Craig Lucas News

The Vineyard Theatre will welcome one of the real-life subjects depicted in its production of This Beautiful City, Michael 'Mikey' Weinstein -- well-known and recently profiled in the New York Times as founder of the Military Religious Freedom Foundation -- at a post-performance Q&A about the play and its subject matter, the mega-church movement in Colorado Springs, following the Sunday, March 15 matinee performance (3 p.m.) of This Beautiful City at The Vineyard Theatre. (108 East 15th Street) in New York City.

The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will begin previews on Tuesday, March 3 for Tracey Scott Wilson's THE GOOD NEGRO, which will run through Sunday, April 19 with an official press opening on Monday, March 16. Directed by Liesl Tommy and presented in association with Dallas Theater Center, THE GOOD NEGRO is the first new play to transfer from the Public LAB initiative to a full main stage production at The Public.

Rebecca Naomi Jones joins the cast of The Civilians' THIS BEAUTIFUL CITY at The Vineyard Theatre (108 East 15th Street) on Saturday, March 7 at 3pm -- after appearing the previous night with Stew, Heidi Rodewald and other original PASSING STRANGE cast members in a one-night-only concert as part of Lincoln Center's American Songbook Series. Presented by The Vineyard Theatre, in a co-production with Los Angeles' Center Theatre Group, THIS BEAUTIFUL CITY is directed Steven Cosson.

Rebecca Naomi Jones, most recently seen at The Vineyard Theatre in WIG OUT! and on Broadway in the Tony Award-winning PASSING STRANGE, is set to join the cast of The Civilians' THIS BEAUTIFUL CITY on Saturday, March 7 at The Vineyard Theatre (108 East 15th Street) where the hit play's New York premiere runs through March 15, presented by The Vineyard Theatre, in a co-production with Los Angeles' Center Theatre Group. Steven Cosson directs.

Rebecca Naomi Jones joins the cast of The Civilians' THIS BEAUTIFUL CITY at The Vineyard Theatre (108 East 15th Street) on Saturday, March 7 at 3pm -- after appearing the previous night with Stew, Heidi Rodewald and other original PASSING STRANGE cast members in a one-night-only concert as part of Lincoln Center's American Songbook Series. Presented by The Vineyard Theatre, in a co-production with Los Angeles' Center Theatre Group, THIS BEAUTIFUL CITY is directed Steven Cosson.

Lincoln Center Theater (under the direction of Andre Bishop, Artistic Director, and Bernard Gersten, Executive Producer) has announced that Marsha Stephanie Blake, Chad L. Coleman, Michael Cummings, Aunjanue Ellis, Danai Gurira, Andre Holland, Arliss Howard, Ernie Hudson, LaTanya Richardson Jackson, Amari Rose Leigh and Roger Robinson will be featured in the cast of its upcoming production of August Wilson's JOE TURNER'S COME AND GONE, to be directed by Bartlett Sher. The production, which will be presented on Broadway at the Belasco Theatre (111 West 44 Street) while LCT's award winning production of Rodgers & Hammerstein's South Pacific continues its run at the Vivian Beaumont Theater, begins performances Thursday, March 19 at 8pm and opens on Thursday, April 16 at 6:45pm.

World Premiere of INKED BABY, a new play by 2007 Susan Smith Blackburn nominee Christina Anderson in her Off-Broadway playwriting debut. INKED BABY begins previews on Thursday, March 5 at 7:30 PM at Playwrights Horizons' Peter Jay Sharp Theater (416 West 42nd Street).

The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) announced complete casting today for the New York premiere of Craig Lucas? THE SINGING FOREST. Directed by Mark Wing-Davey, THE SINGING FOREST will begin previews on Tuesday, April 7 and run through Sunday, May 17 with an official press opening on Monday, April 27 at 7 PM.

The Cherry Lane Theatre will present the 11th season of its Obie Award-winning Cherry Lane Mentor Project with the new play HOUSEBREAKING - written by Jakob Holder, mentored by playwright Charles Mee - with performances set to run March 24-April 4 at The Cherry Lane Studio (38 Commerce Street) in Manhattan. Daniella Topol directs.

The Cherry Lane Theatre will present the 11th season of its Obie Award-winning Cherry Lane Mentor Project with the new play HOUSEBREAKING - written by Jakob Holder, mentored by playwright Charles Mee - with performances set to run March 24-April 4 at The Cherry Lane Studio (38 Commerce Street) in Manhattan. Daniella Topol directs.

The 7 th Annual 7 th Inning Stretch: 7 10-minute plays about baseball Playwrights: William Burton Henline (MFA playwriting candidate at Rutgers University) Rand Higbee (alt. to National Theatre Festival at the Kennedy Center) Robin Rice Lichtig (Lincoln Center Director's Lab, New Georges) Jay Rehak (Inspirato Festival in Toronto, Knutsford Theater Festival in England)Donna Spector (Women Playwrights: Best Plays of 2002, Pushcart Prize Nom) Heather Woodbury (Kennedy Center Grantee, OBIE winner)

Acclaimed Off-Broadway theater company Playwrights Horizons (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director) will hold its annual Spring Gala Benefit on Monday evening, April 27th at Guastavino's (409 East 59th Street).

