The Gallery Players Presents CAROLINE, OR CHANGE 1/30-2/21
by Gabrielle Sierra
- Jan 6, 2010
The Gallery Players, three-time recipient of the New York Innovative Theatre Award for Outstanding Production of a Musical, proudly kicks off 2010 with the award-winning modern classic Caroline, or Change.
Review - Blithe Spirit and Early To Bed
by Kristin Salaky
- Mar 22, 2009
One of the many delights of director Michael Blakemore's revival of Noel Coward's giddily funny 1941 froth, Blithe Spirit, is that this 2009 production looks like it could have been seen in the play's premiere year. No doubt contemporary Broadway theatre can provide more spectacular ways for an actress playing a ghost to enter a room than to just have her walk through the French windows. And certainly if an invisible spirit chooses to destroy her husband's drawing room, modern technology can whip up a few tricks more gasp-inducing than simply having a picture frame fall and a bookshelf topple over. But when you have one of the English language's great comedies played by a company that excels in the verbal dexterity of the playwright's wit, there's no need for such distractions.
Musicals Tonight Presents Fats Waller's 1943 Broadway Hit EARLY TO BED March 17-29
by BWW News Desk
- Mar 17, 2009
The cuadrilla of an over-the-hill matador (Vincent D'Elia) comes to Martinique in search of a paying bull-fight. They stop (running out of gas) in front of an establishment run by the matador's old flame (Rita Rehn). Years ago, she was a teacher and because her 'girls' are carrying books on Latin, French, and math he assumes she still is. His son (Nicolas Davila) is sent to get gas the hard way - by earning it with a lady station owner. A car accident has the son in bed with the island's newest resident (Jennifer Evans). Pop thinks she's rich and wants damages, the son thinks she owns a gas station and wants gas, she is concussed.
Musicals Tonight Presents Fats Waller's 1943 Broadway Hit EARLY TO BED March 17-29
by Robert Diamond
- Feb 22, 2009
The cuadrilla of an over-the-hill matador (Vincent D'Elia) comes to Martinique in search of a paying bull-fight. They stop (running out of gas) in front of an establishment run by the matador's old flame (Rita Rehn). Years ago, she was a teacher and because her 'girls' are carrying books on Latin, French, and math he assumes she still is. His son (Nicolas Davila) is sent to get gas the hard way - by earning it with a lady station owner. A car accident has the son in bed with the island's newest resident (Jennifer Evans). Pop thinks she's rich and wants damages, the son thinks she owns a gas station and wants gas, she is concussed.