Christopher Alden News

Stephen Costello, having "risen rapidly to claim a place among the world's best tenors" (Daily Express, UK), steps up his European presence in the coming season. September sees the Tucker Award-winning tenor make his Paris Opera debut with his first German-language account of Camille in The Merry Widow.

ACI, GALATEA E POLIFEMO (ACIS, GALATEA AND POLYPHEMUS)--which just opened a short run at Brooklyn's National Sawdust venue, ending on July 20, with star countertenor Anthony Roth Costanzo--may be the most obscure Handel opera that you think you know but don't. (And it's not an opera, either, for that matter.)

Producers Nelle Nugent, Steve Traxler, Kenneth Teaton, Benjamin Feldman, and Doug Morris (CEO, Sony Music) today announce the full creative team for the first Broadway revival of David Henry Hwang's Tony Award-winning play, M. BUTTERFLY.

Classic and contemporary, opera and orchestral, the music doesn't stop when the temperatures climb in New York, whether you're in New York City, or ready to travel to one of the festivals that dot the landscape of the Northeast. Musical life doesn't stop when the Met closes its doors: Here's a look “from here to eternity”…in the first part of our series on summertime's opera/vocal venues, covering New York City and Westchester.

This summer, countertenor Anthony Roth Costanzo, a "bona-fide star" (New Yorker) of the Metropolitan Opera, Berlin Philharmonic, Lyric Opera of Chicago, San Francisco Opera, English National Opera, Canadian Opera Company, LA Opera, and Glyndebourne, returns as one of twelve curators to Brooklyn's artist-led National Sawdust (NS), where he will present and perform in a radical reimagining of Handel's dramatic cantata Aci, Galatea e Polifemo, a co-production of National Sawdust and San Francisco's Philharmonia Baroque Orchestra & Chorale (led by conductor Nicholas McGegan).

Rosmira still loves the man who jilted her, Arsace. He, unfortunately, is in love with beautiful Partenope. As too are Armindo and Emilio. So naturally, Rosmira dresses up as a man and becomes another of Partenope's suitors, in order to win back Arsace. And that's before things get really tangled…

Utah Opera Artistic Director Christopher McBeth today announced Utah Opera's 2017-18 season in recognition of the company's 40th anniversary.

The Canadian Opera Company presents a 2017/2018 season that defies conventions on what opera can be and cements the art form's enduring relevance as a reflection of timeless human relations and universal themes.

David Alden's double Olivier Award-winning production of Jana?ek's first opera Jen?fa returns to the London Coliseum. This 'formidable production' (The Guardian), was first seen in 2006.

Although the solstice doesn't officially appear for another week or so, the summer opera clock is already ticking. There's a plethora of performances going on all over New York City, in addition to interesting, entertaining and fascinating productions that are just a hop, skip and jump away. Among them: Lincoln Center's Lincoln Center Festival and Mostly Mozart and On Site Opera's West Village venue, to the more bucolic realms of Bard SummerScape in Dutchess County (NY) for Mascagni and Caramoor in Katonah (NY) for Rossini and Beethoven.

Just four years into its existence, On Site Opera (OSO) has established itself as one of New York City's most imaginative, nimble opera companies by doing more than simply staging musically and dramatically rich works outside of the opera house.

Before Captain Jack Sparrow of the Pirates of the Caribbean films sailed the seven seas, Wagner's operatic tale of a cursed pirate had been thrilling audiences for almost 200 years. Seattleites will soon get to experience this masterpiece for themselves in May 2016, as Seattle Opera presents The Flying Dutchman.

The English National Opera has announced its 2016/17 season, showcasing an extraordinary range of work -- from the return of beloved classics to exciting new productions and a world premiere.

MasterVoices (formerly The Collegiate Chorale) continues the 2015-2016 season with Henry Purcell and Nahum Tate's tempestuous Baroque opera, DIDO AND AENEAS, tonight, April 28, 2016 at 7pm and tomorrow, April 29, 2016 at 8pm at New York City Center, 131 W. 55th Street, New York City.

A friendly reminder! MasterVoices (formerly The Collegiate Chorale) continues the 2015-2016 season with Henry Purcell and Nahum Tate's tempestuous Baroque opera, DIDO AND AENEAS, on April 28, 2016 at 7pm and April 29, 2016 at 8pm at New York City Center, 131 W. 55th Street, New York City.

LA MAMA presents COFFEEHOUSE CHRONICLES #134 "GABRIEL BERRY" - Saturday, APRIL 23, 2016 at 3:00pm - 5:00pm?-- Located at, La MaMa, Downstairs (66 East 4th Street, NYC).

Before Captain Jack Sparrow of the Pirates of the Caribbean films sailed the seven seas, Wagner's operatic tale of a cursed pirate had been thrilling audiences for almost 200 years. Seattleites will soon get to experience this masterpiece for themselves in May 2016, as Seattle Opera presents The Flying Dutchman.

The American Academy of Arts and Letters announces that librettist/lyricist Michael Korie will receive the Marc Blitzstein Award for Musical Theater of $10,000. Established in 1965 by friends of the late Academician Marc Blitzstein in his memory, the award is given to a composer, lyricist, or librettist to encourage the creation of works of merit for musical theater and opera. The jurors were John Harbison (chairman), J. D. McClatchy, Shulamit Ran, Augusta Read Thomas, and Yehudi Wyner.

Award-winning director Christopher Alden returns to ENO for our first-ever production of Bellini's masterpiece, NORMA. Celebrated for its finely shaped melodies and exquisite arias, NORMA is full of ravishing music. BroadwayWorld has a first look at the cast in action below!