One Night Only Report & Photos: Deborah Voigt in VOIGT LESSONS at the 92nd Street Y
by Robert Diamond
- Feb 28, 2015
There was a seismic event and emotional roller coaster onstage Thursday night at the 92nd Street Y, in the Kaufmann Concert Hall theatre. Her name is DEBBIE ..... DEBORAH VOIT. It was the first performance in New York City of a piece called VOIGT LESSONS. The piece was co-created by Voight, Terrence McNally and Francesca Zambello, years ago, at Glimmerglass and the diva told us that it has been performed 'very few times, let alone in New York City.' The crowd proceeded to go crazy. The piece- so simple, yet brilliantly calibrated.
BWW Reviews: DIALOGUES OF THE CARMELITES at the Kennedy Center
by Itai Yasur
- Feb 26, 2015
Poulenc's music is almost hard to believe; romantic without sweetness, contemporary without alienating, and among the extraordinary composers repertoire this epic opera stands out as a remarkable achievement, and this season Washington National Opera Artistic Director Francesca Zambello has designed a beautiful production to accompany it. That and some of the most impressive vocal power on display anywhere in the city makes the Kennedy Center's latest operatic offering an absolute joy to the senses.
Opera Star Deborah Voigt Premieres in One-Woman Show in NYC, VOIGT LESSONS Tonight
by BWW News Desk
- Feb 26, 2015
92Y presents the New York City premiere of Voigt Lessons, starring internationally beloved opera starDeborah Voigt, tonight, February 26. In this one-woman show – co-created with Tony Award-winning playwright Terrence McNally and acclaimed opera and theater director Francesca Zambello – Voigt performs arias, pop songs, standards and spirituals of deep personal significance, along with anecdotes and backstage stories describing her astonishing rise to operatic heights, despite her private challenges. Voigt Lessons, an evening imbued with Voigt's trademark warmth, candor and sense of humor, premiered at Glimmerglass in 2011 to rave reviews. The New York Times hailed it as “chatty, witty, and sometimes painfully poignant,” andToronto's Globe and Mail called it “an absolute gem.”
Dallas Opera to Present LA BOHEME, 3/13
by Matt Smith
- Feb 21, 2015
DALLAS, FEBRUARY 20, 2015 – The Dallas Opera is preparing to whisk audiences away to the Latin Quarter of Paris for the blockbuster opera of the season: Giacomo Puccini's 1896 masterpiece, LA BOHÈME, based on Henri Murger's newspaper serial-turned-novel, Scènes de la vie de bohème.
Hot Ticket - Deborah Voigt's NY Premiere of VOIGT LESSONS, Thursday 2/26
by Robert Diamond
- Feb 24, 2015
92Y presents the New York City premiere of Voigt Lessons, starring internationally beloved opera starDeborah Voigt, on Thursday, February 26. In this one-woman show – co-created with Tony® Award-winning playwright Terrence McNally and acclaimed opera and theater director Francesca Zambello – Voigt performs arias, pop songs, standards and spirituals of deep personal significance, along with anecdotes and backstage stories describing her astonishing rise to operatic heights, despite her private challenges. Voigt Lessons, an evening imbued with Voigt's trademark warmth, candor and sense of humor, premiered at Glimmerglass in 2011 to rave reviews. The New York Times hailed it as “chatty, witty, and sometimes painfully poignant,” andToronto's Globe and Mail called it “an absolute gem.”
Heartbeat Opera's One Act Festival Set for 3/18-22
by BWW News Desk
- Feb 12, 2015
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music.
Heartbeat Opera Launches ONE ACT FESTIVAL Featuring New Works, 3/18
by Christina Mancuso
- Feb 12, 2015
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske andEthan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
Houston Grand Opera Releases Schedule of Events for 2015-16 Season
by Matt Smith
- Jan 31, 2015
Houston, January 29, 2015-Houston Grand Opera's (HGO) 2015-16 season showcases the vibrant and diverse artistic mix that marks HGO as a leading 21st-century American opera company: Wagner's Siegfried, the third installment of La Fura dels Baus's imaginative Ring cycle featuring a new generation of Wagnerians; the world premiere of Carlisle Floyd's Prince of Players; Dvo?ak's fairy tale rarity Rusalka; a holiday revival of family favorite The Little Prince from the award-winning composer Rachel Portman and librettist Nicholas Wright; a new production of The Marriage of Figaro and a new-to-Houston Eugene Onegin; a beloved core production, Tosca; and the Houston debut of Broadway sensation Rob Ashford's take on the classic musical Carousel. Through its community collaboration program HGOco, the company will present two additional world premieres: O Columbia, a chamber opera by composer Gregory Spears and librettist Royce Vavrek that examines the past, present, and future of the American spirit of exploration; and another chamber opera, by composer David Hanlon and librettist Stephanie Fleischmann, about the impact of hurricanes on the Texas Gulf coast.