The Public Theater (Artistic Director Oskar Eustis; Executive Director Andrew D. Hamingson) will begin previews on Tuesday, March 3 for Tracey Scott Wilson's THE GOOD NEGRO, which will run through Sunday, April 19 with an official press opening on Monday, March 16. Directed by Liesl Tommy and presented in association with Dallas Theater Center, THE GOOD NEGRO is the first new play to transfer from the Public LAB initiative to a full main stage production at The Public.

The Cherry Lane Theatre presents the world premiere production of Deirdre O'Connor's JAILBAIT--a new play about two teenaged girls and the men they meet when they pose as college students during a night out at a club in Boston--as the inaugural production at Cherry Lane's newest Off-Broadway theatre, the 90-seat Cherry Pit (155 Bank Street), with previews set to begin March 19 prior to its official press opening on March 25. Suzanne Agins directs.

Emmy-nominated Paul Anthony Stewart stars as Raskolnikov in a gripping 90-minute adaptation of Dostoevsky's Crime and Punishment at The Cleveland Play House. In addition to numerous New York and regional theatre roles, Stewart, who was nominated for his recurring role on 'Guiding Light,' recently appeared on Broadway in the revivals of Fiddler on the Roof and Cyrano - The Musical. Performed with only three actors, the adaptation of Crime and Punishment by Marilyn Campbell and Cut Columbus is being helmed by the acclaimed director of the 2005 Play House production of I Am My Own Wife, Anders Cato. Crime and Punishment begins in the Drury Theatre at The Cleveland Play House on Friday, February 27 and runs through Sunday, March 22, 2009. Tickets are on sale now at The Cleveland Play House box office by calling 216.795.7000 ext 4 or online at www.clevelandplayhouse.com. Crime and Punishment is presented in promotional partnership with National City and Baker & Hostetler.

Rebecca Naomi Jones, most recently seen at The Vineyard Theatre in WIG OUT! and on Broadway in the Tony Award-winning PASSING STRANGE, is set to join the cast of The Civilians' THIS BEAUTIFUL CITY on Saturday, March 7 at The Vineyard Theatre (108 East 15th Street) where the hit play's New York premiere runs through March 15, presented by The Vineyard Theatre, in a co-production with Los Angeles' Center Theatre Group. Steven Cosson directs.

Simon Levy directs the West Coast premiere of the original drama about scientific intrigue and competition - and a woman's life in a man's world. Photograph 51 by Anna Ziegler opens on March 21 at The Fountain Theatre for a seven-week run through May 3. Low-priced previews begin March 14.

In preparation for the opening of the theater's renovated complex in Southwest D.C., Arena Stage has undertaken ARENA RESTAGED-a two-year festival of American voices. Part One of ARENA RESTAGED was an ambitious staging of 10 productions ranging from classics such as Edward Albee's A Delicate Balance to the Broadway-bound rock musical Next to Normal. Part Two will continue the remarkable exploration of American work and provide the theater with necessary time to move into the new Arena Stage at the Mead Center for American Theater in time for the Fall 2010 opening.

Starting tomorrow, Wednesday, February 25 at 10:00 AM, Playwrights Horizons (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director) will be accepting entries for its popular LIVEforFIVE online lottery for $5 tickets to its next production, the World Premiere of INKED BABY, a new play by 2007 Susan Smith Blackburn nominee Christina Anderson in her Off-Broadway playwriting debut. A total of 40 tickets will be available via the online lottery.

Paul Adams, Artistic Director and Derek Jamison, Associate Artistic Director, present Emerging Artists Theatre's workshop production of MEMORY RIVER by Vanda at TADA Theatre, beginning February 25. The production is directed by EAT member Troy Miller. MEMORY RIVER is based on the amazing true story of 'HM,' a man who, treated for epilepsy in mid-20th century America when he was 16, suffered permanent loss of the ability to form new memories. In the decades that followed, his case provided crucial data in the scientific quest to understand how memory works. In this play inspired by Patient HM, a fictional neuroscientist is haunted by her memories as she treats a man who hasn't had a new memory in 55 years. MEMORY RIVER is part of Emerging Artist's Spring 2009 EATFest. Says Vanda, 'I'm a licensed psychologist and I had been teaching Introduction to Psychology for quite a few years before I began writing this play. Part of the Intro course involves a unit on memory. In every memory chapter of every Introduction to Psychology textbook there is a mention of Patient HM. Usually, it says something like 'his doctors tried to cure his intractable epilepsy by removing his hippocampus and parts of his amygdala.' Then, the book goes on to tell the student that the operation worked! His epileptic seizures did come under control. However, he could never again form a new memory. One day after delivering this clinically dry information for yet another class I asked myself, 'Who is this guy?' That question led me to another: 'What does it mean to have a memory, or what does it mean to not have a memory?' These questions led me to write the play.'