George Gershwin News

El pasado sabado 31 de enero la actriz Audra McDonald ofrecio un concierto en el Teatro Real de Madrid en el que compartio con el publico temas de compositores conocidos del Teatro Musical Americano.

What happens when you combine the worst/best of Craigslist personal ads and music? The Craigslistlieder.

Tommy Tune, Colin Donnell, Danny Gardner, Jeff Hiller, Erin Mackey, Patti Murin, Douglas Sills, Jennifer Laura Thompson and Kirsten Wyatt star in George and Ira Gershwin's Lady, Be Good, the opening production of New YorkCity Center's 2015 Encores! season, running for seven performances, February 4 - 8, 2015. Lady, BeGood is directed by Mark Brokaw and choreographed by Randy Skinner. FoundingEncores! Music Director Rob Fisher returns as Guest Music Director, and has supervised the restoration of the Gershwins' original score. Below, BroadwayWorld brings you a glimpse into rehearsal with the full company!

BroadwayWorld.com's SHOW BIZ: Rush, Lottery & Standing Room Only Ticketing Policies - updated on 1/30/2015.

Below, BroadwayWorld brings you a first look at 'Hang On To Me' as performed by Danny Gardner and Patti Murin!

Tommy Tune,Colin Donnell, Danny Gardner, Jeff Hiller, Erin Mackey, Patti Murin, Douglas Sills, Jennifer Laura Thompson and Kirsten Wyatt star in George and Ira Gershwin's Lady, Be Good, the opening production of New York City Center's 2015 Encores! season, running for seven performances, February 4 - 8, 2015. Lady, BeGood is directed by Mark Brokaw and choreographed by Randy Skinner. FoundingEncores! Music Director Rob Fisher returns as Guest Music Director, and has supervised the restoration of the Gershwins' original score.

Mark Bebbington has a knack for finding and bringing to the spotlight either lost or forgotten pieces by important musical personalities - having already premiered (and recorded) the Vaughan Williams Fantasy For Piano and Orchestra, a complete John Ireland CD cycle and the piano music of Mario Castelnuovo-Tadesco. Most recently he opened the American Symphony Orchestra's Carnegie Hall season with Richard Strauss's little-known left-had piano concerto, Parergon. That's in addition to all the expected Rach 2's and Griegs and Schumanns. But his latest discovery should hold particular fascination, especially for Londoners.

Affectionately known as "America's Orchestra" the Boston Pops bring their, The Very Best of the Boston Pops Tour to the Van Wezel Performing Arts Hall on Friday, February 6, 2015 at 8 pm.

Led by guest conductor Donato Cabrera and featuring guest pianist Thomas Lauderdale of Pink Martini, this concert offers not only Gershwin's Rhapsody in Blue, the all-time classic synthesis of Carnegie Hall and Tin Pan Alley, but two more pieces with similar flavors from Gershwin's fellow American, George Antheil.

Desde el día 31 de enero y hasta el 16 de febrero, el Teatro de la Zarzuela nos trae el musical Lady, be good! (en inglés con sobretítulos), de Guy Bolton y Fred Thompson y con música y letra de George Gershwin e Ira Gershwin, el cual vendrá acompañado por la opereta Luna de miel en el Cairo de José Muñoz Román con música de Francisco Alonso. Ambas obras cuentan con la dirección de Emilio Sagi y la dirección musical de Kevin Farrell.

North Carolina Symphony Music Director Grant Llewellyn and Sandi Macdonald, President and CEO of the North Carolina Symphony today announced programming for its 2015/16 season, the orchestra's 83rd season and Llewellyn's 12th season as Music Director.

In the second installment of the Columbus Symphony's American Roots Festival, guest bass-baritone Kevin Deas returns to perform some of George Gershwin's greatest music including extensive selections from his glorious opera Porgy and Bess, including “Summertime,” “It Ain't Necessarily So,” “Bess,” and “You Is My Woman Now.” Gershwin's brilliant and bluesy Piano Concerto and an orchestral suite by jazz legend Duke Ellington paying tribute to Martin Luther King, Jr. completes the bill. Led by guest conductor John DeMain, the program will also feature guest pianist Xiayin Wang, soprano Jonita Lattimore, and the Columbus Symphony Chorus.

BroadwayWorld.com's SHOW BIZ: Rush, Lottery & Standing Room Only Ticketing Policies - updated on 1/23/2015.

?This Valentine's Day, the Las Vegas Philharmonic performs its Pops Series III concert called 'A Gershwin Valentine' at 7:30 p.m. in Reynolds Hall at The Smith Center. To start off the evening, the Philharmonic will host a Sweethearts Reception at 6:15 p.m. in The Smith Center's Founders Room serving cocktails and hors d'oeuvres for $50 per person.

The Oakland East Bay Symphony continues its 2014-2015 season with Music Director Michael Morgan—celebrating his 25th year with the Symphony—on the podium and guest pianist Richard Glazier performing Gershwin's Piano Concerto in F on a program with Shostakovich's 8th Symphony tonight, January 23, at 8 pm at the Paramount Theatre in Oakland. Glazier will give a pre-concert talk at 7 pm, free to ticket holders, and the concert is dedicated to the memory of Robert E. Berges. For information and tickets, visitwww.oebs.org .

Today in 1942, the first revival of Porgy and Bess opened at the Majestic Theatre, where it ran for 286 performances. First performed in 1935, with music by George Gershwin, libretto by DuBose Heyward, and lyrics by Ira Gershwin and DuBose Heyward, it was based on DuBose Heyward's novel Porgy and subsequent play of the same title, which he co-wrote with his wife Dorothy Heyward. All three works deal with African-American life in the fictitious Catfish Row in Charleston, South Carolina, in the early 1920s. Originally conceived by George Gershwin as an 'American folk opera', Porgy and Bess premiered in New York in the fall of 1935 and featured an entire cast of classically trained African-American singers-a daring artistic choice at the time.

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. The Paramount's 'Tommy,' Drury Lane's 'West Side' and the Marriott's 'La Cage.' Plus 'Stomp' puts its foot down, 'Gent's Guide' books the fall, new shows in development and rewrite, plus 'Louis And Keely' at the Royal George, 'Titanic' at Northwestern and 'Grease' on FOX!

As the days dwindled down to a precious few in 2014, a few cabaret goers and performers in what is affectionately but also self-mockingly called the “cabaret community” would sidle up and ask if I was planning my annual end-of-the year “Best Of” column, similar to the “Top 20 Bests and Favorites” piece over the first half of the year I posted back in early July. I would respond in the negative with very reasonable and believable excuses, but the truth is I didn't want to reveal my “Bests” of the year until the voting for the 2014 BroadwayWorld New York Cabaret Awards had ended. There's enough baggage and backstage whispering that comes with administering the BWW Awards, so I wasn't about to publish any opinions that might influence the vote while it was in process. I may be crazy but I'm not masochistic. But now all bets are off. You want lists? I'll give you lists.

Based on material previously written by Guy Bolton and P.G. Wodehouse, featuring a catalog of many recognizable songs by George and Ira Gershwin, Nice Work If You Can Get It tells the story of wealthy playboy Jimmy Winter, who meets rough female bootlegger Billie Bendix on the weekend of his wedding. Jimmy, who had been married three times before, is preparing to marry Eileen Evergreen, a self-obsessed modern dancer. Thinking that Jimmy and Eileen wouldl be out of town, Billie and her gang hide cases of alcohol in the basement of Jimmy's Long Island mansion. But when Jimmy, his wife-to-be and her prohibitionist family show up at the mansion for the wedding, Billie and her cohorts pose as servants, causing hijinks galore.