Washington National Opera to Present CINDERELLA, 5/16
by Matt Smith
- Jan 22, 2015
(WASHINGTON)—Washington National Opera (WNO) celebrates its seventh season of free opera simulcasts at Nationals Park with the M&M'S® Opera in the Outfield performance of Rossini's romantic comedy Cinderella on Saturday, May 16, 2015. Gates open at 5 p.m. for “pregame” activities for the entire family, and the opera will be broadcast live from the Kennedy Center Opera House to the high-definition NatsHD scoreboard at 7 p.m. Free seating will be available on the outfield grass and in the stands. The event will take place rain or shine—in case of inclement weather, some covered seating is available.
Washington National Opera to Premiere PENNY, About Woman With Autism, at the Kennedy Center, 1/23-24
by BWW News Desk
- Jan 15, 2015
Washington National Opera (WNO) continues its 2014-2015 season with the world premiere of the one-hour opera Penny by composer Douglas Pew and librettist Dara Weinberg, presented under the auspices of WNO's American Opera Initiative, January 23-24, 2015 in the Kennedy Center Terrace Theater. Pew and Weinberg are alumni of the American Opera Initiative; their 20-minute work A Game of Hearts had its world premiere during the program's first season in November 2012. Penny is conducted by American Opera Initiative mentor Anne Manson and directed by Alan Paul, the Associate Director of Washington's Shakespeare Theatre Company.
Tenor Russell Thomas Leads NY Phil's Verdi Requiem, Conducted by Alan Gilbert, This Weekend
by BWW News Desk
- Jan 15, 2015
Tenor Russell Thomas will replace Brandon Jovanovich, who has withdrawn due to illness, in the New York Philharmonic performances of the Verdi Requiem, conducted by Music Director Alan Gilbert. The performances will also feature soprano Angela Meade (in her Philharmonic debut), mezzo-soprano Lilli Paasikivi, bass-baritone Eric Owens, and the New York Choral Artists, directed by Joseph Flummerfelt, this weekend, January 15, 2015, at 7:30 p.m.; Friday, January 16 at 7:30 p.m.; and Saturday, January 17 at 8:00 p.m.
Dallas Opera Announces New Season - TOSCA, SHOW BOAT and More!
by Matt Smith
- Jan 13, 2015
DALLAS — The Dallas Opera is proud to announce the five phenomenal mainstage productions of the 2015-2016 Season, “Seeking the Human Element,” to be presented in the magnificent Margot and Bill Winspear Opera House at the AT&T Performing Arts Center located in the Dallas Arts District.
Tenor Russell Thomas to Replace Brandon Jovanovich in NY Phil's Verdi Requiem, Conducted by Alan Gilbert, 1/15
by Christina Mancuso
- Jan 13, 2015
Tenor Russell Thomas will replace Brandon Jovanovich, who has withdrawn due to illness, in the New York Philharmonic performances of the Verdi Requiem, conducted by Music Director Alan Gilbert. The performances will also feature soprano Angela Meade (in her Philharmonic debut), mezzo-soprano Lilli Paasikivi, bass-baritone Eric Owens, and the New York Choral Artists, directed by Joseph Flummerfelt, Thursday, January 15, 2015, at 7:30 p.m.; Friday, January 16 at 7:30 p.m.; and Saturday, January 17 at 8:00 p.m.
The Dallas Opera Announces its 2015-2016 Season, SEEKING THE HUMAN ELEMENT
by BWW News Desk
- Jan 13, 2015
The Dallas Opera is proud to announce the five phenomenal mainstage productions of the 2015-2016 Season, “Seeking the Human Element,” to be presented in the magnificent Margot and Bill Winspear Opera House at the AT&T Performing Arts Centerlocated in the Dallas Arts District.
Opera Star Deborah Voigt Premieres in One-Woman Show in NYC, VOIGT LESSONS, 2/26
by Christina Mancuso
- Jan 8, 2015
92Y presents the New York City premiere of Voigt Lessons, starring internationally beloved opera starDeborah Voigt, on Thursday, February 26. In this one-woman show – co-created with Tony® Award-winning playwright Terrence McNally and acclaimed opera and theater director Francesca Zambello – Voigt performs arias, pop songs, standards and spirituals of deep personal significance, along with anecdotes and backstage stories describing her astonishing rise to operatic heights, despite her private challenges. Voigt Lessons, an evening imbued with Voigt's trademark warmth, candor and sense of humor, premiered at Glimmerglass in 2011 to rave reviews. The New York Times hailed it as “chatty, witty, and sometimes painfully poignant,” andToronto's Globe and Mail called it “an absolute gem.”
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