.

Giacomo Puccini's indelible characters, led by doomed lovers Mimì and Rodolfo, make a 120-year leap from the 1840s to the 1960s as Boston Lyric Opera (BLO) premieres a new production of the much beloved, often-reinvented La Bohème. Transitioning the story of mid-19thcentury Parisian bohemian artists to mid-20th century student artists on the brink of social change, thisBohème opens BLO's French-influenced 2015/2016 Season and runs tonight, October 2, through October 11, 2015 at the Citi Performing Arts CenterSM Shubert Theatre.

Odyssey Opera, a Boston-­??based opera company dedicated to exploring the full spectrum of adventurous repertoire, presents the Boston premiere of one of France's great operas, Le Cid (1885), composed by Jules Massenet (1842-­??1912). A rarity that has been sadly absent from opera houses worldwide in the 20th and 21st centuries, Le Cid is rarely produced in the United States. With its grand themes of honor, love, bravery, and sacrifice, Le Cid encompasses the sweep of historical epic and the depths of the heart. Conducted by Gil Rose, this one-­??night-­??only performance breathes new dramatic life into the legendary medieval Spanish warrior Rodrigue, known as "Le Cid" ("The Lord") (played by American tenor Paul Groves.)

BWW Review: Principal Dancer Melody Mennite Brings Down The House In A Stunning Performance as MANON

Boston, MA — Giacomo Puccini's indelible characters, led by doomed lovers Mimì and Rodolfo, make a 120-year leap from the 1840s to the 1960s as Boston Lyric Opera (BLO) premieres a new production of the much beloved, often-reinvented La Bohème.  Transitioning the story of mid-19thcentury Parisian bohemian artists to mid-20th century student artists on the brink of social change, thisBohème opens BLO's French-influenced 2015/2016 Season and runs October 2-11, 2015 at the Citi Performing Arts CenterSM Shubert Theatre.

Odyssey Opera, a Boston-­??based opera company dedicated to exploring the full spectrum of adventurous repertoire, presents the Boston premiere of one of France's great operas, Le Cid (1885), composed by Jules Massenet (1842-­??1912). A rarity that has been sadly absent from opera houses worldwide in the 20th and 21st centuries, Le Cid is rarely produced in the United States. With its grand themes of honor, love, bravery, and sacrifice, Le Cid encompasses the sweep of historical epic and the depths of the heart. Conducted by Gil Rose, this one-­??night-­??only performance breathes new dramatic life into the legendary medieval Spanish warrior Rodrigue, known as “Le Cid” (“The Lord”) (played by American tenor Paul Groves.)

For over 20 years the Veronica Dunne International Singing competition has brought to the fore many new exciting voices. Throughout its history Wexford Festival Opera has featured and nurtured many of the rising stars and new faces of Opera. Today it was announced that these two renowned organisations are forming a new alliance which will see them working closely together.

Single tickets for The Dallas Opera's magnificent 2015-2016 “Seeking the Human Element” Season, and popular TDO Family Performances will go on sale to the general public today, July 15, 2015 at 10:00 a.m.