Houston Grand Opera to Open Season with TOSCA, 10/23; Full Season Announced
by Matt Smith
- Oct 6, 2015
Houston, October 6, 2015— Houston Grand Opera (HGO) opens its 2015–16 season October 23 with Puccini's heart-wrenching tale of love and tragedy, Tosca, featuring the reprise of HGO's “gripping” 2010 production and a stellar cast of returning and debut artists. Performances run through November 14.
Houston Grand Opera Adds Three World Premieres, & More to New Season Roster
by Matt Smith
- Aug 18, 2015
Houston, August 17, 2015—Houston Grand Opera's (HGO) 2015–16 season showcases the vibrant and diverse artistic mix that marks HGO as a leading 21st-century American opera company: Wagner's Siegfried, the third installment of La Fura dels Baus's imaginative Ring cycle featuring a new generation of Wagnerians; the world premiere of Prince of Players by eminent American composer Carlisle Floyd, the Lynn Wyatt Great Artist for 2015–16; Dvoák's fairy tale rarity Rusalka; a holiday revival of family favorite The Little Prince from the award-winning composer Rachel Portman and librettist Nicholas Wright; a new production of The Marriage of Figaro; a new-to-Houston Eugene Onegin; a beloved core production, Tosca; and the Houston debut of Broadway sensation Rob Ashford's take on the classic musical Carousel. Through its community collaboration program HGOco, the company will present two additional world premieres: O Columbia, a chamber opera by composer Gregory Spears and librettist Royce Vavrek that examines the past, present, and future of the American spirit of exploration; and The Root of the Wind is Water, a chamber opera by composer David Hanlon and librettist Stephanie Fleischmann about the impact of hurricanes on the Texas Gulf coast.
BWW Reviews: Without Gypsies or Mistaken Identities, Soprano Meade Wins Four-Sided Tug of War in ERNANI at the Met
by Richard Sasanow
- Apr 2, 2015
Nine years before IL TROVATORE took the prize for Verdi's most outlandish story line--with gypsies, stolen babies and mistaken identities--there was ERNANI, with a different kind of complicated plot to make your head spin. The Met's current revival of its 1983 production of the opera stars a formidable quartet: soprano Angela Meade, tenor Franceso Meli, bass-baritone Dmitry Belosselskiy and, last but certainly not least, tenor/baritone Placido Domingo.
Review Roundup: Verdi's AIDA at the Metropolitan Opera
by Christina Mancuso
- Nov 4, 2014
Verdi's Egyptian tragedy Aida, returned to the Met stage October 30 for a 16-performance revival with rotating casts of acclaimed artists and rising stars. The initial performances will star Ukrainian soprano Liudmyla Monastyrska, who made a notable Met debut in the role in 2012, as Aida; Olga Borodina in one of her best-known portrayals as the jealous princess Amneris; Marcello Giordani as the war hero Radamès, a role he first sang at the Met in 2012; Željko Lu?i? in his first-ever Met performances as Amonasro, Aida's father; Ukrainian bass Dmitri Belosselskiy in his Met role debut as the high priest Ramfis; and American bass Soloman Howard in his Met debut as the King. Italian tenor Antonello Palombi will make his Met debut as Radamès on November 22.
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